L' Escole Des Filles


Book Description

L'escole des filles by active 1655 Michel Millot We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.










The Reinvention of Obscenity


Book Description

The concept of obscenity is an ancient one. But as Joan DeJean suggests, its modern form, the same version that today's politicians decry and savvy artists exploit, was invented in seventeenth-century France. The Reinvention of Obscenity casts a fresh light on the mythical link between sexual impropriety and things French. Exploring the complicity between censorship, print culture, and obscenity, DeJean argues that mass market printing and the first modern censorial machinery came into being at the very moment that obscenity was being reinvented—that is, transformed from a minor literary phenomenon into a threat to society. DeJean's principal case in this study is the career of Moliére, who cannily exploited the new link between indecency and female genitalia to found his career as a print author; the enormous scandal which followed his play L'école des femmes made him the first modern writer to have his sex life dissected in the press. Keenly alert to parallels with the currency of obscenity in contemporary America, The Reinvention of Obscenity will concern not only scholars of French history, but anyone interested in the intertwined histories of sex, publishing, and censorship.




Educating Agnes


Book Description

Adapted from Molière's "School for Wives" by Lochhead, 'Scotland's greatest living dramatist' (Scotland on Sunday)




A World of Difference


Book Description

New to the paperback edition is a preface that readdresses the question of the politics of deconstruction in the context of current discussion about the life and works of Paul de Man.




A Critical Bibliography of French Literature


Book Description

Richard A. Brooks, general editor, v.




Autour de la Litterature


Book Description

Autour de la litterature, Fourth Edition, features a unique approach to literature, encouraging students to play and create with the language as they explore both classical and non-traditional Francophone literature.




Staging Subversions


Book Description

Staging Subversions: The Performance-within-a-Play in French Classical Theater defines a new type of metadrama using Le Tartuffe as its paradigm and explores the complex, ambiguous, and enlightening relationships that metadrama maintains with the social and political orders. While metadramatic scenes are most often concerned with theater itself, the performance-within-a-play adopts an important function in the play's plot, and, consequently, in the social world of the play. The performance-within-a-play is particularly associated by the classical playwrights with the family structure, with the class system, with women's social roles, and with the politics of absolutism.




The Bungler


Book Description

“A mischievous new translation by the poet Richard Wilbur, [The Bungler] is great good fun and should open the gate for the play to be presented with the regularity it deserves.”—Bruce Weber, The New York Times “My notion of translation is that you try to bring it back alive. Speak-ability is so important. . . . I came to see that a line that simply says ‘I love you,’ at the right point in the show, is entirely adequate, that a great deal of verbal sophistication is not necessarily called for.”—Richard Wilbur Poet Richard Wilbur’s translations of Molière’s plays are loved, renowned, and performed throughout the world. This volume is part of Theater Communications Group’s new series (with cover designs by Chip Kidd) to complete trade publication of these vital works of French neoclassical comedy. The Bungler is Molière’s first recognizably great play, and the first to be written in verse. The charming farce is set in Sicily and born of the great Italian tradition of the commedia dell’arte: Loyal valet Mascarille schemes to win the lovely Celie away from rival Leadre, and into the arms of his master Leslie. Molière himself originated the role Mascarille, self-described as “the rashest fool on earth,” who naturally bungles the job along the way. Richard Wilbur is a two-time Pulitzer Prize winner and a former Poet Laureate of the United States. His publications include six volumes of poetry and two collections of selected verses, a collection of prose, and two books for children.