La Comtesse de Rochefort Et Ses Amis


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Last Libertines


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An enthralling work of history about the Libertine generation that came up during—and was eventually destroyed by—the French Revolution. The Last Libertines, as Benedetta Craveri writes in her preface to the book, is the story of a group of “seven aristocrats whose youth coincided with the French monarchy’s final moment of grace—a moment when it seemed to the nation’s elite that a style of life based on privilege and the spirit of caste might acknowledge the widespread demand for change, and in doing so reconcile itself with Enlightenment ideals of justice, tolerance, and citizenship.” Here we meet seven emblematic characters, whom Craveri has singled out not only for “the romantic character of their exploits and amours—but also by the keenness with which they experienced this crisis in the civilization of the ancien régime, of which they themselves were the emblem.” Displaying the aristocratic virtues of “dignity, courage, refinement of manners, culture, [and] wit,” the Duc de Lauzun, the Vicomte de Ségur, the Duc de Brissac, the Comte de Narbonne, the Chevalier de Boufflers, the Comte de Ségur, and the Comte de Vaudreuil were at the same time “irreducible individualists” and true “sons of the Enlightenment,” all of them ambitious to play their part in bringing around the great changes that were in the air. When the French Revolution came, however, they found themselves condemned to poverty, exile, and in some cases execution. Telling the parallel lives of these seven dazzling but little-remembered historical figures, Craveri brings the past to life, powerfully dramatizing a turbulent time that was at once the last act of a now-vanished world and the first act of our own.







Mirabeau, the Demi-god


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Church and Society in Eighteenth-century France


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Volume 1 describes the relations of Church and State, the wealth of the Church, and its role in national life from Versailles to the scaffold. Dioceses, parishes, and the monastic structure are presented in detail, and the vocation and life-style of the clergy as in mesh with every aspect of social living.




The Sixth Sense


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It has long been the custom to condemn eighteenth-century French poetry outright as generally unworthy of attention. However, in keeping with a recent change of attitude towards this vast and diverse body of literature, Professor Finch here undertakes to isolate a certain group of poets, belonging to the first half of the century, who may appropriately be called individualistes and who are in various ways characteristic of a definite and important trend of their time. The authors he has chosen were selected from the larger group of individualists because each provides, in addition to his poems, a complete statement of his own conception of poetry and of that conception which is common to the group as a whole. Since the works treated are comparatively unfamiliar the author has considered them from a historical and an analytical as well as a critical point of view. In addition he has devoted three special chapters to a literary historian (Evrard Titon du Tillet) and to three critical theorists (Jean-Baptiste Dubos, Yves-Marie André, and Charles Batteux) whose contemporary writings, while they may or may not have influenced the poets here examined, support, reflect, or confirm their ideas and practice. Texts of these poets are not easily available and the numerous representative quotations from the poems given in this book will be welcomed by the reader.




The Life of Mirabeau


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