Y'Keta


Book Description

A young exile finds a place to belong, only to find his new home threatened by secrets from his past. If Y'keta reveals what he knows to the villagers, it will tear their history and traditions apart, but sharing his secrets may be their only hope for survival. Y'keta is an epic fantasy set in an ancient world, where legends walk and the Sky Road offers a way to the stars. A coming of age story loosely based on the Thunderbird of North American legend, with colours reminiscent of the early works of Guy Gavriel Kay or Piers Anthony.




Keta: The Last Black Dragon


Book Description

In a normal late summer night, Keta, an ordinary eighteen-year-old girl, is abruptly ripped away from her life in her village. After surviving a rape, she discovers she possesses a tremendous and destructive power, a power that she cannot control, a power that can either save or destroy the world as we know it. Helped by Edward, a mysterious spearman with dark armour, and his brother Alexander, an herbalist with a strange past, she begins a journey seeking to learn how to control her magical power. She has no clue that to obtain such control will decide the fate of every single life on earth: to be saved or to suffer the Eternal Darkness.







Keta and Other Poems


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Keta Study


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Homegirls in the Public Sphere


Book Description

Girls in gangs are usually treated as objects of public criticism and rejection. Seldom are they viewed as objects worthy of understanding and even more rarely are they allowed to be active subjects who craft their own public persona—which is what makes this work unique. In this book, Marie "Keta" Miranda presents the results of an ethnographic collaboration with Chicana gang members, in which they contest popular and academic representations of Chicana/o youth and also construct their own narratives of self identity through a documentary film, It's a Homie Thang! In telling the story of her research in the Fruitvale community of Oakland, California, Miranda honestly reveals how even a sympathetic ethnographer from the same ethnic group can objectify the subjects of her study. She recounts how her project evolved into a study of representation and its effects in the public sphere as the young women spoke out about how public images of their lives rarely come close to the reality. As Miranda describes how she listened to the gang members and collaborated in the production of their documentary, she sheds new light on the politics of representation and ethnography, on how inner city adolescent Chicanas present themselves to various publics, and on how Chicana gangs actually function.