The Jottings of David Daube


Book Description

One of the great legal minds of our time, Daube's depth of scholarship in a range of subjects-ancient literature, English literature, ancient law, medical ethics, much more-was matched by a dazzling agility and originality of mind-for instance: though raised in an Orthodox Jewish home, he produced strikingly original work on the New Testament. David Daube's life spanned almost the entire 20th century and he was witness to its history. Born a Jew in Germany in 1909, he spent World War II and its aftermath in Britain on the faculties of Cambridge, Aberdeen, and Oxford. He came to the United States in the '60s-to the University of California at Berkeley where he reveled in what he called the "unmanicured, unclubbable, countercultural attitudes." Through it all he never lost his love for the land of his birth-though it didn't love him back for many years: he was on Hitler's list of those to be put to death once Germany had conquered England. Not your typical fusty professor, he was a brilliant and charming commentator on matters personal, political, social, and philosophical. The reader of these jottings (set down in the 1970s and '80s) will understand within a page or two why those who knew him treasured him as a friend, mentor, and intellectual provocateur. These private reflections, gathered by one of his most distinguished students, are charming, insightful, thought-provoking, sometimes profound, and sometimes just amusing. His commentaries on political and social issues of his time ranged from bravely original thought on Israel and the Palestinians to an amusing and enlightening review of the sensational porn film Deep Throat. Here are some sample jottings: "I love women. They provide the unhappiness that I need in life." "People are more struck by the asininity of the law when they are trapped by it than when they are let off." "We are all of us survivors all the time; everything that is, is a survivor relative to what has fallen by the wayside. Naturally, having escaped from Hitler's clutches myself, I am a bit more alive to the whole business than the average guy." The books's editor, Calum Carmichael, Professor of Comparative Literature and Adjunct Professor of Law at Cornell, has degrees in science, historical theology, and law from the Universities of Glasgow, Edinburgh, and Oxford. He teaches biblical and cognate (Near Eastern and Talmudic) literature as well as courses on law and literature in antiquity. He is the author of nine books that focus primarily on biblical law; the editor of a six volume series devoted to the work of David Daube who was his teacher at Oxford; and the author of a memoir, "Ideas and the Man: Remembering David Daube.




Mid-Victorian Poetry, 1860-1879


Book Description

These two volumes list late-and mid-Victorian poets, with brief biographical information and bibliographical details of published works. The major strength of the works is the 'discovery' of very many minor poets and their work, unrecorded elsewhere.







James Merrill


Book Description

"A biography of the acclaimed poet James Merrill"--




Beyond the Lyric


Book Description

British poetry is enjoying a period of exceptional richness and variety. This is exciting but it's also confusing, and throws up the need for an enthusiastic guide that can explain and celebrate the many parallel poetry projects now underway. Beyond the Lyric does just that. This is a book of enthusiasms: an intelligent and witty map of contemporary British poetry and a radical, accessible guide to living British poets, grouped for the first time according to the kind of poetry they write. In a series of groundbreaking new classifications, beginning with the bread-and-butter diction of the Plain Dealers and ending on the capacious generosity of the Exploded Lyric, it examines the broad range of contemporary tendencies – from the baroque swagger of the Dandies to the restrained elegance of the Oxford Elegists; from the layered, haunting verse of Mythopoesis to the inventive explorations of the New Formalists. By probing the cultural context from which these groups emerge and shifting the critical focus back to the work itself, Sampson’s astute analysis illuminates and demystifies each of these terms and asks the big questions about what makes a poem. The result is a celebration of poetry as a connected, responsive and above all communitarian form. Lively, engaging and inviting, this is the indispensible and authoritative guide for anyone who's ever wondered what's going on in British poetry today.










The Complete Poetry of Percy Bysshe Shelley


Book Description

Winner of the 2013 Richard J. Finneran Award, Society for Textual ScholarshipOutstanding Academic Title, Choice "His name is Percy Bysshe Shelley, and he is the author of a poetical work entitled Alastor, or the Spirit of Solitude.” With these words, the radical journalist and poet Leigh Hunt announced his discovery in 1816 of an extraordinary talent within “a new school of poetry rising of late.” The third volume of the acclaimed edition of The Complete Poetry of Percy Bysshe Shelley includes Alastor, one of Shelley’s first major works, and all the poems that Shelley completed, for either private circulation or publication, during the turbulent years from 1814 to March 1818: Hymn to Intellectual Beauty, Mont Blanc, Laon and Cythna, as well as shorter pieces, such as his most famous sonnet, Ozymandias. It was during these years that Shelley, already an accomplished and practiced poet with three volumes of published verse, authored two major volumes, earned international recognition, and became part of the circle that was later called the Younger Romantics. As with previous volumes, extensive discussions of the poems’ composition, influences, publication, circulation, reception, and critical history accompany detailed records of textual variants for each work. Among the appendixes are Mary W. Shelley’s 1839 notes on the poems for these years, a table of the forty-two revisions made to Laon and Cythna for its reissue as The Revolt of Islam, and Shelley’s errata list for the same. It is in the works included in this volume that the recognizable and characteristic voice of Shelley emerges—unmistakable, consistent, and vital.




Understanding I.A. Richards' Principles of Literary Criticism


Book Description

No Treatment Of Modern Criticism Is Possible Without Discussing I.A. Richards, Since In The Most Literal Sense His Influence Combined With That Of T.S. Eliot And F.R. Leavis Served To Create It. As One Of Seminal Thinkers Paving The Way For The Development Of New Criticism, Richards Made A Systematic Attempt To Formulate A Theory Of Poetry In Consonance With The Demands Of Modern Scientific Thought.The Present Book Stems From The Need To Offer An Objective Appraisal Of Richards Thought System In The Context Of The Evolution Of His Ideas In Foundations Of Aesthetics, The Meaning Of Meaning, Principles Of Literary Criticism, Science And Poetry (Later Reissued As Poetries And Sciences) And Practical Criticism. In The Context Of Wide-Spread Misinterpretations And Distortions Of Richards Point Of View, The Author Has Tried Throughout This Inter-Disciplinary Work To Allow Richards To Speak For Himself. While Unfolding The Subtle, Suggestive And Consistent Nature Of Richards Early Writings, The Book Studies His Criticism Of Modern Poets Like T.S. Eliot, W.B. Yeats, G.M. Hopkins, Thomas Hardy And D.H. Lawrence. The Chapter On Practical Criticism Throws Light On Richards Technique Of Evaluating Poems And Teaches The Art Of Appreciating Poetry.




The Poets of Ireland


Book Description