Lasansky, Printmaker
Author : Mauricio Lasansky
Publisher :
Page : 176 pages
File Size : 34,43 MB
Release : 1975
Category : Biography & Autobiography
ISBN :
Author : Mauricio Lasansky
Publisher :
Page : 176 pages
File Size : 34,43 MB
Release : 1975
Category : Biography & Autobiography
ISBN :
Author : Cynthia Saltzman
Publisher : Farrar, Straus and Giroux
Page : 221 pages
File Size : 26,75 MB
Release : 2021-05-11
Category : History
ISBN : 0374710392
One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.
Author : Rachel McGarry
Publisher :
Page : 160 pages
File Size : 31,25 MB
Release : 2021-09-14
Category : Art
ISBN : 9781517910518
The definitive study of this powerful series of drawings by the influential artist Internationally renowned as a printmaker, Mauricio Lasansky (1914-2012) unleashed his brilliant draftsmanship in his self-titled series The Nazi Drawings. The Argentina-born artist created the body of work largely in the 1960s, as the televised trial of Nazi war criminal Adolf Eichmann awakened the world to the depths of Nazi atrocities. Lasansky's haunting interpretations reflect his response to the unfolding details. "I was full of hate, poison, and I wanted to spit it out," he said. The thirty-three monumental drawings, made from charcoal, wash, and collage, examine the horrors of the Holocaust, especially the suffering of women and children. The series became Lasansky's most famous and notable work and was included among the opening exhibitions at the Whitney Museum of American Art in 1967. Envisioning Evil accompanies the exhibition of The Nazi Drawings at the Minneapolis Institute of Art in 2021. Curator Rachel McGarry provides comprehensive biographical, cultural, and historical context for the artist and the creation of this series in three essays and an illustrated timeline. McGarry also traces Holocaust awareness before and after the 1961 Eichmann trial and examines the role of art, literature, and popular media in bringing the genocide into public discourse. Rabbi Barry D. Cytron, former chaplain and professor of religious studies at Macalester College, contributes an essay on the international religious response to revelations about Nazi crimes and their relation to Lasansky's art. Created as a reaction to the crimes committed against the Jews during the Holocaust, The Nazi Drawings endure as a condemnation against all persecution and extermination of humanity.
Author : Paul Beaver Arnold
Publisher :
Page : 500 pages
File Size : 12,73 MB
Release : 1955
Category :
ISBN :
Author : Virginia A. Myers
Publisher : Wdg Pub.
Page : 0 pages
File Size : 18,25 MB
Release : 2001
Category : Foil stamping
ISBN : 9780965162074
Author : Rudy Pozzatti
Publisher : Indiana University Press
Page : 115 pages
File Size : 49,77 MB
Release : 2002
Category :
ISBN : 0253215404
A retrospective appreciation of Rudy Pozzatti's career as an internationally distinguished graphic artist.
Author : Duane A. Schmidt
Publisher : Xulon Press
Page : 306 pages
File Size : 46,37 MB
Release : 2002
Category : History
ISBN : 1591601347
Author : Nina Weinstein
Publisher : Guernica World Editions
Page : 100 pages
File Size : 21,66 MB
Release : 2022-06
Category : Biography & Autobiography
ISBN : 9781771837293
This work of fusion moves beyond memoir to become a juggling act of reality and imagination. The narrative travels through melded panoramas of past and present, this country, the others, certainties and doubts. Inserts of fiction--revealing ties between life and writing--enhance the journey.
Author : Warrington Colescott
Publisher : Univ of Wisconsin Press
Page : 254 pages
File Size : 33,31 MB
Release : 1999
Category : Art
ISBN : 9780299161101
"In lively memoirs and analyses, the artists tell the story of the evolving print program at Madison."--BOOK JACKET.
Author : June Kompass Nelson
Publisher : Wayne State University Press
Page : 405 pages
File Size : 21,26 MB
Release : 2017-12-01
Category : Architecture
ISBN : 0814343708
A representation of the principal styles and themes that emerges from Harry Bertoia’s printmaking and structure work. The seventy-nine monotypes in this catalogue represent the principal styles and themes that emerged not only in Harry Bertoia's printmaking, but in his sculpture as well. June Kompass Nelson, author of Harry Bertoia, Sculptor, analyzes the graphic works and places them in the context of Bertoia's total oeuvre, with particular regard to their relationship with his sculpture. A teacher of metalwork and printmaking at the Cranbrook Academy of Arts in Bloomfield Hills, Michigan, Bertoia began working in monotype in 1940—nearly a decade before his first attempts at sculpture—and continually returned to the medium until his death in 1978. Nelson's introduction, biographical material, and well-documented chronology contribute to the portrait of a Michigan artist of international repute who maintained his "regionalist sensibility".