Author :
Publisher : Giles
Page : 0 pages
File Size : 36,44 MB
Release : 2015
Category : ART
ISBN : 9781907804700
A fresh perspective on Konstantin Makovksy's art and career, and the wider nineteenth century enthusiasm for medieval Russian culture.
Author : Roy Bolton
Publisher : Sphinx Fine Art
Page : 180 pages
File Size : 38,11 MB
Release : 2009
Category : Art
ISBN : 9781907200007
Author :
Publisher :
Page : 584 pages
File Size : 24,41 MB
Release : 1916
Category : Children in art
ISBN :
Author : Nikolai Gogol
Publisher : Penguin
Page : 81 pages
File Size : 24,30 MB
Release : 2014-10-08
Category : Fiction
ISBN : 0698170938
One of five beloved Christmas classics Written in 1831 by the father of Russian literature, this uproarious tale tells of the blacksmith Vakula’s battle with the devil, who has stolen the moon and hidden it in his pocket, allowing him to wreak havoc on the village of Dikanka. Both the devil and Vakula are in love with Oksana, the most beautiful girl in Dikanka. Vakula is determined to win her over; the devil, equally determined, unleashes a snowstorm to thwart Vakula’s efforts. Zany and mischievous, and drawing inspiration from the folk tales of Gogol’s far-flung village in Ukraine, The Night Before Christmas is the basis for many movie and opera adaptations, and is still read aloud to children on Christmas Eve in Ukraine and Russia. Penguin Christmas Classics Give the gift of literature this Christmas. Penguin Christmas Classics honor the power of literature to keep on giving through the ages. The five volumes in the series are not only our most beloved Christmas tales, they also have given us much of what we love about the holiday itself. A Christmas Carol revived in Victorian England such Christmas hallmarks as the Christmas tree, holiday cards, and caroling. The Yuletide yarns of Anthony Trollope popularized throughout the British Empire and around the world the trappings of Christmas in London. The holiday tales of Louisa May Alcott shaped the ideal of an American Christmas. The Night Before Christmas brought forth some of our earliest Christmas traditions as passed down through folk tales. And The Nutcracker inspired the most famous ballet in history, one seen by millions in the twilight of every year. Collect all five Penguin Christmas Classics: A Christmas Carol by Charles Dickens Christmas at Thompson Hall: And Other Christmas Stories by Anthony Trollope A Merry Christmas: And Other Christmas Stories by Louisa May Alcott The Night Before Christmas by Nikolai Gogol The Nutcracker by E. T. A. Hoffmann
Author : Richard Bak
Publisher : Wayne State University Press
Page : 369 pages
File Size : 36,83 MB
Release : 2011
Category : Biography & Autobiography
ISBN : 0814334997
From The Books Back Cover: Welcome to Detroitland, where award-winning journalist Richard Bak brings to life episodes from roughly a century of Detroit's colorful history. Bak tackles familiar names like Frank Murphy, the Purple Gang, the Lone Ranger, "Potato Patch" Pingree, and Charles Lindbergh. He also introduces little-known Detroit characters like the Black Legion, Detroit's own version of the Ku Klux Klan: Jonny Miler, the man who walloped Joe Louis in the Brown Bomber's first-ever amateur fight; patrolman Ben Turpin, the terror of Black Bottom criminals; Sophie Lyons, legendary "Queen of the Underworld" and Detroit philanthropist; and Shorty Long, Brenda Holloway, the Velvelettes, and other forgotten Motown artists of the 60's.
Author :
Publisher :
Page : 588 pages
File Size : 33,95 MB
Release : 1916
Category : Art
ISBN :
Author : S. Elizabeth
Publisher : Frances Lincoln
Page : 243 pages
File Size : 50,92 MB
Release : 2020-10-13
Category : Art
ISBN : 0711254168
A visual feast of eclectic artwork informed and inspired by spiritual beliefs, magical techniques, mythology and otherworldly experiences. Mystical beliefs and practices have existed for millennia, but why do we still chase the esoteric? From the beginning of human creativity itself, image-makers have been drawn to these unknown spheres and have created curious artworks that transcend time and place – but what is it that attracts artists to these magical realms? From theosophy and kabbalah, to the zodiac and alchemy; spiritualism and ceremonial magic, to the elements and sacred geometry – The Art of the Occult introduces major occult themes and showcases the artists who have been influenced and led by them. Discover the symbolic and mythical images of the Pre-Raphaelites; the automatic drawing of Hilma af Klint and Madge Gill; Leonora Carrington's surrealist interpretation of myth, alchemy and kabbalah; and much more. Featuring prominent, marginalised and little-known artists, The Art of the Occult crosses mystical spheres in a bid to inspire and delight. Divided into thematic chapters (The Cosmos, Higher Beings, Practitioners), the book acts as an entertaining introduction to the art of mysticism – with essays examining each practice and over 175 artworks to discover. The art of the occult has always existed in the margins but inspired the masses, and this book will spark curiosity in all fans of magic, mysticism and the mysterious.
Author : Solomon Volkov
Publisher : Simon and Schuster
Page : 654 pages
File Size : 28,87 MB
Release : 2010-06-15
Category : History
ISBN : 1451603150
The definitive cultural biography of the “Venice of the North” and its transcendent artistic and spiritual legacy, written by Russian emerge and acclaimed cultural historian, Solomon Volkov. Long considered to be the mad dream of an imperious autocrat—the "Venice of the North," conceived in a setting of malarial swamps—St. Petersburg was built in 1703 by Peter the Great as Russia's gateway to the West. For almost 300 years this splendid city has survived the most extreme attempts of man and nature to extinguish it, from flood, famine, and disease to civil war, Stalinist purges, and the epic 900-day siege by Hitler's armies. It has even been renamed twice, and became St. Petersburg again only in 1991. Yet not only has it retained its special, almost mystical identity as the schizophrenic soul of modern Russia, but it remains one of the most beautiful and alluring cities in the world. Now Solomon Volkov, a Russian emigre and acclaimed cultural historian, has written the definitive cultural biography of this city and its transcendent artistic and spiritual legacy. For Pushkin, Gogol, and Dostoyevsky, Petersburg was a spectral city that symbolized the near-apocalyptic conflicts of imperial Russia. As the monarchy declined, allowing intellectuals and artists to flourish, Petersburg became a center of avant-garde experiment and flamboyant bohemian challenge to the dominating power of the state, first czarist and then communist. The names of the Russian modern masters who found expression in St. Petersburg still resonate powerfully in every field of art: in music, Stravinsky, Prokofiev, and Shostakovich; in literature, Akhmatova, Blok, Mandelstam, Nabokov, and Brodsky; in dance, Diaghilev, Nijinsky, and Balanchine; in theater, Meyerhold; in painting, Chagall and Malevich; and many others, whose works are now part of the permanent fabric of Western civilization. Yet no comprehensive portrait of this thriving distinctive, and highly influential cosmopolitan culture, and the city that inspired it, has previously been attempted.
Author :
Publisher : Sphinx Fine Art
Page : 322 pages
File Size : 36,92 MB
Release :
Category :
ISBN : 1907200053
Author : Maria Taroutina
Publisher : Penn State Press
Page : 761 pages
File Size : 28,27 MB
Release : 2018-11-26
Category : Art
ISBN : 0271082550
In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
