The Fashion Chronicles


Book Description

From BBC television and radio presenter Amber Butchart, The Fashion Chronicles is an exploration of 100 of the most fascinating style stories ever told. From Eve's fig leaf to Hilary Clinton's pantsuit, the way we choose to clothe our bodies can carry layer upon layer of meaning. Across cultures and throughout history people have used clothing to signify power and status, to adorn and beautify, even to prop up or dismantle regimes. Here, explore the best-dressed figures in history, from Cleopatra to Beyoncé, Joan of Arc to RuPaul. Some have influenced the fashion of today, while some have used their clothing to change the world. But all have a sartorial story to tell. Entries include: Tutankhamun Boudicca Eleanor of Acquitane Genghis Khan King Philip II of Spain King Louis XIV of France Catherine the Great Marie Antoinette Karl Marx Amelia Earhart Josephine Baker Frida Kahlo Malcolm X Marsha Hunt Beyoncé Chimamanda Ngozi Adichie ...and many more




The New Politics of the Handmade


Book Description

Contemporary craft, art and design are inseparable from the flows of production and consumption under global capitalism. The New Politics of the Handmade features twenty-three voices who critically rethink the handmade in this dramatically shifting economy. The authors examine craft within the conditions of extreme material and economic disparity; a renewed focus on labour and materiality in contemporary art and museums; the political dimensions of craftivism, neoliberalism, and state power; efforts toward urban renewal and sustainability; the use of digital technologies; and craft's connections to race, cultural identity and sovereignty in texts that criss-cross five continents. They claim contemporary craft as a dynamic critical position for understanding the most immediate political and aesthetic issues of our time.







Progress in Physics, vol. 4/2016


Book Description

The Journal on Advanced Studies in Theoretical and Experimental Physics, including Related Themes from Mathematics




Theodore Roosevelt and the Art of American Power


Book Description

Theodore Roosevelt is an American icon, his face carved in granite alongside those of Washington, Jefferson, and Lincoln on Mt. Rushmore. He is the only American awarded both the Medal of Honor and Nobel Peace Prize. As president, he pushed through a stubborn Congress to breakup corporate monopolies strangling the economy, impose health standards on the food and drug industries, and conserve America’s natural heritage, including the Grand Canyon and Redwood forest. He was a brilliant diplomat who ended a war between Japan and Russia, and prevented a war between Germany and France. He engineered independence for the province of Panama from Columbia, then signed a treaty with the new country that entitled the United States to build, run, and defend a Panama canal. He crusaded for progressive reforms as a New York assemblyman, U.S. civil service commissioner, New York City police commissioner, and New York governor. He led scientific expeditions across East Africa’s savanna and Brazil’s rainforest. During the war with Spain, he raised a cavalry regiment and led his Rough Riders to a decisive victory at San Juan Heights. As a Dakota rancher during the frontier’s twilight, he squared off with outlaws and renegade Indians. He was a prolific writer, authoring 38 books and hundreds of essays. Roosevelt was among the most charismatic presidents. Yet, although most Americans adored him, most Wall Street moguls and political bosses hated him for his reforms. He was complex, simultaneously peacemaker and warmonger, progressive and conservative, Machiavellian and Kantian, avid hunter and nature lover. Roosevelt accomplished all that he did because he mastered the art of American power. His motto “speak softly and carry a big stick” exemplified how he asserted power to defend or enhance American interests. Time after time he bested such titans as J.P. Morgan or Kaiser Wilhelm at the game of power. Although he is the subject of dozens of books, this is the first to comprehensively explore just how Roosevelt understood, massed, and wielded power to pursue his vision for an America as the world’s most prosperous, just, and influential nation.




The Journal of Modern Craft


Book Description

The Journal of Modern Craft is the first peer-reviewed academic journal to provide an interdisciplinary and international forum in its subject area. It addresses all forms of making that self-consciously set themselves apart from mass production-whether in the making of designed objects, artworks, buildings, or other artefacts. The journal covers craft in all its historical and contemporary manifestations, from the mid-nineteenth century, when handwork was first consciously framed in opposition to industrialization, through to the present day, when ideas once confined to the ‘applied arts' have come to seem vital across a huge range of cultural activities. Special emphasis is placed on studio practice, and on the transformations of indigenous forms of craft activity throughout the world. The journal also reviews and analyses the relevance of craft within new media, folk art, architecture, design, contemporary art, and other fields. The Journal of Modern Craft is the main scholarly voice on the subject of craft, conceived both as an idea and as a field of practice in its own right.




Collaborative Writing in the Long Nineteenth Century


Book Description

Examining social and material dimensions of collaboration, this book reveals the diverse networks of nineteenth-century literary exchange.




Chakshudana or Opening the Eyes


Book Description

Chakshudana or rituals of opening the eyes are practiced across multiple South Asian communities by artists, sculptors, and priests. The ritual offers gods access to the mortal world. This practice, applied to the study of material and visual culture, offers a distinctive perspective to interrogate the complex engagements with paintings, sculptures, found objects, fragments, built environments, and ecologies. This volume takes the process of seeing as its focus—to look closely, remaining true to the object, but also to see widely—from multiple subjective stances and diverse bodily engagements such as walking to dreaming, glancing to looking askance, hypnotic stares, and to see beyond the visible. It examines art history through nuanced considerations of materiality, aesthetics, and regional specificities. The essays emerge from current research that builds on the contributions of Michael W. Meister, W. Norman Brown Distinguished Professor of History of Art and South Asia Studies at the University of Pennsylvania, whose works laid the foundations for the study of South Asian visual and material culture. The essays in this book underscore methodological resonances rather than privileging conventional categories of media or chronology, exploring artistic media including temples and paintings as well as Bengali-quilted textiles, manuscript ‘lozenges,’ and metal repousse. This volume, part of the Visual Media and Histories Series, will be of interest to students and researchers of history of art, religious studies, and history as well as the allied disciplines of anthropology and folklore studies. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons (CC-BY-NC-ND) 4.0 license.




Art and Emancipation


Book Description

Across a powerfully wide-ranging set of themes, theoretical registers and historical examples, John Roberts analyses the key problems that continue to confront art after conceptual art, in the light of art’s longstanding relationship to market and institution the commodity and mass culture: namely, artistic labour and technology, modernity and the ‘new’, art and negation, identity and subjectivity, agency and audience, form and value. In these terms, the book provides a rigorous and ambitious, examination of the limits and possibilities of art’s contribution to emancipatory discourse and practice.




New Perspectives on Br?cke Expressionism


Book Description

New Perspectives on Br?cke Expressionism: Bridging History brings together highly-renowned international art historians in a scholarly work that offers the first full-length reassessment in English of the importance of the Br?cke group to German modernism specifically and to international modernism more generally. It challenges, interrogates and updates existing orthodoxies in the field of Br?cke studies by deploying new research combined with innovative interpretative approaches. This is an exciting volume of essays with an interlinking tripartite structure that charts the significance of this pioneering German avant-garde group in relation to various critical themes, namely, 'cultural and material identity', 'collectivity and selfhood', as well as 'defamation and rehabilitation'. The book is unique in the field in that it seeks to excavate specific historical research relating to the activities of the Br?cke as a bohemian yet nonetheless enterprising artists' community, and considers the contributions of the key members in relation to the dynamics of that group rather than simply on an individual basis. It thoroughly explores the historiography of the Br?cke artists' reception throughout the turbulent history of the twentieth century up until the present day.