Joseph Cundall. A, Victorian publisher
Author : Ruari MacLean
Publisher :
Page : pages
File Size : 31,98 MB
Release : 1976
Category :
ISBN :
Author : Ruari MacLean
Publisher :
Page : pages
File Size : 31,98 MB
Release : 1976
Category :
ISBN :
Author : Sarah Wadsworth
Publisher : Liverpool University Press
Page : 302 pages
File Size : 50,68 MB
Release : 2006-01-01
Category : Literary Criticism
ISBN : 9781558495418
Tracing the segmentation of the literary marketplace in 19th century America, this book analyses the implications of the subdivided literary field for readers, writers, and literature itself.
Author : Ruari McLean
Publisher : Pinner : Private Libraries Association
Page : 116 pages
File Size : 19,1 MB
Release : 1976
Category : Biography & Autobiography
ISBN :
Author : Emma Chambers
Publisher : Routledge
Page : 270 pages
File Size : 42,71 MB
Release : 2018-08-10
Category : Art
ISBN : 0429852827
First published in 1999, Chambers explores English etching changed that radically during the nineteenth century. This book looks into the freedom and directness of the etching process became a key plank in a sustained attempt to raise the status of etching in Britain spearheaded by artists such as Francis Seymour Haden and James McNeill Whistler and members of the Etching Club. An Indolent and Blundering Art? Opens with a description of the use of language and art criticism to redefine etching
Author : David McKitterick
Publisher : Cambridge University Press
Page : 447 pages
File Size : 36,37 MB
Release : 2022-06-30
Category : Language Arts & Disciplines
ISBN : 1009200844
This book traces a revolution in values that transformed nineteenth-century attitudes to second-hand books, bibliography and collecting.
Author : Grace Seiberling
Publisher : University of Chicago Press
Page : 320 pages
File Size : 28,24 MB
Release : 1986-05
Category : Art
ISBN : 9780226744988
"This book results from research which was begun with all the casualness, but inherent seriousness, of the nineteenth-century amateur. I had the privilege of frequent access to the archives of the International Museum of Photography at George Eastman House and began to go through the nineteenth-century photographs in a systematic way. I wanted to go beyond the clichés of the history of photography as a series of often-reproduced masterworks and to find out something about the history of seeing, or at least of thinking about, images in the nineteenth century."--Préface.
Author : Joanne Shattock
Publisher : Cambridge University Press
Page : 74 pages
File Size : 41,97 MB
Release : 1999
Category : English literature
ISBN : 9780521391009
Author : Alexis Weedon
Publisher : Routledge
Page : 192 pages
File Size : 33,28 MB
Release : 2017-03-02
Category : Literary Criticism
ISBN : 1351875868
Drawing on research into the book-production records of twelve publishers-including George Bell & Son, Richard Bentley, William Blackwood, Chatto & Windus, Oliver & Boyd, Macmillan, and the book printers William Clowes and T&A Constable - taken at ten-year intervals from 1836 to 1916, this book interprets broad trends in the growth and diversity of book publishing in Victorian Britain. Chapters explore the significance of the export trade to the colonies and the rising importance of towns outside London as centres of publishing; the influence of technological change in increasing the variety and quantity of books; and how the business practice of literary publishing developed to expand the market for British and American authors. The book takes examples from the purchase and sale of popular fiction by Ouida, Mrs. Wood, Mrs. Ewing, and canonical authors such as George Eliot, Wilkie Collins, and Mark Twain. Consideration of the unique demands of the educational market complements the focus on fiction, as readers, arithmetic books, music, geography, science textbooks, and Greek and Latin classics became a staple for an increasing number of publishing houses wishing to spread the risk of novel publication.
Author : Sian Echard
Publisher : University of Pennsylvania Press
Page : 334 pages
File Size : 45,96 MB
Release : 2013-09-25
Category : Design
ISBN : 0812201841
In Printing the Middle Ages Siân Echard looks to the postmedieval, postmanuscript lives of medieval texts, seeking to understand the lasting impact on both the popular and the scholarly imaginations of the physical objects that transmitted the Middle Ages to the English-speaking world. Beneath and behind the foundational works of recovery that established the canon of medieval literature, she argues, was a vast terrain of books, scholarly or popular, grubby or beautiful, widely disseminated or privately printed. By turning to these, we are able to chart the differing reception histories of the literary texts of the British Middle Ages. For Echard, any reading of a medieval text, whether past or present, amateur or academic, floats on the surface of a complex sea of expectations and desires made up of the books that mediate those readings. Each chapter of Printing the Middle Ages focuses on a central textual object and tells its story in order to reveal the history of its reception and transmission. Moving from the first age of print into the early twenty-first century, Echard examines the special fonts created in the Elizabethan period to reproduce Old English, the hand-drawn facsimiles of the nineteenth century, and today's experiments with the digital reproduction of medieval objects; she explores the illustrations in eighteenth-century versions of Guy of Warwick and Bevis of Hampton; she discusses nineteenth-century children's versions of the Canterbury Tales and the aristocratic transmission history of John Gower's Confessio Amantis; and she touches on fine press printings of Dante, Froissart, and Langland.
Author : Angus Phillips
Publisher : Oxford University Press
Page : 488 pages
File Size : 12,74 MB
Release : 2019-04-11
Category : Language Arts & Disciplines
ISBN : 0192512730
Publishing is one of the oldest and most influential businesses in the world. It remains an essential creative and knowledge industry, worth over $140 billion a year, which continues to shape our education and culture. Two trends make this a particularly exciting time. The first is the revolution in communications technology that has transformed what it means to publish; far from resting on their laurels and retreating into tradition, publishers are doing as they always have - staying on the cutting edge. The second is the growing body of academic work that studies publishing in its many forms. Both mean that there has never been a more important time to examine this essential practice and the current state of knowledge. The Oxford Handbook of Publishing marks the coming of age of the scholarship in publishing studies with a comprehensive exploration of current research, featuring contributions from both industry professionals and internationally renowned scholars on subjects such as copyright, corporate social responsibility, globalizing markets, and changing technology. This authoritative volume looks at the relationship of the book publishing industry with other media, and how intellectual property underpins what publishers do. It outlines the complex and risky economics of the industry and examines how marketing, publicity, and sales have become ever more central aspects of business practice, while also exploring different sectors in depth and giving full treatment to the transformational and much discussed impact of digital publishing. This Handbook is essential reading for anyone interested in publishing, literature, and the business of media, entertainment, culture, communication, and information.