Tears in the Graeco-Roman World


Book Description

This volume presents a wide range of contributions that analyse the cultural, sociological and communicative significance of tears and crying in Graeco-Roman antiquity. The papers cover the time from the eighth century BCE until late antiquity and take into account a broad variety of literary genres such as epic, tragedy, historiography, elegy, philosophical texts, epigram and the novel. The collection also contains two papers from modern socio-psychology.




Poetic Allusion and Poetic Embrace in Ovid and Virgil


Book Description

A consideration of the allusive poetry of Ovid based on the philosophy of Martin Buber




Sunt Lacrimae Rerum


Book Description




Telling Tears in the English Renaissance


Book Description

Tears and weeping are, at once, human universals and socially-constrained phenomena. This volume explores the interface between those two viewpoints by examining medical literature, sermons, and lyric poetry of the 16th and 17th centuries to see how dominant paradigms regarded who could, who must, and who must not weep. These paradigms shifted in some cases radically, during these centuries. Without a clear understanding of how the Renaissance 'read' tears, it is difficult to avoid using our own preconceptions -- often quite different and very misleading. There are five chapters; one on medical and scientific material, two on sermons, and two on different types of lyric.




Lacrimae Rerum


Book Description




The Complete Works of Oscar Wilde


Book Description

This volume presents for the first time the complete textual history of one of the most famous love letters ever written. Addressed to Wilde's lover, Lord Alfred Douglas, and composed in Reading Gaol, it was later given the title 'De Profundis' by Wilde's friend and literary executor, RobertRoss. It was Ross's severely abridged and sanitized version, published in 1905 and again 1908, which inaugurated the tradition of seeing De Profundis as the apologia pro sua vita of a broken man. This edition takes account of this complex heritage by arguing that Wilde's prison document may be seennot just as the basis of a letter (a typed copy of which may have been sent to Douglas) but also as an unfinished literary work which he intended for public consumption at some future date. Such a case is made by placing in the public domain, often for the first time, a number of different works,derived from different texts, each of which bears witness to Wilde's multiple intentions for his prison document. These texts comprise: the manuscript held in the British Library; the version of Wilde's letter published by his son, Vyvyan Holland, from a typescript bequeathed to him by Robert Ross;hitherto unpublished witnesses to that typescript; and Ross's editions, collated with each other. The commentary to this edition - again for the first time - sets Wilde's story of his own life in 'De Profundis' against the testimony of other players in his drama, including, most importantly, that ofDouglas. In so doing it exposes the partial nature of Wilde's narrative, as well as the personal obsessions which animated it. The commentary also demonstrates a hitherto unnoticed element of Wilde's work, the extent and nature of its richly layered intertextuality and its similarity, in itscompositional practices, to many of his earlier works.




Where Dead Voices Gather


Book Description

A forgotten singer from the early days of jazz is at the center of this riveting book -- a narrative that is part mystery, part biography, part meditation on the meaning and power of music.




Passion and Defiance


Book Description

Since World War II, aesthetic impulses generated in Italy have swept through every film industry in the world, and in her book Mira Liehm analyses the roots in literature, philosophy, and contemporary Italian life which have contributed to this extraordinary vigor. An introductory chapter offers a unique overview of the Italian cinema before 1942. It is followed by a full and profound discussion of neorealism in its heyday, its difficult aftermath in the fifties, the glorious sixties, and finally by an analysis of the contemporary cinematic crisis. Mira Liehm has known personally many of the leading figures in Italian cinema, and her work is rich in insights into their lives and working methods. This impressive scholarly work immediately outclasses all other available Italian film histories. It will be essential reading for anyone seriously interested in the cinema.




Poems Written in a Time of Plague


Book Description

Plague is both metaphor and physical presence. The poems in this volume, written between January and June of 2020, address the plagues of COVID-19; racism, police brutality; and political indifference, ineptness, and malfeasance. The poems offer the hope that the first plague has taught us about the good fruits of compassion and community and that the continuing nonviolent protests in the United States over the second plague, racism, will help birth a resurrection in the hearts, minds, and souls of all Americans, a new Easter. The twentieth-century theologian Karl Barth astutely said, “The pastor and his congregation should not imagine that they are a religious society that is fixated [only] on certain themes, but that they live in this world. We do indeed need, according to my old formulation, the Bible and the newspaper.” With the poems in this volume, the author, newspaper in hand, reflects on events from January to early June 2020 and does so by integrating reflections on Scripture with current events.




Sunt Lacrimae Rerum


Book Description

"In homage to and in mourning for the street of booksellers, this book takes its title from Aeneas's words of sorrow uttered before a Carthaginian mural depicting the Trojan War. Tragedy must be brought home to us, but how can we relay the depths of loss--a very idea predicated on absence? This reliquary is part lachrymatory: it contains a book whose text of tears is designed to tear away at itself each time the book is displayed. Pleated into an accordion, it plays the elegy for its own effacement as, gradually, the cut-out letters catch on one another, pulling themselves up and off the page until they may fall away entirely. Not only is the book's texture designed to transform, its text does as well: page by page, one letter of the phrase changes at each turn." --artist's statement.