Ladies of the Gothics


Book Description




Female Gothic Histories


Book Description

Female Gothic Histories: Gender, History and the Gothic is an innovative new study of the ways in which women writers have used Gothic historical fiction to symbolise and counter their exclusion from traditional historical narratives.




Ladies of Gothic Horror (A Collection of Classic Stories)


Book Description

Classic gothic horror stories from the literary mistresses of the past! Many of gothic horror’s spookiest tales have come from the pens of women. Yet a substantial number of these women were overshadowed by their male contemporaries, especially with regard to the classics. Ladies of Gothic Horror (A Collection of Classic Stories) redresses this imbalance by bringing together a selection of gothic stories from the past written exclusively by women. Carefully edited and compiled by author and anthologist Mitzi Szereto, Ladies of Gothic Horror offers readers plenty of good old-fashioned chills and thrills. Whether you’re a devotee of the genre, a literature lover, an academic or a student, this volume of short fiction is sure to please. The biographies accompanying each story will show that these women were anything but typical for their time. Includes seventeen stories from authors Mary Shelley, Elizabeth Gaskell, Edith Wharton, Marjorie Bowen, Gertrude Atherton, Virginia Woolf, Charlotte Perkins Gilman, Elia W. Peattie and many more. "Ladies of Gothic Horror (A Collection of Classic Stories) is a must-read for anyone who loves the horror, mystery, science fiction, or paranormal genres." - Long and Short Reviews "An inspiring collection, to be enjoyed in its own right, preferably by candlelight while sat in your favourite chair…" - ScreamFix "You’ll find some damn fine fiction in this collection and some equally impressive true stories." - Get On My Damn Level book reviews "We have stories with ghosts, some malevolent, some seeking vengeance, and some simply waiting for a wrong to be corrected…. [Including] a thoughtful look into the time period, and the challenges that these women had faced in getting published, let alone in living their everyday lives." - Girl Who Reads




The Female Gothic


Book Description

This rich and varied collection of essays makes a timely contribution to critical debates about the Female Gothic, a popular but contested area of literary studies. The contributors revisit key Gothic themes - gender, race, the body, monstrosity, metaphor, motherhood and nationality - to open up new critical directions.




The Lost Ones


Book Description

Some houses are NEVER at peace... SHORTLISTED FOR THE GOLDSBORO BOOKS GLASS BELL AWARD SHORTLISTED FOR THE HISTORICAL WRITERS’ ASSOCIATION DEBUT CROWN ‘A gothic gem of intrigue and atmosphere’ HWA Debut Crown Judges




Women's Gothic


Book Description

Female writers of the Gothic were hell-raisers in more than one sense: not only did they specialize in evoking scenes of horror, cruelty, and supernaturalism, but in doing so they exploded the literary conventions of the day, and laid claim to realms of the imagination hitherto reserved for men. They were rewarded with popular success, large profits, and even critical adulation. E.J. Clery's acclaimed study tells the strange but true story of women's gothic. She identifies contemporary fascination with the operation of the passions and the example of the great tragic actress Sarah Siddons as enabling factors, and then examines in depth the careers of two pioneers of the genre, Clara Reeve and Sophie Lee, its reigning queen, Ann Radcliffe, and the daring experimentalists Joanna Baillie and Charlotte Dacre. The account culminates with Mary Shelley, whose Frankenstein (1818) has attained mythical status. Students and scholars as well as general readers will find Women's Gothic a stimulating introductio




Women and the Gothic


Book Description

A re-assessment of the Gothic in relation to the female, the 'feminine', feminism and post-feminismThis collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of 'Women and the Gothic'. The 14 chapters in this volume engage with debates about 'Female Gothic' from the 1970s and '80s, through second wave feminism, theorisations of gender and a long interrogation of the 'women' category as well as with the problematics of post-feminism, now itself being interrogated by a younger generation of women. The contributors explore Gothic works from established classics to recent films and novels from feminist and post-feminist perspectives. The result is a lively book that combines rigorous close readings with elegant use of theory in order to question some ingrained assumptions about women, the Gothic and identity. Key FeaturesRevitalises the long-running debate about women, the Gothic and identityEngages with the political agendas of feminism and post-feminismPrioritises the concerns of woman as reader, author and criticOffers fresh readings of both classic and recent Gothic works




The Yellow Wall-Paper


Book Description

She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.




Women and the Gothic


Book Description

Describes Gothic works by women. Includes illustrations from and brief descriptions of such works as "Legends of Terror! And Tales of the Wonderful and the Wild" and "The Wanderings of Warwick." Links to the home page of the exhibit "Sublime Anxiety: The Gothic Family and the Outsider," provided by the University of Virginia Library.




Contemporary Women's Gothic Fiction


Book Description

This book revives and revitalises the literary Gothic in the hands of contemporary women writers. It makes a scholarly, lively and convincing case that the Gothic makes horror respectable, and establishes contemporary women’s Gothic fictions in and against traditional Gothic. The book provides new, engaging perspectives on established contemporary women Gothic writers, with a particular focus on Angela Carter, Margaret Atwood and Toni Morrison. It explores how the Gothic is malleable in their hands and is used to demythologise oppressions based on difference in gender and ethnicity. The study presents new Gothic work and new nuances, critiques of dangerous complacency and radical questionings of what is safe and conformist in works as diverse as Twilight (Stephenie Meyer) and A Girl Walks Home Alone (Ana Lily Amirpur), as well as by Anne Rice and Poppy Brite. It also introduces and critically explores postcolonial, vampire and neohistorical Gothic and women’s ghost stories.