Les mises en scène du patrimoine : savoir, fiction et médiation (Collection Communication, Médiation et Construits Sociaux)


Book Description

L'accès au passé, par l'archéologie, l'histoire ou l'exposition, se fonde sur des médiations. Parmi elles, les reconstitutions ou décors d'exposition sont des mises en scène du patrimoine qui font souvent l'objet de critiques. Par leurs aspects spectaculaire et théâtral, elles ne donneraient qu'une illusion de la présence du passé. Elles seraient superficielles, sinon fausses en regard des objets patrimoniaux qu'elles mettent en scène. La fiction n'est-elle pas antinomique du patrimoine et des savoirs garants de son authenticité ? Cet ouvrage montre que les mises en scène sont aussi un moyen de soutenir la force symbolique et l'authenticité du patrimoine. L'analyse d'expositions concrètes de patrimoine archéologique permet de comprendre comment elles construisent une expérience du temps pour le visiteur et un type de médiation original. La construction du discours spatial et l'articulation des éléments fictionnels et des éléments authentiques deviennent alors déterminantes.




Contemporary Mise en Scène


Book Description

‘We have good reason to be wary of mise en scène, but that is all the more reason to question this wariness ... it seems that images from a performance come back to haunt us, as if to prolong and transform our experience as spectators, as if to force us to rethink the event, to return to our pleasure or our terror.’ – Patrice Pavis, from the foreword Contemporary Mise en Scène is Patrice Pavis’s masterful analysis of the role that staging has played in the creation and practice of theatre throughout history. This stunningly ambitious study considers: the staged reading, at the frontiers of mise en scène; scenography, which sometimes replaces staging; the reinterpretation of classical and contemporary works; the development of intercultural theatre and ritual; new technologies and their usage live on the stage; the postmodern practice of deconstruction. But it also applies sustained critical attention to the challenges of defining mise en scène, of tracking its development, and of exploring its possible futures. Joel Anderson’s powerful new translation lucidly realises Pavis’s investigation of the changing possibilities for stagecraft in the context of performance art, physical theatre and modern theory.




The life of mise-en-scène


Book Description

The life of mise-en-scène offers a critical history of key debates about visual style in British film journals in the post-war period. It reclaims an often-ignored or misrepresented history, including: the concept of film poetry in the journal Sequence, changing attitudes in Sight and Sound during the 1950s, and the battle over the significance of film style which raged between a number of small journals and the national press in the early 1960s. It examines the British school, first associated with Movie in the 1960s, which, in Adrian Martin’s words, is enjoying a ‘widespread, international revival’ – but also other critical movements, more hazily remembered. It explores the role of mise-en-scène in melodrama criticism, and considers what happened to detailed criticism as major theoretical movements emerged in the 1970s. In doing so, it provides a vital context for the contemporary practice of style-based criticism and challenges received notions of critical history, developing our understanding of a range of other key debates and concerns in the study of film.





Book Description




Gloses et commentaire du livre XI du Contra Proclum de Jean Philopon


Book Description

The problem of the Materia Prima is certainly one of the most important challenges of late antique Physics. It is interesting to note that such a difficulty has never been focused on an exhaustive treatise in Antiquity. If the question of the matter resists any investigation, it is because the matter is radically 'aneideos' (without form) even though it is the condition 'sine qua non' of the existence of all forms in the sensible world. The present study proposes the first translation in French of the entire eleventh Book of the Philoponus' Contra Proclum (VIe s.) which precisely discusses the status of the Prime Matter. After having clarified the context of such a question in the Neoplatonic Alexandrian School, it puts forward a detailled step-to-step analysis of the Philoponian argument, the notions used by him and a new general theory which attempts to evaluate the pertinence and the internal coherence of his contribution to this very problematic question. Le problème de la Materia Prima est sans aucun doute l'une des questions les plus redoutables de la physique tardo-antique. Du moins s'il faut en croire la difficulté à en circonscrire la théorie dans un traité qui put faire école. Si la matière, en effet, résiste à toute investigation rationnelle c'est qu'elle est foncièrement sans forme bien qu'elle soit la condition sine qua non d'existence de toutes les formes du monde sensible. La présente étude propose la première traduction en Français du Livre XI du Contra Proclum de Jean Philopon (VIe s.). Elle commence par recontextualiser le propos de Philopon en l'inscrivant dans la tradition de la 'Quaestio disputata' de l'Ecole néoplatonicienne d'Alexandrie. Chaque sous-chapitre traduit et exhaustivement annoté est suivi d'une analyse détaillée de l'argument philoponien et des notions mobilisées, ainsi que d'une théorie générale qui essayera à chaque fois d'évaluer la cohérence et la pertinence du propos du grammairien alexandrin.




Contemporary French Cinema


Book Description

Examines popular French film of the last 25 years. Charts recent developments in all genres since the New Wave, including the heritage film, the thriller, the war film, `cinema du look'. Other topics include: representations of sexuality; the work of women film-makers. Includes a filmography.




Kine weekly


Book Description




Canada : Images D'une Société Post/nationale


Book Description

Has Canada moved beyond the nation state into the world of the post-national? To what extent have fixed notions of Canadian nationhood been replaced by a more global, decentralized sense of identification? Is nationhood (or post-nationhood) best expressed by statelessness and exile or by belonging? Or can Canadian national identity in fact fruitfully coexist with the post-national consciousness? These are some of the issues covered by this volume, issues seen from a range of perspectives - literary, cultural, political and economic. In the literary sphere the national/post-national debate is explored both through canonical writers, such as L. M. Montgomery, Stephen Leacock, and Marie-Claire Blais, and through recent First Nations, Asian-Canadian, African-Canadian, Ukrainian-Canadian and Quebec writing. The political and economic range is equally diverse, covering such topics as immigration policy, multiculturalism, Canadian-American relations, tourist imaginings of the Canadian North, the Canadian city, and Quebec nationalism. The book brings together 27 original articles from international scholars and creative writers, offering both European and Canadian perspectives. Six articles in French focus specifically on the francophone sphere.




Reading Images and Seeing Words


Book Description

The simultaneously tautological and oxymoronic nature of word / image relations has become a subject of massive debate in the post-modern period. This is not only because of the increasing predominance of word / image messages within our modern media-saturated culture, but also because intellectual disciplines are becoming increasingly sensitized to the essentially hybrid nature of the way we construct meaning in the world. The essays in this volume offer an exemplary insight into both aspects of this phenomenon. Focussing on both traditional and modern media (theatre, fiction, poetry, graphic art, cinema), the essays of Reading Images and Seeing Words are deeply concerned to show how it is according to signifying codes (rhetoric, poetics, metaphor), that meaning and knowledge are produced. Not the least value of this collection is the insight it gives into the multiple models of word / image interaction and the rich ambiguity of the tautological and oxymoronic relations they embody.




Annales


Book Description

This collection reprints key articles written within the past 30 years on the Annales school, their journal, their influence on history, historiography and other academic fields.