Landscape with Moving Figures


Book Description

In Landscape with Moving Figures, Ms. Jacobs reflects on the art form during the ten-year period from 1994-2004 when dancers, choreographers and dance lovers were challenged by AIDS and the loss of the last of the founding giants of American dance. Grounded by her vast knowledge of the form and guided by her own sensitive gifts of perception, Ms. Jacobs ponders the very purpose of the art as she encounters it in landmark performances of the decade. She describes her multi-layered experiences watching performances by Bill T. Jones, New York City Ballet, Baryshnikov’s White Oak Project, the Royal Ballet, Merce Cunningham, Paul Taylor, Twyla Tharp and others.




Figures in a Landscape


Book Description

A new inclusiveness, a heady freedom, grounded in the facts of mortality, inform Gail Mazur’s recent poems, as if making them has served as both a bunker and a promontory, a way to survive, and to be exposed to, the profound underlying subject of this book: a husband’s approaching death. The intimate particulars of a shared life are seen from a great height—and then there’s the underlife of the bunker: endurance, holding on, life as uncompromising reality. This new work, possessed by the unique devil-may-care intensity of someone writing at the end of her nerves, makes Figures in a Landscape feel radiant, visionary, and exhilarating, rather than elegiac. Mazur’s masterly fusion of abstraction with the facts of a life creates a coming to terms with what Yeats called “the aboriginal ice.”




Landscape and the Moving Image


Book Description

Elwes takes a journey through the twin histories of landscape art and experimental moving image and discovers how they coalesce in the work of artists from the 1970s to the present day.0Drawing on a wide geographical sampling, Elwes considers issues that have preoccupied film and video artists over the years, ranging from ecology, gender, race, performativity, conflict, colonialism and our relationship to the nonhuman creatures with whom we share our world. The book is informed by the belief that artists can provide an embodied, emotional response to landscape, which is an essential driver in the urgent task of combating the environmental crisis we now face.0The book comprises a series of essays that explore how the moving image mediates our relationship to and understanding of landscapes. The focus is on artists' film and video and draws on work from the 1970s to the present day. Early chapters map the theoretical terrain for both landscape and artists' moving image creating a foundation for the chapters that follow devoted to practice. These address themes of identity politics, performativity and animals and examine examples of British 'weather-blown films' and work from around the world including Indigenous Australian film landscapes. The book offers an informed, personal view of the subject and threaded through the narrative is a concern with the environment and the vexed question of whether an appreciation of nature's aesthetics undermines a commitment to ecology.0The book is written in a clear, engaging style and is enlivened by Elwes's own experiences as a video artist, writer and curator, and the primary material she draws on derived from conversations with fellow practitioners across the years.




Landscape with Invisible Hand


Book Description

National Book Award winner M. T. Anderson returns to future Earth in a sharply wrought satire of art and truth in the midst of colonization. When the vuvv first landed, it came as a surprise to aspiring artist Adam and the rest of planet Earth — but not necessarily an unwelcome one. Can it really be called an invasion when the vuvv generously offered free advanced technology and cures for every illness imaginable? As it turns out, yes. With his parents’ jobs replaced by alien tech and no money for food, clean water, or the vuvv’s miraculous medicine, Adam and his girlfriend, Chloe, have to get creative to survive. And since the vuvv crave anything they deem classic Earth culture (doo-wop music, still life paintings of fruit, true love), recording 1950s-style dates for the vuvv to watch in a pay-per-minute format seems like a brilliant idea. But it’s hard for Adam and Chloe to sell true love when they hate each other more with every passing episode. Soon enough, Adam must decide how far he’s willing to go — and what he’s willing to sacrifice — to give the vuvv what they want.




Figures in a Landscape


Book Description







Inventing the Landscape


Book Description




Figures in a Western Landscape


Book Description

""Figures in a Western Landscape is an absolutely stunning book. A biographer's take on the story of the American West, it posits that the turns of history are based on people-major 'figures' who shape their time and place. In her sequence of biographical essays, Elizabeth Stevenson tells the story of the northern Rockies and, in particular, Montana, a state of mind even more than it is a state of the Union. As her readers have come to expect, she offers more than a mere recounting of events. Stevenson captures the humanity of her subjects."" -Charles Little, author of Louis Bromfield at Malabar and Greenways for AmericaThe northern Rocky Mountains and adjacent high plains were the last American West. Here was the final enactment of our national drama-the last explorations, the final battles of the Indian wars, the closing of the frontier. In Figures in a Western Landscape, award-winning biographer Elizabeth Stevenson humanizes the history of the region with a procession of individual lives moving across generations. Each of the sixteen men and women depicted left behind his or her own unique written record or oral history. The stories they have bequeathed are rich in revealing anecdote and colorful detail. Among them: Meriwether Lewis, America's ""most introspective explorer,"" John Kirk Townsend, known to the Chinooks as ""the bird chief,"" Pretty-Shield, wife of the Crow scout who warned Custer to turn back at Little Big Horn, James and Granville Stuart, early settlers lured by rumors of gold in the 1850s.In a concluding chapter, Stevenson draws on previously unpublished material to reveal new information about Martha Jane Cannary Burke, better known as Calamity Jane, the woman who could ride, shoot, and drive a mule team as well as any man (but who once failed to ""pass"" because she didn't cuss her mules like one). She lies buried in Deadwood, South Dakota, next to the man some said was her husband, Wild Bill Hickok.These and other men and women whose stories Stevenson




Essential Techniques of Landscape Drawing


Book Description

This beginner's guide to drawing in graphite pencil uses step-by-step exercises to teach fundamental methods for rendering all aspects of the natural landscape, with additional lessons on using charcoal, colored pencil, pastel, and other media. Following in the footsteps of author, artist, and art instructor Suzanne Brooker's previous title The Elements of Landscape Oil Painting, this book pairs the most universally-pursued topic for artists (drawing) with the popular subject matter of the natural landscape. Brooker breaks down landscapes into their various elements--including the earth, water, air, and trees--to convey how the fundamentals of drawing are applied to capture each aspect. Using the graphite pencil as her baseline instrument, Brooker provides you with step-by-step lessons that help you improve your rendering skills and re-create the beauty of the world outdoors. Examples from art history and contemporary masters supplement these lessons. The end result is a drawing instruction book that provides artists with everything they need to render landscapes no matter their skill level.




Humans in the Landscape


Book Description

This is the first textbook to fully synthesize all key disciplines of environmental studies. Humans in the Landscape draws on the biophysical sciences, social sciences, and humanities to explore the interactions between cultures and environments over time, and discusses classic environmental problems in the context of the overarching conflicts and frameworks that motivate them.