Johnny Guitar Watson Songs


Book Description

Enth. u.a.: A real mother for ya. Booty ooty. Cop and blow. Funk beyond the call of duty. Hook me up. I don't want to be a lone ranger. I get a feelin'. I want to ta-ta you, baby. It's way too late. Love Jones. Mother in law. Strung out. Superman lover. Telephone Bill. You bring love. You're the sweetest thing I ever had. Your new love is a player.




The Gangster of Love


Book Description

The only biography of Johnny "Guitar" Watson (1935-1996) paints an intriguing portrait of the American blues funk composer. His fans appreciate his historical role in black American music. Rappers honored him with samples. In this book tens of musicians reveal the life story of the struggling guitarist who became eternal with Gangster Of Love and A Real Mother For Ya. Besides hundreds of others, the love bandit had three First Ladies he lived with for years. They tell their untold love stories and explain how they stimulated his music as Muse, and how they financed his music business as Maecenas, helping him to produce gold albums by working as prostitute, thief or booster. His musicians reveal: how did he compose his incredible oeuvre? This book includes: The first complete Discography with 284 songs, Hundreds of songs composed or produced by Watson for others, songs he features on, his songs covered or sampled by others, Index with hundreds of related artists, Extended stories of Frank Zappa on John Watson and Watson on Zappa, 660 References, 300 Illustrations, of which 4 in full color. EXTENDED EDITION (First Edition April 2009), corrected by music author Fred Rothwell (UK), with 50% more pages and 150% more Illustrations.




All Music Guide to Soul


Book Description

With informative biographies, essays, and "music maps, " this book is the ultimate guide to the best recordings in rhythm and blues. 20 charts.




All Music Guide to the Blues


Book Description

Reviews and rates the best recordings of 8,900 blues artists in all styles.




Real Frank Zappa Book


Book Description

Recounts the career of the rock music performer.




A History of Rock Music in 500 Songs Vol 1


Book Description

In this series of books, based on the hit podcast A History of Rock Music in 500 Songs, Andrew Hickey analyses the history of rock and roll music, from its origins in swing, Western swing, boogie woogie, and gospel, through to the 1990s, grunge, and Britpop. Looking at five hundred representative songs, he tells the story of the musicians who made those records, the society that produced them, and the music they were making. Volume one looks at fifty songs from the origins of rock and roll, starting in 1938 with Charlie Christian's first recording session, and ending in 1956. Along the way, it looks at Louis Jordan, LaVern Baker, the Ink Spots, Fats Domino, Sister Rosetta Tharpe, Jackie Brenston, Bill Haley, Chuck Berry, Elvis Presley, Little Richard, and many more of the progenitors of rock and roll.




Pat Metheny


Book Description

Pat Metheny: The ECM Years, 1977-1984 offers a vivid account of jazz guitarist Pat Metheny's first creative period, during which he recorded eleven albums for the European label ECM. This unique music reflects his passionate belief in the need to refashion jazz in ways which allow it to speak powerfully to a new generation, and the book provides a portrait of a fascinating but often overlooked period in jazz history.




Billboard


Book Description

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.




Before Elvis


Book Description

An essential work for rock fans and scholars, Before Elvis: The Prehistory of Rock 'n' Roll surveys the origins of rock 'n' roll from the minstrel era to the emergence of Bill Haley and Elvis Presley. Unlike other histories of rock, Before Elvis offers a far broader and deeper analysis of the influences on rock music. Dispelling common misconceptions, it examines rock's origins in hokum songs and big-band boogies as well as Delta blues, detailing the embrace by white artists of African-American styles long before rock 'n' roll appeared. This unique study ranges far and wide, highlighting not only the contributions of obscure but key precursors like Hardrock Gunter and Sam Theard but also the influence of celebrity performers like Gene Autry and Ella Fitzgerald. Too often, rock historians treat the genesis of rock 'n' roll as a bolt from the blue, an overnight revolution provoked by the bland pop music that immediately preceded it and created through the white appropriation of music till then played only by and for black audiences. In Before Elvis, Birnbaum daringly argues a more complicated history of rock's evolution from a heady mix of ragtime, boogie-woogie, swing, country music, mainstream pop, and rhythm-and-blues--a melange that influenced one another along the way, from the absorption of blues and boogies into jazz and pop to the integration of country and Caribbean music into rhythm-and-blues. Written in an easy style, Before Elvis presents a bold argument about rock's origins and required reading for fans and scholars of rock 'n' roll history.




History of Rock 'n' Roll in Ten Songs


Book Description

The legendary critic and author of Mystery Train “ingeniously retells the tale of rock and roll” (Publishers Weekly, starred review). Unlike previous versions of rock ’n’ roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs and dramatizes how each embodies rock ’n’ roll as a thing in itself, in the story it tells, inhabits, and acts out—a new language, something new under the sun. “Transmission” by Joy Division. “All I Could Do Was Cry” by Etta James and then Beyoncé. “To Know Him Is to Love Him,” first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus’s hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism—and its most gifted and incisive practitioner—is destined to become an enduring classic. “One of the epic figures in rock writing.”—The New York Times Book Review “Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it.”—The Washington Post Winner of the Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers