The Cambridge Companion to Keats


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In The Cambridge Companion to Keats, leading scholars discuss Keats's work in several fascinating contexts: literary history and key predecessors; Keats's life in London's intellectual, aesthetic and literary culture and the relation of his poetry to the visual arts. These specially commissioned essays are sophisticated but accessible, challenging but lucid, and are complemented by an introduction to Keats's life, a chronology, a list of contemporary people and periodicals, a source reference for famous phrases and ideas articulated in Keats's letters, a glossary of literary terms and a guide to further reading.







Life of John Keats


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Keats


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Keats: Poems Published in 1820 by John Keats Of all the great poets of the early nineteenth century-Wordsworth, Coleridge, Scott, Byron, Shelley, Keats-John Keats was the last born and the first to die. The length of his life was not one-third that of Wordsworth, who was born twenty-five years before him and outlived him by twenty-nine. Yet before his tragic death at twenty-six Keats had produced a body of poetry of such extraordinary power and promise that the world has sometimes been tempted, in its regret for what he might have done had he lived, to lose sight of the superlative merit of what he actually accomplished.




The Eve of St. Agnes


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The Complete Poems


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Keats’s first volume of poems, published in 1817, demonstrated both his belief in the consummate power of poetry and his liberal views. While he was criticized by many for his politics, his immediate circle of friends and family immediately recognized his genius. In his short life he proved to be one of the greatest and most original thinkers of the second generation of Romantic poets, with such poems as ‘Ode to a Nightingale’, ‘On First Looking into Chapman’s Homer’ and ‘La Belle Dame sans Merci’. While his writing is illuminated by his exaltation of the imagination and abounds with sensuous descriptions of nature’s beauty, it also explores profound philosophical questions. John Barnard’s acclaimed volume contains all the poems known to have been written by Keats, arranged by date of composition. The texts are lightly modernized and are complemented by extensive notes, a comprehensive introduction, an index of classical names, selected extracts from Keats’s letters and a number of pieces not widely available, including his annotations to Milton’s Paradise Lost.




Lamia


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John Keats: The Eve of St. Agnes (Unabridged)


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This carefully crafted ebook: "John Keats: The Eve of St. Agnes (Unabridged)" is formatted for your eReader with a functional and detailed table of contents. "The Eve of St. Agnes" is a poem (42 stanzas). It is widely considered to be amongst his finest poems and was influential in 19th century literature. The poem is in Spenserian stanzas. The title comes from the day (or evening) before the feast of Saint Agnes (or St. Agnes' Eve). St. Agnes, the patron saint of virgins, died a martyr in 4th century Rome. The eve falls on January 20th; the feast day on the 21st. The divinations referred to by Keats in this poem are referred to by John Aubrey in his Miscellanies (1696) as being associated with St. Agnes' night. Keats based his poem on the superstition that a girl could see her future husband in a dream if she performed certain rites on the eve of St. Agnes; that is she would go to bed without any supper, undress herself so that she was completely naked and lie on her bed with her hands under the pillow and looking up to the heavens and not to look behind. Then the proposed husband would appear in her dream, kiss her, and feast with her. John Keats (1795-1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature.




Unweaving the Rainbow


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From the New York Times–bestselling author of Science in the Soul. “If any recent writing about science is poetic, it is this” (The Wall Street Journal). Did Sir Isaac Newton “unweave the rainbow” by reducing it to its prismatic colors, as John Keats contended? Did he, in other words, diminish beauty? Far from it, says acclaimed scientist Richard Dawkins; Newton’s unweaving is the key too much of modern astronomy and to the breathtaking poetry of modern cosmology. Mysteries don’t lose their poetry because they are solved: the solution often is more beautiful than the puzzle, uncovering deeper mysteries. With the wit, insight, and spellbinding prose that have made him a bestselling author, Dawkins takes up the most important and compelling topics in modern science, from astronomy and genetics to language and virtual reality, combining them in a landmark statement of the human appetite for wonder. This is the book Dawkins was meant to write: A brilliant assessment of what science is (and isn’t), a tribute to science not because it is useful but because it is uplifting. “A love letter to science, an attempt to counter the perception that science is cold and devoid of aesthetic sensibility . . . Rich with metaphor, passionate arguments, wry humor, colorful examples, and unexpected connections, Dawkins’ prose can be mesmerizing.” —San Francisco Chronicle “Brilliance and wit.” —The New Yorker