Guida alla vita spirituale. «Sul sentiero verso l’immortalità»


Book Description

Vyacheslav Yatsenko (1954) – nato nella regione di Orenburg, Russia, psicologo, psicoanalista di formazione, autore di “La teoria di cinque componenti della personalità” (2002), l’autore della scienza psicoanalitica e spirituale “ottanalisi”. Questo libro apre il lettore possibilità a comprendere meglio il sistema della psiche umana. Il libro è destinato a genitori, insegnanti, guide spirituali, per coloro che sono interessati allo sviluppo personale e spirituale.




Storie Sexy di Ragazze Per Bene


Book Description

"Molte le sfumature che colorano ogni pagina, molti i colori scelti, ampia la tavolozza delle possibilità. L'autrice cerca di mostrare ogni aspetto possibile del rapporto uomo-donna in maniera divertita e appassionata, romantica ma anche disincantata, in favole moderne che si leggono piacevolmente e si lasciano divorare velocemente. Un libro che ti accompagna in autobus, in treno o in qualche attesa. Un libro leggero nel senso che non pretende di pesarti, ma vuole distrarti e strapparti una riflessione e un sorriso. Cartoline d'amore, di vita, di quotidianità scritte con la voglia di mostrare uno spaccato di vita che riguarda tutti noi. Sentimenti, volti, parole, aspettative, sogni, desideri, semplice voglia di una distrazione, luoghi comuni, dinamiche si rincorrono in una carrellata intrigante già dal titolo. Un libro pieno di piccole sorprese che non mancheranno di stupire. Un libro d'amore sexy per ragazze per bene. E non solo." Federico Moccia







Classicism and Romanticism in Italian Literature


Book Description

In 1816 a violent literary quarrel engulfed Bourbon Restoration Italy. On one side the Romantics wanted an opening up of Italian culture towards Europe, and on the other the Classicists favoured an inward-looking Italy. Giacomo Leopardi wrote a Discourse of an Italian on Romantic Poetry aiming to contribute to the debate from a new perspective.




I libretti italiani a stampa dalle origini al 1800. Catalogo analitico con 16 indici


Book Description

Con il catalogo I libretti italiani a stampa dalle origini al 1800, pubblicata dal 1990 al 1994 da Bertola & Locatelli a Cuneo, Claudio Sartori ha donato alla ricerca sulla storia dell'opera e dell'oratorio una base completamente nuova. Rispondendo alle richieste degli studiosi di rendere nuovamente disponibile questo opus magnum, Don Juan Archiv Wien e Hollitzer Verlag pubblicano una ristampa e un'edizione e-book, con un ritratto dell'autore e della sua opera realizzato da Federica Riva. With his catalogue I libretti italiani a stampa dalle origini al 1800, published by Bertola & Locatelli in Cuneo between 1990 and 1994, Claudio Sartori laid a completely new foundation for the research of the history of operas and oratorios. Responding to the requests of scholars to make this opus magnum available again Don Juan Archiv Wien and Hollitzer Verlag publish a reprint and an e-book edition, including a portrait of the author and his work by Federica Riva.




Women and Men in Love


Book Description

It has often been assumed that Europeans invented and had the exclusive monopoly over courtly and romantic love, commonly considered to be the highest form of relations between men and women. This view was particularly prevalent between 1770 and the mid-twentieth century, but was challenged in the 1960s when romantic love came to be seen as a universal sentiment that can be found in all cultures in the world. However, there remains the historical problem that the Europeans used this concept of love as a fundamental part of their self-image over a long period (traces of it still remain) and it became very much caught up in the concept of marriage. This book challenges the underlying Eurocentrism of this notion while exploring in a more general sense the connection between identity and emotions.




Women and Men in Love


Book Description

It has often been assumed that Europeans invented and had the exclusive monopoly over courtly and romantic love, commonly considered to be the highest form of relations between men and women. This view was particularly prevalent between 1770 and the mid-twentieth century, but was challenged in the 1960s when romantic love came to be seen as a universal sentiment that can be found in all cultures in the world. However, there remains the historical problem that the Europeans used this concept of love as a fundamental part of their self-image over a long period (traces of it still remain) and it became very much caught up in the concept of marriage. This book challenges the underlying Eurocentrism of this notion while exploring in a more general sense the connection between identity and emotions.




Metamorphosing Dante


Book Description

After almost seven centuries, Dante endures and even seems to haunt the present. Metamorphosing Dante explores what so many authors, artists and thinkers from varied backgrounds have found in Dante’s oeuvre, and the ways in which they have engaged with it through rewritings, dialogues, and transpositions. By establishing trans-disciplinary routes, the volume shows that, along with a corpus of multiple linguistic and narrative structures, characters, and stories, Dante has provided a field of tensions in which to mirror and investigate one’s own time. Authors explored include Samuel Beckett, Walter Benjamin, André Gide, Derek Jarman, LeRoi Jones/Amiri Baraka, James Joyce, Wolfgang Koeppen, Jacques Lacan, Thomas Mann, James Merrill, Eugenio Montale, Pier Paolo Pasolini, Cesare Pavese, Giorgio Pressburger, Robert Rauschenberg, Vittorio Sereni, Virginia Woolf.




Desire in Dante and the Middle Ages


Book Description

This volume takes Dante's rich and multifaceted discourse of desire, from the Vita Nova to the Commedia, as a point of departure in investigating medieval concepts of desire in all their multiplicity, fragmentation and interrelation. As well as offering several original contributions on this fundamental aspect of Dante's work, it seeks to situate the Florentine more effectively within the broader spectrum of medieval culture and to establish greater intellectual exchange between Dante scholars and those from other disciplines. The volume is also notable for its openness to diverse critical and methodological approaches. In considering the extent to which modern theoretical paradigms can be used to shed light upon the Middle Ages, it will interest those engaged with questions of critical theory as well as medieval culture.




Europe (in Theory)


Book Description

Europe (in Theory) is an innovative analysis of eighteenth- and nineteenth-century ideas about Europe that continue to inform thinking about culture, politics, and identity today. Drawing on insights from subaltern and postcolonial studies, Roberto M. Dainotto deconstructs imperialism not from the so-called periphery but from within Europe itself. He proposes a genealogy of Eurocentrism that accounts for the way modern theories of Europe have marginalized the continent’s own southern region, portraying countries including Greece, Italy, Spain, and Portugal as irrational, corrupt, and clan-based in comparison to the rational, civic-minded nations of northern Europe. Dainotto argues that beginning with Montesquieu’s The Spirit of Laws (1748), Europe not only defined itself against an “Oriental” other but also against elements within its own borders: its South. He locates the roots of Eurocentrism in this disavowal; internalizing the other made it possible to understand and explain Europe without reference to anything beyond its boundaries. Dainotto synthesizes a vast array of literary, philosophical, and historical works by authors from different parts of Europe. He scrutinizes theories that came to dominate thinking about the continent, including Montesquieu’s invention of Europe’s north-south divide, Hegel’s “two Europes,” and Madame de Staël’s idea of opposing European literatures: a modern one from the North, and a pre-modern one from the South. At the same time, Dainotto brings to light counter-narratives written from Europe’s margins, such as the Spanish Jesuit Juan Andrés’s suggestion that the origins of modern European culture were eastern rather than northern and the Italian Orientalist Michele Amari’s assertion that the South was the cradle of a social democracy brought to Europe via Islam.