Blecky Yuckerella Vol. 3


Book Description

America's stupidest second-grader returns for a third collection of gag strips, as seen in Vice magazine and elsewhere. Join Blecky Yuckerella and her supporting cast of absurdist goofballs for another gust of gross-out guffaws.




Johnny Ryan's XXX Scumbag Party


Book Description

"Material in this volume originally appeared in Angry Youth Comix #6-10, VICE magazine, and Hotwire Comix & Capers Vol. 1"--T.p. verso.




Angry Youth Comix


Book Description

For the first time, all fourteen issues of Johnny Ryan’s career-defining comic book series Angry Youth Comics (2000–2008) are collected in one place: all the comics, the covers, and even the contentious letters pages, in one toilet-ready brick. Johnny Ryan’s utterly unpretentious, taboo-tackling is an infectious and hilarious bombardment of political incorrectness, taking full advantage of the medium’s absurdist potential for maximum laughs. In an age when the medium is growing up and aspiring to more mature and hoity-toity literary heights, Ryan builds on the visceral tradition that cartooning has had on our collective funny bone for over a century.




The Comics Journal


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The Publishers Weekly


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I Love Jesus, But I Want to Die


Book Description

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.




Blecky Yuckerella Vol. 4


Book Description

The stupidest, ugliest, stubbliest girl in grade number two is back and so are the zits, boogers, guts, tumors, and turds in this fourth and final collection of riotously hilarious, eye-poppingly offensive four-panel gag strips. Co-starring the usual cast of Blecky’s weirdo friends and enemies, plus jelly clones, morbidly obese Jesus, the Blumpkins, slug nuts, aliens, talking belches, the beloved New Character Parade and oh so much more. Over 100 pages of ridiculous absurdity, over-the-top gross-outs, and scathing satire as only Johnny Ryan can deliver.




Class


Book Description

This book describes the living-room artifacts, clothing styles, and intellectual proclivities of American classes from top to bottom.




Norman Pettingill


Book Description

Norman Pettingill was an avid trapper and fisherman from Northern Wisconsin, and a self-taught artist. In 1947, at the age of 51, he created hundreds of pen-and-ink drawings and marketed many of them as postcards, printing and distributing them himself. His cartoon drawings were relatively huge and his postcards, therefore, had to be uniquely over-sized at 7” x 10”. He combined a gift for the fine detail and verisimilitude of illustration with the visual exaggeration and outrageous wit of cartooning. By merging his fascination with nature and backwoods culture with his wild sense of humor, he depicted an out-of¬control hillbilly wonderland of talking grizzlies, dancing morons, nightclubs, giant mosquitoes, tumble-down shacks, pipe smoking grannies, flying skunk fur, google-eyed drunks, hilarious hunting mishaps and moonshine soaked fishermen! Pettingill’s world is reminiscent of Al Capp’s Li’l Abner comic strip, but Pettingill’s hillbilly heaven is made grittier and more tangible by his obsessive penwork and the attention he gives to each teetering outhouse, every overflowing spittoon and each wiry hair growing out of a mountain man’s warty face. He reveled in exposing the commercialization of outdoor activities, debunking the romance of a woodsman’s life, and de-mythologizing the expertise of the outdoors-man. His landscapes and drawings of wild animals could be breathtakingly wondrous, and even his most grotesque depictions of hillbillies were fused with a love and respect for the rituals of a primitive life in the boondocks.




Diary


Book Description

Corinne Day's photographs have influenced a generation of fashion and documentary image makers. Her pictures unflinchingly document her life and relationships with a realist snapshot aesthetic -- representing a youth culture set against the glamour of fashion and avoiding fictionalization or voyeurism. Gaining notoriety both for a scandalous photo of Kate Moss in Vogue in 1993 and for pioneering so-called 'grunge' fashion photography, she was exiled from the mainstream fashion media -- which had always been wary of her potential for controversy -- a few years later as tastes began to shift towards a more stylized, clean-cut look. Since then her photography has tended to focus on her own life, on the daily lives of her circle of friends. Diary is Corinne Day's first publication, cataloguing the photographer's life over the past five years. The subjects of this book include friends like Tara -- a London commune dweller and fashion stylist -- and George and Rose, who after being photographed by Day went on to become catwalk models. Their lives intersect in this book, presenting an honest document of contemporary youth with all their habits, desires, fears, and hopes.