Kanawha River, W. Va


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The Tears That Flow Into The Kanawha River


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"The Tears that Flow into the Kanawha River" is about a man named Leon Breckenridge who relives his life about his experiences as an African American man living in a segregated community by the Kanawha River, before advancing to desegregation. Leon recalls the people who set the foundation for his trials, pains, failures, triumphs, and success. He writes about his younger years in the 1960s and thereon when his father put a 38-pistol to his head, and his mother suffering from mental illness. He takes us back to the 1960s when black and brown people protest for equality. People riot and hurt each other while vandalizing properties. Leon shares stories about living in Massachusetts and the people he met along the way that made an impact in his life. He gains strength due to his faith in Jesus Christ. Leon Breckenridge is a Vietnam Veteran who resides in Massachusetts with his family. After he retired, he decided to write an autobiography to share his life stories living in Montgomery West Virginia as a young boy during time of racial tension. One of the many concerns Leon carried over the years are the demolition of Simmons High School that was a historic Black school and the destruction of the African American cemetery where the bones of the slaves had their last resting place.




Cabell's Canal


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History of West Virginia


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The Coal River Valley in the Civil War


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A “compelling” account of the little-known bloody skirmishes that took place in this picturesque part of West Virginia (Civil War Monitor). The three rivers that make up the Coal River Valley—Big, Little and Coal—were named by explorer John Peter Salling (or Salley) for the coal deposits found along their banks. More than one hundred years later, the picturesque valley that would separate from Virginia a short time later was witness to a multitude of bloody skirmishes between Confederate and Union forces in the Civil War. Often-overlooked battles at Boone Court House, Coal River, Pond Fork, and Kanawha Gap introduced the beginning of “total war” tactics years before General Sherman used them in his March to the Sea. Join historian Michael Graham as he expertly details the compelling human drama of the bitterly contested Coal River Valley region during the War Between the States. Includes illustrations










The Kanawha & Michigan Railroad


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Bitsy's family is moving again, this time to Alabama, far from her beloved mountains, far from home in West Virginia. Bitsy soon discovers that the landscape is not the only thing different about the deep south. There are rules. Rules that everyone seems to understand but her.




The Book of the Dead


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Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.




American Power


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In American Power, Mitch Epstein investigates notions of power, both electrical and political. His focus is on energy - how it gets made, how it gets used, and the ramifications of both. From 2003 to 2008, he photographed at and around sites where fossil fuel, nuclear, hydroelectric, wind, and solar power are produced in the United States. The resulting photographs contain Epstein's signature complex wit, surprising detail, and formal rigor. These pictures illuminate the intersection between American society and American landscape. Here is a portrait of early 21st century America, as it clings to past comforts and gropes for a more sensible future. In an accompanying essay, Epstein discusses his method, and how making these photographs led him to think harder about the artist's role in a country teetering between collapse and transformation.