A Cultural History of Fairy Tales in the Modern Age


Book Description

How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Drawing together contributions from an international range of scholars in history, literature, and cultural studies, this volume uniquely examines creative applications of fairy tales in the twentieth and twenty-first centuries. It explores how the fairy tale has become a genre that flourishes on film, on TV, and in digital media, as well as in the older technologies of print, performance, and the visual arts. An essential resource for researchers, scholars and students of literature, history, the visual arts and cultural studies, this book explores such themes and topics as: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.




The World of Theatre


Book Description

The World of Theatre is an on-the-spot account of current theatre activity across six continents. The year 2000 edition covers the three seasons from 1996-97 to 1998-99, in over sixty countries - more than ever before. The content of the book is as varied as the theatre scene it describes, from magisterial round-ups by leading critics in Europe (Peter Hepple of The Stage) and North America (Jim O'Quinn of American Theatre) to what are sometimes literally war-torn countries such as Iran or Sierra Leone.




Translating Canada


Book Description

In the last thirty years of the twentieth century, Canadian federal governments offered varying degrees of support for literary and other artistic endeavour. A corollary of this patronage of culture at home was an effort to make the resulting works available for audiences elsewhere in the world. Current developments in the study of translation and its influence as cultural transfer have made possible new assessments of such efforts to project a national image abroad. Translating Canada examines cultural materials exported by Canada in addition to those selected for acquisition by German publishers, theatres, and other culture brokers. It also considers the motivations of particular translators and the reception by German reviewers of works by a wide variety of Canadian writers -- novelists and poets, playwrights and children's authors, literary and social critics. Above all, the book maps for its readers a number of significant, though frequently unsuspected, roles that translation assumes in the intercultural negotiation of national images and values. The chapters in this collection will be of value to students, teachers, and scholars in a number of fields. Informed lay readers, too, will appreciate the authors’ insights into the different ways in which translation has contributed to German reception of Canadian books and culture.







Voices from Canada


Book Description

Voices from Canada introduces the reader to thirty Canadian plays in the form of overviews.




French VII Bibliography


Book Description




Translating Canada


Book Description

Translating Canada examines cultural materials exported by Canada in addition to those selected for acquisition by German publishers, theatres, and other culture brokers. It also considers the motivations of particular translators and the reception by German reviewers of works by a wide variety of Canadian writers.




Paternity and Fatherhood


Book Description

What kind of connotation does the word 'father' have in everyday language? How have states and governments defined and manipulated the paternal role? What is a 'father-figure'? What can literature tell us about absent or overbearing fathers? How far is the cultural construct of fatherhood linked to biological paternity, and what is biological paternity? These are some of the questions explored through the chapters in this book, which together offer a fascinatingly complex view of fatherhood across the centuries.




Monsters of Our Own Making


Book Description

In Monsters of Our Own Making, Marina Warner explores the dark realm where ogres devour children and bogeymen haunt the night. She considers the enduring presence and popularity of male figures of terror, establishing their origins in mythology and their current relation to ideas about sexuality and power, youth and age.




Warlock's Play: 550+ Supernatural Mysteries, Macabre & Horror Classics


Book Description

Warlock's Play: 550+ Supernatural Mysteries, Macabre & Horror Classics is an epic anthology that stands as a testament to the enduring appeal of the supernatural and horror genres. This voluminous collection interweaves a diverse tapestry of styles and narratives, ranging from gothic horror and romantic supernaturalism to psychological thrillers and eerie folk tales. Each story, carefully selected for its unique contribution to the genre, showcases the evolution of horror and macabre literature through centuries. Highlighted within this compendium are seminal works that have shaped the genre, alongside lesser-known gems that offer fresh perspectives and deepen the thematic exploration of the supernatural. The anthology not only celebrates the diversity of literary styles but also the richness of thematic content, making it an unparalleled collection in the realm of horror and supernatural literature. The authors represented in Warlock's Play are pioneers who have defined and redefined the boundaries of horror and supernatural fiction. From the psychological depth of Henry James to the dark romanticism of Edgar Allan Poe, and the unsettling realism of Algernon Blackwood, these authors collectively represent a wide array of cultural backgrounds and historical contexts. Together, they embody the literary movements of their times, drawing upon their personal experiences, societal anxieties, and the universal human fascination with fear and the unknown. This anthology aligns with movements such as Romanticism, Victorian Gothic, and Modernism, showcasing how supernatural themes have been used to explore deeper psychological, societal, and existential questions. It is this convergence of diverse voices that enriches the readers understanding of the genre, providing a comprehensive survey of its evolution and thematic preoccupations. Warlock's Play is an indispensable resource for anyone drawn to the allure of the supernatural and the macabre. It presents readers with the unique opportunity to explore a myriad of voices, styles, and themes, all unified by their exploration of the mysterious and the terrifying. This collection is not only an educational journey through the history of supernatural literature but also a celebration of the genres capacity to explore the darker aspects of human nature, society, and the universe. It invites readers to delve into the depths of fear and fascination, promising a richly rewarding experience for both the aficionado and the curious newcomer to the genre. Through its sweeping range and depth, Warlock's Play fosters a dialogue between the works of different authors, encouraging a deeper appreciation for the complexity and diversity of horror and supernatural literature.