Landfill Meditation


Book Description

Fourteen stories by the man N. Scott Momaday has called "the supreme ironist among American Indian writers of the twentieth century." In these fourteen stories Gerald Vizenor leads his crossblood characters out of romantic thickets into a new tribal world of psychotaxidermy, laser holograms, and urban ceremonies. Dancing with tricksters, animals, and language is never dangerous in this collection. With the comic pleasures of tribal tricksters, Vizenor's fantastic characters arise from the burdens of racialism and noble savagism. Martin Bear Charme, in the title story, owns a reservation and conducts seminars on refuse meditation, pantribal fantasies, and animal languages. He restores the sublime connections between the refuse and the refusers, and earns a fortune at the same time. Almost Browne, another crossblood transformer, was born in the back seat of a hatchback, matured with computers, and projects laser demons over the reservation. Other crossbloods win a summer ice sculpture contest, own sovereign sections of interstate highways, and discover instant coffee.




Listening to the Land


Book Description

For better or worse, representations abound of Native Americans as a people with an innate and special connection to the earth. This study looks at the challenges faced by Native American writers who confront stereotypical representations as they assert their own ethical relationship with the earth. Lee Schweninger considers a range of genres (memoirs, novels, stories, essays) by Native writers from various parts of the United States. Contextualizing these works within the origins, evolution, and perpetuation of the “green” labels imposed on American Indians, Schweninger shows how writers often find themselves denying some land ethic stereotypes while seeming to embrace others. Taken together, the time periods covered inListening to the Landspan more than a hundred years, from Luther Standing Bear’s description of his late-nineteenth-century life on the prairie to Linda Hogan’s account of a 1999 Makah hunt of a gray whale. Two-thirds of the writers Schweninger considers, however, are well-known voices from the second half of the twentieth century, including N. Scott Momaday, Louise Erdrich, Vine Deloria Jr., Gerald Vizenor, and Louis Owens. Few ecocritical studies have focused on indigenous environmental attitudes, in comparison to related work done by historians and anthropologists.Listening to the Landwill narrow this gap in the scholarship; moreover, it will add individual Native American perspectives to an understanding of what, to these writers, is a genuine Native American philosophy regarding the land.




Loosening the Seams


Book Description

Native America can look to few more inventive contemporary writers than Gerald Vizenor. This work discusses his childhood in the Minneapolis of the Depression and World War II to his becoming a professor of Native American Studies at the University of Berkeley.




Earthdivers


Book Description

These narratives compare earthdivers in myths who brought dirt up from the watery earth to form land, with present-day earthdivers, mixed bloods, who dive into urban areas connecting dreams to the earth




Gerald Vizenor


Book Description

Kimberly M. Blaeser begins with an examination of Vizenor's concept of Native American oral culture and his unique incorporation of oral tradition in the written word. She details Vizenor's efforts to produce a form of writing that resists static meaning, involves the writer in the creation of the literary moment, and invites political action and explores the place of Vizenor's work within the larger context of contemporary tribal literature, Native American scholarship, and critical theory.




The Literature of Waste


Book Description

Tracing material and metaphoric waste through the Western canon, ranging from Beowulf to Samuel Beckett, Susan Signe Morrison disrupts traditional perceptions of waste to better understand how we theorize, manage, and are implicated in what is discarded and seen as garbage. Engaging a wide range of disciplines, Morrison addresses how the materiality of waste has been sedimented into a variety of toxic metaphors. If scholars can read waste as possessing dynamic agency, how might that change the ethics of refuse-ing and ostracizing wasted humans? A major contribution to the growing field of Waste Studies, this comparative and theoretically innovative book confronts the reader with the ethical urgency present in waste literature itself.




Waste Away


Book Description

Though we are the most wasteful people in the history of the world, very few of us know what becomes of our waste. In Waste Away, Joshua O. Reno reveals how North Americans have been shaped by their preferred means of disposal: sanitary landfill. Based on the author’s fieldwork as a common laborer at a large, transnational landfill on the outskirts of Detroit, the book argues that waste management helps our possessions and dwellings to last by removing the transient materials they shed and sending them elsewhere. Ethnography conducted with waste workers shows how they conceal and contain other people’s wastes, all while negotiating the filth of their occupation, holding on to middle-class aspirations, and occasionally scavenging worthwhile stuff from the trash. Waste Away also traces the circumstances that led one community to host two landfills and made Michigan a leading importer of foreign waste. Focusing on local activists opposed to the transnational waste trade with Canada, the book’s ethnography analyzes their attempts to politicize the removal of waste out of sight that many take for granted. Documenting these different ways of relating to the management of North American rubbish, Waste Away demonstrates how the landfills we create remake us in turn, often behind our backs and beneath our notice.




Shadow Distance


Book Description

A wide-ranging collection of fiction, essays, poetry and more by the acclaimed Native American author of Bearheart and Interior Landscapes. Gerald Vizenor is one of our era’s most important and prolific Native American writers. Drawing on the best work of an acclaimed career, Shadow Distance: A Gerald Vizenor Reader reveals the wide range of his imagination and the evolution of his central themes. This compelling collection includes not only selections from Vizenor’s innovative fiction, but also poetry, autobiography, essays, journalism, and the previously unpublished screenplay “Harold of Orange,” winner of the Film-in-the-Cities national screenwriting competition. Whether focusing on Native American tricksters or legal and financial claims of tribal sovereignty, Vizenor continually underscores the diversities of modern traditions, the mixed ethnicity that characterizes those who claim Native American origin, and cultural permeability of an increasingly commercial, global world.




That the People Might Live


Book Description

Loyalty to the community is the highest value in Native American cultures. Taking his sense of community as both a starting point and a lens, this book offers fascinating discussions of Native American written literature. Drawing upon the best of Native and non-Native scholarship, the author adds his own provocative thoughts and eloquent writing to help readers to a richer understanding of these too often neglected texts.




Parallel Encounters


Book Description

The essays collected in offer close analysis of an array of cultural representations of the Canada–US border, in both site-specificity and in the ways in which they reveal and conceal cultural similarities and differences. Contributors focus on a range of regional sites along the border and examine a rich variety of expressive forms, including poetry, fiction, drama, visual art, television, and cinema produced on both sides of the 49th parallel. The field of border studies has hitherto neglected the Canada–US border as a site of cultural interest, tending to examine only its role in transnational policy, economic cycles, and legal and political frameworks. Border studies has long been rooted in the US–Mexico divide; shifting the locus of that discussion north to the 49th parallel, the contributors ask what added complications a site-specific analysis of culture at the Canada–US border can bring to the conversation. In so doing, this collection responds to the demands of Hemispheric American Studies to broaden considerations of the significance of American culture to the Americas as a whole—bringing Canadian Studies into dialogue with the dominantly US-centric critical theory in questions of citizenship, globalization, Indigenous mobilization, hemispheric exchange, and transnationalism.