Josef Koudelka: Wall (Signed Edition)


Book Description

Josef Koudelka's Wall comprises panoramic landscape photographs made from 2008-2012 in East Jerusalem, Hebron, Ramallah, Bethlehem and in various Israeli settlements along the route of the barrier separating Israel and Palestine. Whereas Israel calls it the "security fence," Palestinians call it the "apartheid wall," and groups like Human Rights Watch use the term "separation barrier," Koudelka's project is metaphorical in nature--focused on the wall as a human fissure in the natural landscape. Sometimes blocks of concrete define the panoramas; at other times displaced olive trees--a lifeline for one man, collateral damage in another's claim for territory--subtly emerge. As in his Black Triangle project, made in the Bohemian foothills of the Ore Mountains in the early 1990s, Wall conveys the fraught relationships between man and nature and between closely related cultures. A chronology, lexicon and captions provide context for the photographs. The book is designed by Xavier Barral, working closely with Koudelka. Wall is part of a larger project, This Place, initiated by photographer Frederic Brenner. This Place explores Israel as place and metaphor through the eyes of 12 acclaimed photographers, who were invited to look beyond dominant political narratives and to explore the complexity of the place--not to judge, but to question and to reveal.




Josef Koudelka: Koudelka (Signed Edition)


Book Description

Stark, impassioned, and singularly intense, the work of the itinerant and fiercely independent Czech photographer, Josef Koudelka, has received deserved acclaim over the past three decades for having made a uniquely significant contribution to the language of photography. This major new monograph presents the most comprehensive survey of Koudelka's work to date, bringing together more than 150 of his most eloquent images--from his earliest, many published here for the first time, to his most recent: mesmerizing studies of the European landscape made with a panoramic camera. Whether photographing Prague's avant-garde theater scene in the 1960s, the secretive world of the Eastern European gypsies, Czech resistance to the Soviet advance on Prague, or the environmental degradation of our postindustrial world, Koudelka has consistently produced transformative images that stand outside of time and place. In the words of the legendary French photography-world figure and Koudelka's longtime champion and publisher, Robert Delpire, Koudelka brings an intense eye and full heart to each place, object, and person. This work proves once again that he is a photographer with unique personality and power. Beautifully produced with duotone printing and three gatefolds, this volume also contains eight original essays, each exploring a different aspect of Koudelka's work and illustrating the artist's constant evolution and intensity.




Josef Koudelka: Exiles (Signed Edition)


Book Description

About Exiles, Cornell Capa once wrote, Koudelka's unsentimental, stark, brooding, intensely human imagery reflects his own spirit, the very essence of an exile who is at home wherever his wandering body finds haven in the night. In this newly revised and expanded edition of the 1988 classic, which includes ten new images and a new commentary with Robert Delpire, Koudelka's work once more forms a powerful document of the spiritual and physical state of exile. The sense of private mystery that fills these photographs--mostly taken during Koudelka's many years of wandering through Europe and Great Britain since leaving his native Czechoslovakia in 1968--speaks of passion and reserve, of his rage to see. Solitary, moving, deeply felt and strangely disturbing, the images in Exiles suggest alienation, disconnection and love. Exiles evokes some of the most compelling and troubling themes of the twentieth century, while resonating with equal force in this current moment of profound migrations and transience.







Josef Koudelka


Book Description




Wall


Book Description

Josef Koudelka's "Wall" comprises panoramic landscape photographs made from 2008-2012 in East Jerusalem, Hebron, Ramallah, Bethlehem and in various Israeli settlements along the route of the barrier separating Israel and Palestine. Whereas Israel calls it the "security fence," Palestinians call it the "apartheid wall," and groups like Human Rights Watch use the term "separation barrier," Koudelka's project is metaphorical in nature--focused on the wall as a human fissure in the natural landscape. Sometimes blocks of concrete define the panoramas; at other times displaced olive trees--a lifeline for one man, collateral damage in another's claim for territory--subtly emerge. As in his "Black Triangle" project, made in the Bohemian foothills of the Ore Mountains in the early 1990s, "Wall" conveys the fraught relationships between man and nature and between closely related cultures. A chronology, lexicon and captions provide context for the photographs. The book is designed by Xavier Barral, working closely with Koudelka. "Wall" is part of a larger project, "This Place," initiated by photographer Frederic Brenner. "This Place" explores Israel as place and metaphor through the eyes of 12 acclaimed photographers, who were invited to look beyond dominant political narratives and to explore the complexity of the place--not to judge, but to question and to reveal. In 1968, Josef Koudelka (born 1938) photographed the Soviet-led invasion of Czechoslovakia, publishing these images under the initials P.P. (Prague Photographer). Koudelka left Czechoslovakia in 1970, became stateless, was then granted political asylum in England, and shortly thereafter joined Magnum Photos. Prior to "Wall," Koudelka published ten books of photographs focusing on the relationship between contemporary man and the landscape, including "Gypsies" (1975), "Exiles" (1988), "Black Triangle" (1994) and "Invasion 68: Prague" (2008). Significant exhibitions of his work have been held at The Museum of Modern Art, New York and the International Center of Photography, New York. In 2012, Koudelka was named Commandeur de l'Ordre des Arts et des Lettres by the French Ministry of Culture.




Josef Koudelka


Book Description

When he arrived in Paris, Koudelka had already produced two outstanding works of reportage. One documented the Prague Spring, while the other, on gypsies, could almost have been an ethnological study had its images not been charged with so much emotion. Unknown in 1970, he rose to become one of the most powerful photographers of his day.This book shows that in the lands of exile through which he travels with his amazing urge to see, Koudelkas own particular talent has been affirmed and expanded.




Invasion 68, Prague


Book Description

"DECREAZIONE" is a book collecting Joseph Koudelka's images exhibited at the fifty-firth Venice Biennale, at the Vatican Pavilion. With his suggestive black-and-white images and his moving, desolated landscapes, Koudelka tells stories of destruction, declined in three different forms: time, violence, and contrast between nature and uncontrolled industrial development. Josef Koudelka was born in Moravia in 1938. He published numerous photographic books on the relationship between man and landscape, about gypsy life, and on the invasion of Prague in 1968. Significant exhibitions of his works have been held at international museums and galleries and he received numerous major awards.




Gypsies


Book Description

"The photographer Josef Koudelka is as nomadic & unpredictable as the Gypsies whose existence he has brilliantly chronicled."-Vanity Fair




Blind Spot


Book Description

In this innovative synthesis of words and images, the award-winning author of Open City and photography critic for The New York Times Magazine combines two of his great passions. One of Time’s Top 10 Non-Fiction Books of the Year • One of Smithsonian.com’s Ten Best Photography Books of the Year When it comes to Teju Cole, the unexpected is not unfamiliar: He’s an acclaimed novelist, an influential essayist, and an internationally exhibited photographer. In Blind Spot, readers follow Cole’s inimitable artistic vision into the visual realm as he continues to refine the voice, eye, and intellectual obsessions that earned him such acclaim for Open City. Here, journey through more than 150 of Cole’s full-color original photos, each accompanied by his lyrical and evocative prose, forming a multimedia diary of years of near-constant travel: from a park in Berlin to a mountain range in Switzerland, a church exterior in Lagos to a parking lot in Brooklyn; landscapes and interiors, beautiful or quotidian, that inspire Cole’s memories, fantasies, and introspections. Ships in Capri remind him of the work of writers from Homer to Edna O’Brien; a hotel room in Wannsee brings back a disturbing dream about a friend’s death; a home in Tivoli evokes a transformative period of semi-blindness, after which “the photography changed. . . . The looking changed.” As exquisitely wrought as the work of Anne Carson or Chris Marker, Blind Spot is a testament to the art of seeing by one of the most powerful and original voices in contemporary literature. Praise for Blind Spot “Common things [are] made radiant by the quality of Cole’s looking. . . . In this new, luminous book, Cole shows himself to be really one of the best at seeing.”—The Guardian “This lyrical essay in photographs paired with texts explores the mysteries of the ordinary.”—The New York Times Books Review (Editors’ Choice) “Stunning . . . feels like the fulfillment of an intellectual project that has defined most of [Cole’s] career.”—Slate “Dazzling . . . cerebral yet intimate . . . combines personal essay, history, biography, journalism, and photography into a seamless package, capturing human dignity and grace through careful, clear-eyed reverence.”—Vice “An eclectically brilliant distillation of what photography can do, and why it remains an important art form.”—San Francisco Chronicle