La Far


Book Description

How far are we from the Lake District? How far from the garden? Eric Linsker’s first book scrolls down the Anthropocene, tracking our passage through a technophilic pastoral where work and play are both forms of making others suffer in order to exist. In La Far, the world is faraway near, a hell conveniently elsewhere in which workers bundle Foxconn’s “rare earths” into the “frosty kits” that return us our content, but also the sea meeting land as it always has. Both are singable conditions and lead, irreversibly, to odes equally comfortable with praise and lament. The poems in La Far hope that by making the abstract concrete and the concrete abstract, “literalizing / a nightingale beyond / knowledge,” we might construct what Wordsworth called a “Common Day,” a communized life partaken of by all.




So Far So Good


Book Description

"Ursula K. Le Guin, loved by millions for her fantasy and science-fiction novels, ponders life, death and the vast beyond in So Far So Good, an astute, charming collection finished weeks before her death in January, 2018. Fans will recognize some of the motifs here—cats, wind, strong women — as well as her exploration of the intersection between soul and body, the knowable and the unknown. The writing is clear, artful and reverent as Le Guin looks back at key memories and concerns and looks forward to what is next: 'Spirit, rehearse the journey of the body/ that are to come, the motions/ of the matter that held you.'"―Washington Post "Le Guin’s farewell poetry collection, contains all that created her reputation for fiction—sharp insight, restless imagination, humor that is both mordant and humane, and, above all else, that connection to all creation, that 'immense what is'."—New York Journal of Books “It’s hard to think of another living author who has written so well for so long in so many styles as Ursula K. Le Guin.” —Salon “She never loses touch with her reverence for the immense what is.” —Margaret Atwood “There is no writer with an imagination as forceful and delicate as Le Guin’s.” —Grace Paley Legendary author Ursula K. Le Guin was lauded by millions for her ground- breaking science fiction novels, but she began as a poet, and wrote across genres for her entire career. In this clarifying and sublime collection—completed shortly before her death in 2018—Le Guin is unflinching in the face of mor- tality, and full of wonder for the mysteries beyond. Redolent of the lush natural beauty of the Pacific Northwest, with rich sounds playfully echoing myth and nursery rhyme, Le Guin bookends a long, daring, and prolific career. From “How it Seems to Me”: In the vast abyss before time, self is not, and soul commingles with mist, and rock, and light. In time, soul brings the misty self to be. Then slow time hardens self to stone while ever lightening the soul, till soul can loose its hold of self . . . Ursula K. Le Guin is the author of over sixty novels, short fiction works, translations, and volumes of poetry, including the acclaimed novels The Left Hand of Darkness and The Dispossessed. Her books continue to sell millions of copies worldwide. Le Guin died in 2018 in her home in Portland, Oregon.










U.S.A.


Book Description













The Exotic Other and Negotiation of Tibetan Self


Book Description

This study examines various representations of Tibet in Tibetan and Chinese fiction from the 1980s. With its analysis of some of the first Tibetan short stories published approximately a decade after the end of the Cultural Revolution it greatly contributes to the scholarly research of the rise of modern Tibetan literature. The image of Tibet that appears in the works of Tibetan authors is there compared with the Chinese representations of Tibet from the same period. The analysis is informed by postcolonial theories of literature and is focused mainly on the stereotypes that appear in representation of Tibet both in China and in the west. The primary aim of this study is to examine the influence of such stereotypes on Tibetan literary negoitations of their own newly reshaped identity. Studie se zabývá zobrazování Tibetu v tibetské a čínské literatuře o Tibetu z 80. let 20. století. Prostřednictvím analýzy tibetských povídek vznikajících v době počátečního formování moderní tibetské literatury po skončení kulturní revoluce mapuje samotný vznik moderní literatury v Tibetu. Obraz Tibetu, který se objevuje v dílech tibetských autorů, je zde srovnáván s vyobrazením Tibetu v díle čínských autorů tvořících ve stejném období. Analýza vycházející z postkoloniální teorie literatury se zaměřuje především na stereotypy, jež panují v zobrazování Tibetu jak v Číně, tak na Západě, a klade si za cíl posoudit, nakolik tyto stereotypy ovlivňují vlastní představy autorů o "tibetskosti", a nakolik se odrážejí v nově utvářené moderní tibetské identitě.