Kant und die Berliner Aufklärung


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Kant's Transcendental Deduction


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Henry E. Allison presents an analytical and historical commentary on Kant s transcendental deduction of the pure concepts of the understanding in the Critique of Pure Reason. He argues that, rather than providing a new solution to an old problem (refuting a global skepticism regarding the objectivity of experience), it addresses a new problem (the role of a priori concepts or categories stemming from the nature of the understanding in grounding this objectivity), and he traces the line of thought that led Kant to the recognition of the significance of this problem in his 'pre-critical' period. Allison locates four decisive steps in this process: the recognition that sensibility and understanding are distinct and irreducible cognitive powers, which Kant referred to as a 'great light' of 1769; the subsequent realization that, though distinct, these powers only yield cognition when they work together, which is referred to as the 'discursivity thesis' and which led directly to the distinction between analytic and synthetic judgments and the problem of the synthetic a priori; the discovery of the necessary unity of apperception as the supreme norm governing discursive cognition; and the recognition, through the influence of Tetens, of the role of the imagination in mediating between sensibility and understanding. In addition to the developmental nature of the account of Kant s views, two distinctive features of Allison'sreading of the deduction are a defense of Kant s oft criticized claim that the conformity of appearances to the categories must be unconditionally rather than merely conditionally necessary (the 'non-contingency thesis') and an insistence that the argument cannot be separated from Kant s transcendental idealism (the 'non-separability thesis').




Constituting Critique


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Kant's philosophy is often treated as a closed system, without reference to how it was written or how Kant arrived at its familiar form, the critique. In fact, the style of the critique seems so artless that readers think of it as an unfortunate by-product--a style of stylelessness. In Constituting Critique, Willi Goetschel shows how this apparent gracelessness was deliberately achieved by Kant through a series of writing experiments. By providing an account of the process that culminated in his three Critiques, this book offers a new perspective on Kant's philosophical thought and practice. Constituting Critique traces the stages in Kant's development to reveal how he redefined philosophy as a critical task. Following the philosopher through the experiments of his early essays, Goetschel demonstrates how Kant tests, challenges, and transforms the philosophical essay in his pursuit of a new self-reflective literary genre. From these experiments, critique emerges as the philosophical form for the critical project of the Enlightenment. The imperatives of its transcendental style, Goetschel contends, not only constitute and inform the critical moment of Kant's philosophical praxis, but also have an enduring place in post-Kantian philosophy and literature. By situating the Critiques within the context of Kant's early essays, this work will redirect the attention of Kant scholars to the origins of their form. It will also encourage contemporary critical theorists to reconsider their own practice through an engagement with its source in Kant.




Kant's Reform of Metaphysics


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This book reinterprets key parts of the Critique of Pure Reason in view of Kant's sustained engagement with Wolffian metaphysics.




The Typic in Kant’s "Critique of Practical Reason"


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In a short chapter of the Critique of Practical Reason entitled “On the Typic of the Pure Practical Power of Judgment,” Kant addresses a crucial problem facing his theory of moral judgment: How can we represent the supersensible moral law so as to apply it to actions in the sensible world? Despite its importance to Kant's project, previous studies of the Typic have been fragmentary, disparate, and contradictory. This book provides a detailed commentary on the Typic, elucidating how it enables moral judgment by means of the law of nature, which serves as the 'type', or analogue, of the moral law. In addition, the book situates the Typic, both historically and conceptually, within Kant's theory of symbolic representation. While many commentators have assimilated the Typic to the aesthetic notion of 'symbolic hypotyposis' in the third Critique, the author contends that it has greater continuities with the theoretical notion of 'symbolic anthropomorphism' in the Prolegomena. As the first comprehensive, book-length study of the Typic that critically engages with the secondary literature, this monograph fills an important gap in the research on Kant's ethics and aesthetics and provides a starting point for further inquiry and debate.




Kant’s B Deduction


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This book is organized as a commentary following the text of the B-Transcendental Deduction line by line. In so doing, it becomes evident that each step of the Deduction necessarily follows from the preceding step and is grounded in it, although not in the way the steps of a formal-logic deduction are. The primary hypothesis of this book is that the succession of steps is but the unfolding of the Principle of Apperception. The commentary assumes that the entire argument of the B-Deduction consists in a progressive enlargement and enrichment of the Principle of Apperception. The book draws its unity from this assumption, as well as from the strong concatenation of the successive steps. Focusing the monograph on the very narrow problem of the B-Deduction’s argumentative structure enables the author to settle several controversial questions, such as, for instance, those originating in the division of the B-Deduction in two steps, and that of the function of the doctrine of the transcendental subject expounded in paragraphs 24 and 25. Its comprehensive explanation of the Transcendental Deduction ensures that the book will be helpful to students of Kantian Philosophy, while its focus on a single problem will make it useful to specialists. Kant’s B Deduction is part of the Kantian Questions series.




Tetens’s Writings on Method, Language, and Anthropology


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Containing all of the key writings leading up to the publication of his Philosophical Essays in 1777, this volume presents complete works by Johann Nicolaus Tetens (1736-1807) in English for the very first time. These important essays focus on method in metaphysics and mathematics, the analysis of language, and various anthropological questions that occupied thinkers of the period. Key features of the volume include: · Accurate, readable translations · Detailed scholarly notes · A substantial introduction situating Tetens's works in historical context · A German-English glossary This collection marks a significant contribution to scholarship on Kant and 18th-century German philosophy.




Kant's Idea for a Universal History with a Cosmopolitan Aim


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The essays in this volume discuss the questions at the core of Kant's pioneering work in the philosophy of history.




Kant's Lectures on Ethics


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This is the first book devoted to an examination of Kant's lectures on ethics, which provide a unique and revealing perspective on the development of his views. In fifteen newly commissioned essays, leading Kant scholars discuss four sets of student notes reflecting different periods of Kant's career: those taken by Herder (1762–4), Collins (mid-1770s), Mrongovius (1784–5) and Vigilantius (1793–4). The essays cover a diverse range of topics, from the relation between Kant's lectures and the Baumgarten textbooks, to obligation, virtue, love, the highest good, freedom, the categorical imperative, moral motivation and religion. Together they provide the reader with a deeper and fuller understanding of the evolution of Kant's moral thought. The volume will be of interest to a range of readers in Kant studies, ethics, political philosophy, religious studies and the history of ideas.




Kant's Conception of Freedom


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Traces the development of Kant's views on free will from earlier writings through the three Critiques and beyond.




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