Eighteen Little Preludes


Book Description

This collection, edited by Dr. Hans Bischoff, consists of the "Six Little Preludes," BWV 933-938, along with twelve preludes taken from "The Little Piano Book" (Clavierbuchlein) of Wilhelm Friedemann Bach. Titles: * Prelude No. 1 in C Major (BWV 933) * Prelude No. 2 in C Minor (BWV 934) * Prelude No. 3 in D Minor (BWV 935) * Prelude No.4 in D Major (BWV 936) * Prelude No. 5 in E Major (BWV 937) * Prelude No. 6 in E Minor (BWV 938) * Prelude No. 7 in C Major * Prelude No. 8 in C Major * Prelude No. 9 in C Minor * Prelude No. 10 in D Major * Prelude No. 11 in D Minor * Prelude No. 12 in D Minor * Prelude No. 13 in E Minor * Prelude No. 14 in F Major * Prelude No. 15 in F Major * Prelude No. 16 in G Minor * Prelude No. 17 in G Minor * Prelude No. 18 in A Minor




Notebook for Wilhelm Friedemann Bach


Book Description

Johann Sebastian Bach's "Notebook for Wilhelm Friedemann Bach" is a collection of keyboard music Bach began compiling in around 1720. Most of the pieces included are better known as parts of the Well-Tempered Clavier and the Inventions and Sinfonias. The authorship of some of the other works in the collection is debated. The comb binding creates a lay-flat book that is perfect for study and performance. 62 Selections, 123 pages.










Guide to the Pianist's Repertoire


Book Description

Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.










Bach -- 18 Short Preludes


Book Description

Collected from several sources, these teaching pieces were published separately in the 18th and 19th centuries as the Twelve Short Preludes and the Six Short Preludes. Students are often introduced to these works prior to studying the Two-Part Inventions (Alfred Edition 22528). This unique edition includes the realization of ornaments and guidance concerning tempos and articulation. 48 pages.




A Little Keyboard Book


Book Description

Published within the 'Signature' Series, a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Also includes informative introductions and performance notes.




One Stone to the Building


Book Description

Do you love the harp? The French harpist Henriette Reni (18751956) asked this question of each student, and it remained her ideal throughout her life. This book explores the circumstances which surrounded the beginning of Henriette Renis career as a masterful harpist and composer. Through her celebrated performances of her Concerto en ut mineur, she gained acclaim simultaneously as a virtuosic performer and composer. In the wake of her success, several new masterpieces by respected composers appeared, including Pierns Concertstck and Ravels Introduction et Allegro. The elements of Renies virtuosity are traced through her famous Lgende, and her less-known Deux promenades matinales. Her compositional style is explored through her Scherzo-Fantaisie for harp and violin and her Concerto en ut mineur. As a teacher, Renis influence echoed throughout the world. Her profound influence has been evident through the vision of her own students, including Susann McDonald, Marcel Grandjany, Mildred Dilling, Odette Le Dentu, Odette de Montesquiou, Bertile Fournier, Emmy Hrlimann, Bertile Robet Auffray, and Marie Astrid DAuffray. The crystallization of Renis teaching practice is described through her Mthode complte de harpe (Complete Method for Harp) and her twelve volumes of harp transcriptions, Les classiques de la harpe. The amount of literature about Renis life and work is disproportionate to the deep imprint she made upon the harps history and repertoire. This book is a start to further recognizing her vast importance to the establishment of the harp.




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