L’arbitrio del tempo


Book Description

IRDA EDIZIONI Ci sono poesie nate dal cuore, permeate da sentimenti che dondolano dentro un'anima che spesso si sente vagabonda in un mare in cui la rotta può cambiare in ogni istante. Ci sono poesie nate dall'analisi di ciò che ci circonda, che ci avvolge attimo per attimo e in cui si fondono emozione e vita. Ci sono poesie che, poi, sono come semi e si spargono su un foglio perché hanno ruminato lacrime, a volte uccise da un'anima troppo sensibile per regalarle al vento. Questa è la poesia di Francesca Sulas! Un continuo cammino controvento in cui le lacrime si reprimono, si chiudono in una sacca embrionale per poi morire su un foglio, e in quel mondo di inchiostro si schiudono strade, come rose, dove l'amore è un perno o un lungo albero da scalare per vedere il cielo dalla sua cima.




Sancta Caecilia


Book Description







Eranos Yearbook 74 - The Age of Immediacy at the Test of Meaning


Book Description

The 74th volume of the Eranos Yearbooks, The Age of Immediacy at the Test of Meaning, presents to the public the work of the last two years of activities at the Eranos Foundation (2017–2018). The book gathers the lectures presented at the occasion of the 2017 Eranos Conference, Where is the World Going? The Uncertain Future, between Traditional Knowledge and Scientific Thought, the 2018 Eranos Conference, Space for Thinking and Thinking about Space. Reflections on the Relations between the Soul and Places at the Time of the Anthropocene, the 2017 Eranos-Jung Lectures, Who is Afraid of Interiority? A Journey through Literature, Philosophy, and Psychology, the 2018 Eranos-Jung Lectures, Who is Stealing our Time? The Age of Immediacy at the Test of Meaning, and the 2018 Eranos School seminar, The Mechanisms of Heresy: Old and New Forms of Exclusion and Repression. The volume includes essays by Valery Afanassiev, Stephen Aizenstat, Arnaldo Benini, Paul Bishop, Roberto Casati, Adriano Fabris, Franco Ferrari, Giuseppe O. Longo, Jaap Mansfeld, Panos Mantziaras, Grazia Shōgen Marchianò, Massimo Mori, Guy Pelletier, Antonio Prete, Francesca Rigotti, René Roux, Silvano Tagliagambe, Yannis Tsiomis, Amelia Valtolina, Matteo Vegetti, Antonio Vitolo, Samaneh Yasaei, and Chiara Zamboni.




Orpheus in the Marketplace


Book Description

The Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. A large collection of recently discovered account books belonging to him and his family allows for a greater exploration of Peri's professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done much more, however, than write a biography: their investigation exposes the remarkable value of such financial documents as a primary source for an entire period. This record of Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and also opens a completely new perspective on one of Europe's principal centers of capitalism. His economic circumstances reflect continuities and transformations in Florentine society, and the strategies for negotiating them, under the Medici grand dukes. At the same time they allow a reevaluation of Peri the singer and composer that elucidates the cultural life of a major artistic center even in changing times, providing a quite different view of what it meant to be a musician in late Renaissance Italy.
















Method and Order in Renaissance Philosophy of Nature


Book Description

The volume results from a seminar sponsored by the ’Foundation for Intellectual History’ at the Herzog August Bibliothek, Wolfenbüttel, in 1992. Starting with the theory of regressus as displayed in its most developed form by William Wallace, these papers enter the vast field of the Renaissance discussion on method as such in its historical and systematical context. This is confined neither to the notion of method in the strict sense, nor to the Renaissance in its exact historical limits, nor yet to the Aristotelian tradition as a well defined philosophical school, but requires a new scholarly approach. Thus - besides Galileo, Zabarella and their circles, which are regarded as being crucial for the ’emergence of modern science’ in the end of the 16th century - the contributors deal with the ancient and medieval origins as well as with the early modern continuity of the Renaissance concepts of method and with ’non-regressive’ methodologies in the various approaches of Renaissance natural philosophy, including the Lutheran and Calvinist traditions.