L'abîme


Book Description




Victor Hugo, Romancier de l'Abime


Book Description

"This study of Victor Hugo's work aims to uncover the diversity, the thematic and narrative singularity, and the shifting ironies and resistance to interpretative closure of his writing. Novels examined include: ""Notre-Dame de Paris"", ""Les Miserables"", ""Les Travailleurs de la Mer"", ""Quatre vingt-treize"", and ""L'Homme qui Rit"". The 11 essays in the volume bring together various critical approaches from French, British and American scholars, in an attempt to provide a new point of departure and to provoke discussion of Victor Hugo's novels. This publication marks the bicentenary of Hugo's birth in 1802."




J.M.G. Le Clézio Et la Métaphore Exotique


Book Description

J.M.G. Le Clézio et la métaphore exotique propose une analyse détaillée et approfondie de l'oeuvre de J.M.G. Le Clézio, prix Nobel de littérature 2008. La question de la « métaphore exotique » sert ici de fil conducteur et permet d'éclairer le corpus leclézien d'un triple point de vue textuel, anthropologique et psychanalytique. L'inscription problématique de l'espace et du voyage domine en effet toute la production littéraire de Le Clézio; et cette inscription s'accompagne d'une certaine ambiguïté générique. D'une part l'analyse montre que l'écriture du voyage fonctionne chez Le Clézio, comme chez Segalen, comme une « écriture des limites », c'est-à-dire comme un déplacement du sujet et du sens. Mais d'autre part l'analyse montre que l'écriture du voyage dessine chez Le Clézio un rapport singulier et ambivalent à l'espace postmoderne, au désenchantement du monde et à la disparition des grands mythes fondateurs, interrogeant l'acte même de la création littéraire. A la fois humaniste et antidogmatique, l'oeuvre de J.M.G. Le Clézio se situe ainsi de façon originale dans les marges des grands mouvements littéraires du XXe et du XXIe siècle, du Nouveau Roman des années 60 à la « littérature-monde » d'aujourd'hui.




Selected Poems of Victor Hugo


Book Description

Although best known as the author of Notre Dame de Paris and Les Misérables, Victor Hugo was primarily a poet—one of the most important and prolific in French history. Despite his renown, however, there are few comprehensive collections of his verse available and even fewer translated editions. Translators E. H. and A. M. Blackmore have collected Victor Hugo's essential verse into a single, bilingual volume that showcases all the facets of Hugo's oeuvre, including intimate love poems, satires against the political establishment, serene meditations, religious verse, and narrative poems illustrating his mastery of the art of storytelling and his abiding concern for the social issues of his time. More than half of this volume's eight thousand lines of verse appear here for the first time in English, providing readers with a new perspective on each of the fascinating periods of Hugo's career and aspects of his style. Introductions to each section guide the reader through the stages of Hugo's writing, while notes on individual poems provide information not found in even the most detailed French-language editions. Illustrated with Hugo's own paintings and drawings, this lucid translation—available on the eve of Hugo's bicentenary—pays homage to this towering figure of nineteenth-century literature by capturing the energy of his poetry, the drama and satirical force of his language, and the visionary beauty of his writing as a whole.




Eau, sa vie et sa signification dans l'Ancien Testament


Book Description

Preliminary material /Editors L'EAU, SA VIE, ET SA SIGNIFICATION DANS L'ANCIEN TESTAMENT -- L'EAU, CONDITION DE FERTILITÉ ET DE VIE /Editors L'EAU, SA VIE, ET SA SIGNIFICATION DANS L'ANCIEN TESTAMENT -- LA MÉTÉOROLOGIE /Editors L'EAU, SA VIE, ET SA SIGNIFICATION DANS L'ANCIEN TESTAMENT -- LES EAUX TERRESTRES /Editors L'EAU, SA VIE, ET SA SIGNIFICATION DANS L'ANCIEN TESTAMENT -- L'HOMME ET L'EAU /Editors L'EAU, SA VIE, ET SA SIGNIFICATION DANS L'ANCIEN TESTAMENT -- LA MER /Editors L'EAU, SA VIE, ET SA SIGNIFICATION DANS L'ANCIEN TESTAMENT -- LA PROVENANCE DE L'EAU SUR LA TERRE /Editors L'EAU, SA VIE, ET SA SIGNIFICATION DANS L'ANCIEN TESTAMENT -- SUPERSTITIONS, RITES, ÉLÉMENTS CULTUELS EN RELATION AVEC L'EAU /Editors L'EAU, SA VIE, ET SA SIGNIFICATION DANS L'ANCIEN TESTAMENT -- L'EAU, SA VIE ET SA SIGNIFICATION /Editors L'EAU, SA VIE, ET SA SIGNIFICATION DANS L'ANCIEN TESTAMENT -- BIBLIOGRAPHIE /Editors L'EAU, SA VIE, ET SA SIGNIFICATION DANS L'ANCIEN TESTAMENT -- INDEX DES TERMES HÉBRAÏQUES UTILISÉS À PROPOS DE L'EAU /Editors L'EAU, SA VIE, ET SA SIGNIFICATION DANS L'ANCIEN TESTAMENT -- INDEX DES REFERENCES BIBLIQUES /Editors L'EAU, SA VIE, ET SA SIGNIFICATION DANS L'ANCIEN TESTAMENT.




Contes Français


Book Description

"The selections are good and the translations are excellent."―Germaine Bree, New York University Drawn from two centuries of French literature, these superb selections by ten great writers span a wide variety of styles, philosophies, and literary creeds. The stories reflect not only the beliefs of various literary schools, but the preoccupations of French civilization, at the various times of their composition, with the metaphysical and psychological problems of man. Contents include Micromegas (Voltaire), La Messe de l'Athee (Honore de Balzac), La Legende de Saint Julien l'Hospitalier (Gustave Flaubert), Le Spleen de Paris (Charles Baudelaire), Menuet (Guy de Maupassant), Mort de Judas (Paul Claudel), Le Retour de l'Enfant Prodigue (Andre Gide), Grand-Lebrun (Francois Mauriac), Le Passe-Muraille (Marcel Ayme), and L'Hote (Albert Camus). Students of French, or those who wish to refresh their knowledge of the language, will welcome this treasury of masterly fiction. The selections are arranged chronologically, allowing the reader to witness the development of French literary art--from Voltaire to Camus. Excellent English translations appear on pages facing the Original French. Also included are a French-English vocabulary list, textural notes, and exercises. Unabridged, slightly revised Dover (1990) edition of the work published by Bantam Books, Inc., 1960.




Kant and the Metaphors of Reason


Book Description

In den vergangenen Jahrzehnten hat die Metapher in der Philosophie zunehmend Beachtung gefunden und wurde zu einem zentralen Thema, mit dem Kant sich in seiner kritischen Philosophie in Begriffen von Analogie und Symbolisierung beschäftigt. Sein Beitrag zur Entwicklung unseres Verständnisses der Rolle, die Bilder, Metaphern und Symbole in theoretischer und praktischer Hinsicht leisten, ist bedeutend; zudem ist Kant selber auch als Schöpfer von Metaphern weithin bekannt. Symbole, Analogien und ästhetische Ideen sind unleugbar metaphorische Verfahren, die eine ebenso grundlegende wie systematische Funktion in Kants philosophischer Sprache einnehmen. – Dieser Sammelband ist das Ergebnis einer neueren Initiative seitens einer internationalen Gruppe von mit Kant befassten Philosophen und Kant-Spezialisten, um die Erforschung von Themen zu befördern, die noch nicht umfassend bearbeitet sind. Das trifft mit Sicherheit auf die „Metapher“-Thematik in Kants Philosophie zu, der der vorliegende Band gewidmet ist. In recent decades, metaphor has become a respectable and central theme in philosophy. In his critical philosophy, Kant treats this theme in terms of the notions of analogy and symbolization. In addition to contributing significantly to the development of our understanding of the role played by images, metaphors and symbols in both theoretical and practical issues, Kant is also widely recognized as a great creator of metaphors in his own right. Symbols, analogies and aesthetic ideas are undeniably metaphorical processes, which fulfill a function in Kant’s philosophical language that is as fundamental as it is systematic. This collected volume is the result of a recent initiative on the part of an international group of Kantian philosophers and scholars to promote research on topics that have yet to be thoroughly explored in academic research. This is certainly true of the topic of metaphor in Kant’s philosophy, to which the present volume is devoted.




Michel Henry et l'affect de l'art


Book Description

The studies in this book set out to examine the labile resonances of phenomenology and art in Michel Henry, by examining the different figures of movement given to the concept of the aesthetic by the philosopher. They are preceded by one of Michel Henry’s own texts. Les études qui composent ce livre proposent d’interroger les résonances labiles de la phénoménologie et de l’art chez Michel Henry, en examinant les différentes figures du déplacement imprimé par le philosophe au concept d’esthétique. Le tout est précédé d’un texte de Michel Henry.







Water Imagery in George Sand’s Work


Book Description

This collection of essays highlights the importance of water imagery in the work of the renowned nineteenth-century French female author George Sand. It provides a complex picture of the polyvalent presence of water in Sand’s work that encompasses life and death imagery, ecocriticism, fluid kinship, homosocial ties, and artistic creativity. Drawing on Gaston Bachelard’s premise that the substance of water carries deep meaning, the articles in this volume explore the element of water and its symbolism in a selection of George Sand’s writings and art work, from her most famous novels (Indiana, Lélia, and Consuelo) to her later works, short stories, plays, and autobiographical writing (Teverino, Jean de la Roche, Les Maîtres sonneurs, La Reine Coax, L’Homme de neige, Le Drac, Un Hiver à Majorque, Marianne), and dendrite paintings.