Book Description
Vols. 8, 11-12 accompanied by separate "Emendations and departures from the manuscript," by the editors.
Author : Ralph Waldo Emerson
Publisher : Harvard University Press
Page : 652 pages
File Size : 28,9 MB
Release : 1960
Category : Biography & Autobiography
ISBN : 9780674484702
Vols. 8, 11-12 accompanied by separate "Emendations and departures from the manuscript," by the editors.
Author : Ralph Waldo Emerson
Publisher : Harvard University Press
Page : 658 pages
File Size : 10,68 MB
Release : 1960
Category : Biography & Autobiography
ISBN : 9780674484733
In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'
Author : Ralph Waldo Emerson
Publisher :
Page : 640 pages
File Size : 25,53 MB
Release : 1960
Category : Authors, American
ISBN :
In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'
Author : Ralph Waldo Emerson
Publisher : Harvard University Press
Page : 720 pages
File Size : 20,27 MB
Release : 1976
Category : Biography & Autobiography
ISBN : 9780674484757
The twelfth volume makes available nine of Emerson's lecture notebooks, covering a span of twenty-seven years, from 1835 to 1862, from apprenticeship to fame. These notebooks contain materials Emerson collected for the composition of his lectures, articles, and essays during those years.
Author : Ralph Waldo Emerson
Publisher :
Page : 660 pages
File Size : 32,6 MB
Release : 1973
Category :
ISBN :
Author : Ralph Waldo Emerson
Publisher : Harvard University Press
Page : 502 pages
File Size : 22,44 MB
Release : 1964
Category : Biography & Autobiography
ISBN : 9780674484504
Ralph Waldo Emerson, the man and thinker, will be fully revealed for the first time in this new edition of his journals and notebooks. The old image of the ideal nineteenth-century gentleman, created by editorial omissions of his spontaneous thoughts, is replaced by the picture of Emerson as he really was. His frank and often bitter criticisms of men and society, his "nihilizing," his anguish at the death of his first wife, his bleak struggles with depression and loneliness, his sardonic views of woman, his earthy humor, his ideas of the Negro, of religion, of God--these and other expressions of his private thought and feeling, formerly deleted or subdued, are here restored. Restored also is the full evidence needed for studies of his habits of composition, the development of his style, and the sources of his ideas. Cancelled passages are reproduced, misreadings are corrected, and hitherto unpublished manuscripts are now printed. The text comes as close to a literal transcription as is feasible. A full apparatus of annotation, identification of quotations, and textual notes is supplied. Reproduced in this volume are twelve facsimile manuscript pages, many with Emerson's marginal drawings. The first volume includes some of the "Wide Worlds," journals begun while Emerson was at Harvard, and four contemporary notebooks, mostly unpublished. In these storehouses of quotation, juvenile verse, themes, and stories are the first versions of Emerson's "Valedictory Poem," Bowdoin Prize Essays, and first published work. Together they give a faithful picture of Emerson's apprenticeship as an artist and reveal the extent of his hidden and frustrated ambition--to become a writer.
Author : Natalie Dykstra
Publisher : HMH
Page : 357 pages
File Size : 29,80 MB
Release : 2012-02-08
Category : History
ISBN : 0547607903
A biography of one of the Gilded Age’s most fascinating and mysterious society women that “reads as well as any page-turning novel” (Library Journal). At twenty-eight, Clover Adams, a fiercely intelligent Boston Brahmin, married the soon-to-be-eminent American historian Henry Adams. She thrived in her role as an intimate of power brokers in Gilded Age Washington, where she was admired for her wit and taste by such luminaries as Henry James, H. H. Richardson, and General William Tecumseh Sherman. Clover so clearly possessed, as one friend wrote, “all she wanted, all this world could give.” Yet at the center of her story is a haunting mystery. Why did Clover, having begun in the spring of 1883 to capture her world vividly through photography, end her life less than three years later by drinking a chemical developer she used in the darkroom? The key to the mystery lies, as Natalie Dykstra’s searching account makes clear, in Clover’s photographs themselves. The aftermath of Clover’s death is equally compelling. Dykstra probes Clover’s enduring reputation as a woman betrayed, and, most movingly, she untangles the complex, poignant—and universal—truths of her shining and impossible marriage.
Author : Ralph Waldo Emerson
Publisher :
Page : pages
File Size : 37,12 MB
Release : 1960
Category :
ISBN :
Author : Stephen D. Dowden
Publisher : Springer Nature
Page : 289 pages
File Size : 34,88 MB
Release : 2020-09-26
Category : Literary Criticism
ISBN : 3030531341
This book offers a bold new view of the way in which modernist fiction, painting, music, and poetry are interlinked. Dowden shows that modernism, contrary to a longstanding view, did not turn away from mimesis. Rather, modernism operates according to a deepened understanding of what mimesis is and how it works, which in turn occasions a fresh look at other related dimensions of the modernist achievement. Modernism is neither “difficult” nor elitist. Instead, it trends toward simplicity, directness, and common culture. Dowden argues that naïveté rather than highbrow sophistication was for the modernists a key artistic principle. He demonstrates that modernism, far from glorifying subjective creativity, directs itself toward healing the split between subject and object. Mimesis closes this gap by resolving representation into play and festivity.
Author : Cecilia Elizabeth O'Leary
Publisher : Princeton University Press
Page : 380 pages
File Size : 10,41 MB
Release : 2018-06-05
Category : History
ISBN : 0691188505
July Fourth, "The Star-Spangled Banner," Memorial Day, and the pledge of allegiance are typically thought of as timeless and consensual representations of a national, American culture. In fact, as Cecilia O'Leary shows, most trappings of the nation's icons were modern inventions that were deeply and bitterly contested. While the Civil War determined the survival of the Union, what it meant to be a loyal American remained an open question as the struggle to make a nation moved off of the battlefields and into cultural and political terrain. Drawing upon a wide variety of original sources, O'Leary's interdisciplinary study explores the conflict over what events and icons would be inscribed into national memory, what traditions would be invented to establish continuity with a "suitable past," who would be exemplified as national heroes, and whether ethnic, regional, and other identities could coexist with loyalty to the nation. This book traces the origins, development, and consolidation of patriotic cultures in the United States from the latter half of the nineteenth century up to World War I, a period in which the country emerged as a modern nation-state. Until patriotism became a government-dominated affair in the twentieth century, culture wars raged throughout civil society over who had the authority to speak for the nation: Black Americans, women's organizations, workers, immigrants, and activists all spoke out and deeply influenced America's public life. Not until World War I, when the government joined forces with right-wing organizations and vigilante groups, did a racially exclusive, culturally conformist, militaristic patriotism finally triumph, albeit temporarily, over more progressive, egalitarian visions. As O'Leary suggests, the paradox of American patriotism remains with us. Are nationalism and democratic forms of citizenship compatible? What binds a nation so divided by regions, languages, ethnicity, racism, gender, and class? The most thought-provoking question of this complex book is, Who gets to claim the American flag and determine the meanings of the republic for which it stands?