Korean Dynasty


Book Description

This study focuses on a single Korean "chaebol", the business conglomerate which dominates the Korean economy. Hyundai, the largest chaebol, is examined in the context of Korean history, ancient and modern, and the Confucian value system that permeates all Korean life.




The Origins of the Choson Dynasty


Book Description

The Origins of the Choson Dynasty provides an exhaustive analysis of the structure and composition of Korea's central officialdom during the transition from the Koryo dynasty (918-1392) to the Choson dynasty (1392-1910) and offers a new interpretation of the history of traditional Korea.




Pathways to Korean Culture


Book Description

"Pathways to Korean Culture explores the various social, cultural and political perspectives of the Joseon era (1392-1910), introducing the major painting and currents of this dynamic, dynastic period and uncovering the fascinating history of more than 500 years of Korean art and visual culture. Il closely examines the many themes and socio-cultural aspects of the Joseon art world, from the ink painting tradition of the literati elite to the role of women as both patrons and artists. It looks at the various functions paintings had during this period, where they were as important for foreign exchange as they were as a means of escapism. The Joseon dynasty's overarching Confucian ideology was constantly at odds with the culture's Buddhist projects. Burglind Jungmann investigates select clusters of objects to shed light on the multiple layers of personal, intellectual, aesthetic, religious, socio-political and economic contexts in which they are embedded. From palace decorations to formal artworks, Pathways to Korean Culture takes a sweeping, comprehensive look at Korean history and visual culture, exploring its engagement with the West, its political affiliations with China, and its uniquely varied artists and artistic output."--Rabat de la jaquette.




The Annals of King T’aejo


Book Description

Never before translated into English, this official history of the reign of King T’aejo—founder of Korea’s long, illustrious Chosŏn dynasty (1392–1910 CE)—is a unique resource for reconstructing life in late-fourteenth-century Korea. Its narrative of a ruler’s rise to power includes a wealth of detail not just about politics and war but also about religion, astronomy, and the arts. The military general Yi Sŏnggye, posthumously named T’aejo, assumed the throne in 1392. During his seven-year reign, T’aejo instituted reforms and established traditions that would carry down through the centuries. These included service to Korea’s overlord, China, and other practices reflecting China’s influence over the peninsula: creation of a bureaucracy based on civil service examinations, a shift from Buddhism to Confucianism, and official records of the deeds of kings, which in the Confucian tradition were an important means of educating succeeding generations. A remarkable compilation process for the sillok, or “veritable records,” was instituted to ensure the authority of the annals. Historiographers were present for every royal audience and wrote down each word that was uttered. They were strictly forbidden to divulge the contents of their daily drafts, however—even the king himself could not view the records with impunity. Choi Byonghyon’s translation of the first of Korea’s dynastic histories, The Annals of King T’aejo, includes an introduction and annotations.




In Grand Style


Book Description

This Korean art book is an exploration of the Joseon Dynasty. In Korea, life milestones have traditionally been celebrated with festivals and feasts. Such celebrations helped to define and honor an individual's identity. In Grand Style presents rare and exquisite objects drawn from some ten museums in Korea. Highlights include a ten-panel folding screen of Celebrations on the Crown Prince's Birth from 1874, a portrait of Emperor Gojong from 1897, a Royal Procession to the Royal Tomb at Hwaseong from 1795, and kings' thrones and palanquins. The book documents Korea's taste for splendor and grandeur. It explores the meaning and obligations of kingship, the elite culture of the court and the upper class during the Joseon dynasty (1392-1910), and the complex roles of women in organizing and presenting elaborate celebrations, in the grandest of styles.










Remaking the Chinese Empire


Book Description

Remaking the Chinese Empire examines China's development from an empire into a modern state through the lens of Sino-Korean political relations during the Qing period. Incorporating Korea into the historical narrative of the Chinese empire, it demonstrates that the Manchu regime used its relations with Chosŏn Korea to establish, legitimize, and consolidate its identity as the civilized center of the world, as a cosmopolitan empire, and as a modern sovereign state. For the Manchu regime and for the Chosŏn Dynasty, the relationship was one of mutual dependence, central to building and maintaining political legitimacy. Yuanchong Wang illuminates how this relationship served as the very model for China's foreign relations. Ultimately, this precipitated contests, conflicts, and compromises among empires and states in East Asia, Inner Asia, and Southeast Asia – in particular, in the nineteenth century when international law reached the Chinese world. By adopting a long-term and cross-border perspective on high politics at the empire's core and periphery, Wang revises our understanding of the rise and transformation of the last imperial dynasty of China. His work reveals new insights on the clashes between China's foreign relations system and its Western counterpart, imperialism and colonialism in the Chinese world, and the formation of modern sovereign states in East Asia. Most significantly, Remaking the Chinese Empire breaks free of the established, national history-oriented paradigm, establishing a new paradigm through which to observe and analyze the Korean impact on the Qing Dynasty.




The Diary of 1636


Book Description

Early in the seventeenth century, Northeast Asian politics hung in a delicate balance among the Chosŏn dynasty in Korea, the Ming in China, and the Manchu. When a Chosŏn faction realigned Korea with the Ming, the Manchu attacked in 1627 and again a decade later, shattering the Chosŏn-Ming alliance and forcing Korea to support the newly founded Qing dynasty. The Korean scholar-official Na Man’gap (1592–1642) recorded the second Manchu invasion in his Diary of 1636, the only first-person account chronicling the dramatic Korean resistance to the attack. Partly composed as a narrative of quotidian events during the siege of Namhan Mountain Fortress, where Na sought refuge with the king and other officials, the diary recounts Korean opposition to Manchu and Mongol forces and the eventual surrender. Na describes military campaigns along the northern and western regions of the country, the capture of the royal family, and the Manchu treatment of prisoners, offering insights into debates about Confucian loyalty and the conduct of women that took place in the war’s aftermath. His work sheds light on such issues as Confucian statecraft, military decision making, and ethnic interpretations of identity in the seventeenth century. Translated from literary Chinese into English for the first time, the diary illuminates a traumatic moment for early modern Korean politics and society. George Kallander’s critical introduction and extensive annotations place The Diary of 1636 in its historical, political, and military context, highlighting the importance of this text for students and scholars of Chinese and East Asian as well as Korean history.




Goryeo Dynasty


Book Description

Containing over 100 photos of Korean art pieces along with thoughtful essays, Goryeo Dynasty: Korea's Age of Enlightenment 918-1392 captures this fundamental period of Korean history. Few people are aware that the name Korea is derived from Goryeo of the Goryeo dynasty (918-1392). Under the patronage of the royal court, the aristocracy and the Buddhist elite—whose taste are for luxury and refinement was unprecedented in the history of Korea—spectacular achievements were made in all areas of the arts during this period. This catalogue documents not only the famous Goryeo achievements in ceramics but also lesser known Buddhist paintings, illuminated sutras, sculpture, lacquer, and metal crafts. Drawing from thirty-five contributing institutions, it brings together some of the most exquisite works of Korean art from the tenth to the fourteenth century, including many that have never before traveled to the West. A valuable resource to anyone interested in the classic arts of East Asia.