Historical Representation


Book Description

Focusing on the notion of representation and on the necessity of distinguishing between representation and description, this book argues that the traditional semantic apparatus of meaning, truth, and reference that we use for description must be redefined if we are to understand properly the nature of historical writing.




Meaning and Representation in History


Book Description

History has always been more than just the past. It involves a relationship between past and present, perceived, on the one hand, as a temporal chain of events and, on the other, symbolically as an interpretation that gives meaning to these events through varying cultural orientations, charging it with norms and values, hopes and fears. And it is memory that links the present to the past and therefore has to be seen as the most fundamental procedure of the human mind that constitutes history: memory and historical thinking are the door of the human mind to experience. At the same time, it transforms the past into a meaningful and sense bearing part of the present and beyond. It is these complex interrelationships that are the focus of the contributors to this volume, among them such distinguished scholars as Paul Ricoeur, Johan Galtung, Eberhard Lämmert, and James E. Young. Full of profound insights into human society pat and present it is a book that not only historians but also philosophers and social scientists should engage with.




Meaning, Truth, and Reference in Historical Representation


Book Description

In this book, the noted intellectual historian Frank Ankersmit provides a systematic account of the problems of reference, truth, and meaning in historical writing. He works from the conviction that the historicist account of historical writing, associated primarily with Leopold von Ranke and Wilhelm von Humboldt, is essentially correct but that its original idealist and romanticist idiom needs to be translated into more modern terms. Rehabilitating historicism for the contemporary philosophy of history, he argues, "reveals the basic truths about the nature of the past itself, how we relate to it, and how we make sense of the past in historical writing." At the heart of Ankersmit's project is a sharp distinction between interpretation and representation. The historical text, he holds, is first and foremost a representation of some part of the past, not an interpretation. The book's central chapters address the concept of historical representation from the perspectives of reference, truth, and meaning. Ankersmit then goes on to discuss the possible role of experience in the history writing, which leads directly to a consideration of subjectivity and ethics in the historian's practice. Ankersmit concludes with a chapter on political history, which he maintains is the "basis and condition of all other variants of historical writing." Ankersmit’s rehabilitation of historicism is a powerfully original and provocative contribution to the debate about the nature of historical writing.




Ammianus Marcellinus and the Representation of Historical Reality


Book Description

This is the first book on Ammianus to place equal emphasis on the literary and historical aspects of his writing. Barnes assesses Ammianus' depiction of historical reality by simultaneously investigating both the historical accuracy and the literary qualities of the Res Gestae. He examines its structure and arrangement, emphasizes its Greek, pagan, and polemical features, and points out the extent to which Ammianus drew on his imagination in shaping the narrative.




Knowledge Representation and the Semantics of Natural Language


Book Description

Natural Language is not only the most important means of communication between human beings, it is also used over historical periods for the pres- vation of cultural achievements and their transmission from one generation to the other. During the last few decades, the ?ood of digitalized information has been growing tremendously. This tendency will continue with the globali- tion of information societies and with the growing importance of national and international computer networks. This is one reason why the theoretical und- standing and the automated treatment of communication processes based on natural language have such a decisive social and economic impact. In this c- text, the semantic representation of knowledge originally formulated in natural language plays a central part, because it connects all components of natural language processing systems, be they the automatic understanding of natural language (analysis), the rational reasoning over knowledge bases, or the g- eration of natural language expressions from formal representations. This book presents a method for the semantic representation of natural l- guage expressions (texts, sentences, phrases, etc. ) which can be used as a u- versal knowledge representation paradigm in the human sciences, like lingu- tics, cognitive psychology, or philosophy of language, as well as in com- tational linguistics and in arti?cial intelligence. It is also an attempt to close the gap between these disciplines, which to a large extent are still working separately.




The Inventions of History


Book Description

This collection of essays concentrates on the structures and connections which have made it possible, over the last two centuries, for an integrated regime of historical representation to emerge. It also touches upon the debate about the contemporary uses of history - whether it is a matter of new versus traditional approaches to the school curriculum, or of the need to historicize museums, houses and gardens and so avoid the blandness of an uninformed display.




Speech Representation in the History of English


Book Description

Representing what someone else has said is an integral part of spoken and written communication. Speech representation occurs in many contexts from news reports and legal trials to everyday conversation. Although commonplace, it requires sophisticated choices regarding what to represent and how to represent it. These choices can highlight a speaker's voice, shape our perception of the reported speech, or support our claims of authority.While speech representation in Present-day English has been studied extensively, this book extends the discussion to historical periods. Speech Representation in the History of English explores speech representation of the past, providing in-depth analyses of how speakers and writers mark, structure, and discuss a previous speech event or fictional speech. Focusing on the Early Modern English and the Late Modern English periods (1500-1900), this volume covers topics such as parentheses as markers of represented speech, the development of like as a reporting expression, the gradual formation of free indirect speech reporting, and the interpersonal functions of represented speech. Chapters draw on a wide range of methodologies, including historical sociolinguistics, pragmatics, and corpus linguistics, and cover many genres from witness depositions, literary texts, and letters, to the spoken language of the recent past. In this comprehensive volume, Peter Grund and Terry Walker bring together a collection of works that use cutting-edge approaches to speech representation. Researchers and students of the history of English, sociolinguistics, and discourse studies alike will find Speech Representation in the History of English to be an invaluable addition to the field.




Illustrating the Past in Early Modern England


Book Description

Illustrating the Past is a study of the status of visual and verbal media in early modern English representations of the past. It focuses on general attitudes towards visual and verbal representations of history as well as specific illustrated books produced during the period. Through a close examination of the relationship of image to text in light of contemporary discussions of poetic and aesthetic practice, the book demonstrates that the struggle between the image and the word played a profoundly important role in England's emergent historical self-awareness. The opposition between history and story, fact and fiction, often tenuous, provided a sounding board for deeper conflicts over the form in which representations might best yield truth from history. The ensuing schism between poets and historians over the proper venue for the lessons of the past manifested itself on the pages of early modern printed books. The discussion focuses on the word and image relationships in several important illustrated books printed during the second half of the sixteenth century-including Holinshed's Chronicles (1577) and Foxe's Book of Martyrs (1563, 1570)-in the context of contemporary works on history and poetics, such as Sir Philip Sidney's Apology for Poetry and Thomas Blundeville's The true order and Method of wryting and reading Hystories. Illustrating the Past specifically answers two important questions concerning the resultant production of literary and historical texts in the period: Why did the use of images in printed histories suddenly become unpopular at the end of the sixteenth century? and What impact did this publishing trend have on writers of literary and historical texts?




Probing the Limits of Representation


Book Description

German memory, judicial interrogation, and historical reconstruction : writing perpetrator history from postwar testimony / Christopher R. Browning -- Historical emplotment and the problem of truth / Hayden White -- On emplotment : two kinds of ruin / Perry Anderson -- History, counterhistory, and narrative / Amos Funkenstein -- Just one witness / Carlo Ginzburg -- Of plots, witnesses, and judgments / Martin Jay -- Representing the Holocaust : reflections on the historians' debate / Dominick LaCapra -- Historical understanding and counterrationality : the Judenrat as epistemological vantage / Dan Diner -- History beyond the pleasure principle : some thoughts on the representation of trauma / Eric L. Santner -- Habermas, enlightenment, and antisemitism / Vincent P. Pecora -- Between image and phrase : progressive history and the "final solution" as dispossession / Sande Cohen.; Science, modernity, and the "final solution" / Mario Biagioli -- Holocaust and the end of history : postmodern historiography in cinema / Anton Kaes -- Whose story is it, anyway? : ideology and psychology in the representation of the Shoah in Israeli literature / Yael S. Feldman -- Translating Paul Celan's "Todesfuge" : rhythm and repetition as metaphor / John Felstiner -- "The grave in the air" : unbound metaphors in post-Holocaust poetry / Sidra DeKoven Ezrahi -- The dialectics of unspeakability : language, silence, and the narratives of desubjectification / Peter Haidu -- The representation of limits / Berel Lang -- The book of the destruction / Geoffrey H. Hartman.