Kotik Letaev


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A Russian novel which looks at childhood, seen through the eyes of a boy from the age of three to five years, in the 1800s.




Kotik Letaev


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Body of Words


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Kotik Letaev


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Kotik Letaev


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The Look of Russian Literature


Book Description

Gerald Janecek describes the experiments in visual, literature conducted from 1900 to 1930, the heyday of the Russian Avant Garde. Focusing on an aspect of Russian literary history that has previously been almost ignored, he shows how Russian writers of this period tried unusual methods to make their texts visually interesting or expressive. The book includes 183 illustrations, most from rare publications and many reproduced for the first time. The author discusses such figures as the Symbolist Andrey Bely, the Futurists Aleksey Kruchonykh, Vasili Kamensky, and Vladimir Mayakovsky, and the post-Futurist Ilya Zdanevich, and their use of devices ranging from unorthodox layouts and florid typography to roughly done lithographed or handmade books. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




On the Theory of Prose


Book Description

As time has proven, Theory of Prose still remains one of the twentieth century’s most significant works of literary theory. It not only anticipates structuralism and poststructuralism, but poses questions about the nature of fiction that are as provocative today as they were in the 1920s. Founded on the concept of “making strange,” it lays bare the inner workings of fiction—especially the works of Cervantes, Tolstoy, Sterne, Dickens, Bely and Rozanov—and imparts a new way of seeing, of reading, and of interacting with the world.




Women and Russian Culture


Book Description

The image of women in Russian culture has undergone profound changes: from the origins of modern Russian literature in the eighteenth century until the Revolution of 1917, when women were a source of fascination for Russian writers, to the socialist realism period, during which public discussion of the representation of women in literature rapidly declined and the "woman question" was declared to have been "resolved," to a reappraisal of the position of women since the 1980s. This collection of essays by leading western and Russian specialists contains new insights and updates previous research into the role of women in Russian culture in the last two centuries and contributes to two exciting and growing research areas: the feminist critique of work by Russian male authors and the study of Russian women writers. Moreover, whereas most previous studies have concentrated on the aesthetic qualities of works by women writers, this collection includes both close textual analysis and the discussion of biographical, historical, and political questions relating both to the representation of women and women's culture. The aim is not to present aunified manifesto, but rather to bring together a spectrum of approaches and positions within their common focus on the relationship between women and culture in Russia. Contributors: R. Marsh, A. Barker, J. Andrew, D. Greene, I. Kazakova, C. Schuler, S. Graham, K. Hodgson, N. Kolchevska, N. Cornwell, J. Curtis, M. Katz, M. Ledkovsky, P.I. Barta, A. Darmodekhina, D. Gillespie, N. Zhuravkina, B. Lanin, S. Carsten, A. Tait




Andrey Bely


Book Description

No figure in turn-of-the-century Russia, John Malmstad asserts, better epitomizes the paradoxes of that era than Andrey Bely (1880–1934). Eulogized by Boris Pasternak as "the most remarkable writer of our age" and now widely regarded as the seminal figure in Russian modernism and as one of the major writers of this century, Bely subjected the received standards of truth and value in literature to a penetrating and radical critique. After a long period of suppression under the Stalinist regime, Bely has become the object of growing critical attention in both East and West. Originating in a symposium held in 1984 under the auspices of the Harriman Institute at Columbia University on the fiftieth anniversary of Bely's death, this volume includes ten essays by established scholars of modern Russian literature, including leading Western specialists on Bely. The essays survey Bely's major works in all genres, summarize present research on Bely, reassess critical approaches, and offer fresh interpretations. Analytic summaries of primary works make the essays fully accessible to non-Slavist readers.