Leopardi in Pisa


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The Letters of Giacomo Leopardi 1817-1837


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"Giacomo Leopardi, Italy's great poet of the Romantic age, is the author of some of the most beautiful and best-loved poems in the Italian language and some of the most remarkable letters in European literature. The interest of the letters in both biographical and literary: they document the background - the difficult personal circumstances, the intense and troubled family relationships, the contacts and friendships with other writers - against which a haunting and compelling poetic voice came to maturity. The letters, not previously available in English except fragmentarily, are here offered in a new translation undertaken to celebrate the poet's birth in 1798. In the light of growing academic interest in Italy and the re-organization of many university courses in Italian along interdisciplinary lines, this book series brings together different scholarly perspectives on Italy and its culture. Italian Perspectives incorporates books and essay collections and is published under Maney's Northern University Press Imprint. It is notable for the breadth and diversity of themes covered, incorporating all aspects and periods of Italian literature, language, history, culture, politics, art and media, as well as studies which take an interdisciplinary approach and are methodologically innovative. The series welcomes books written in English and in Italian. The Italian Perspectives series is edited by two established scholars in the field of Italian studies, supported by an international Advisory Board."




Leopardi's Nymphs


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"How can one make poetry in a disenchanted age? For Giacomo Leopardi (1798-1837) this was the modern subject's most insolvable deadlock, after the Enlightenment's pitiless unveiling of truth. Still, in the poems written in 1828-29 between Pisa and the Marches, Leopardi manages to turn disillusion into a powerful source of inspiration, through an unprecedented balance between poetic lightness and philosophical density. The addressees of these cantos are two prematurely dead maidens bearing names of nymphs, and thus obliquely metamorphosed into the charmingly disquieting deities that in Greek lore brought knowledge and poetic speech through possession. The nymph, Camilletti argues, can be seen as the inspirational power allowing the utterance of a new kind of poetry, bridging antiquity and modernity, illusion and disenchantment, life and death. By reading Leopardi's poems in the light of Freudian psychoanalysis and of Aby Warburg's and Walter Benjamin's thought, Camilletti gives a groundbreaking interpretation of the way Leopardi negotiates the original fracture between poetry and philosophy that characterises Western culture. Fabio Camilletti is Assistant Professor in Italian at the University of Warwick."




Leopardi and Shelley


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Giacomo Leopardi (1798-1837) and Percy Bysshe Shelley (1792-1822) crossed paths during their lifetimes, and though they never met, the legacy of their work betrays a shared destiny. As prominent figures who challenged and contributed to the Romantic debate, Leopardi and Shelley hold important roles in the history of their respective national literatures, but paradoxically experienced a controversial and delayed reception outside their native lands. Cerimonia‘s wide-ranging study brings together these two poets for the first time for an exploration of their afterlives, through a close reading of hitherto unstudied translations. This intriguing journey tells the story, from its origins, of the two poets critical fortune, and examines their position in the cultural debates of the nineteenth century; in disputes regarding translation theories and practices; and shows the configuration of their identities as we understand their legacy today.




The Poems of Leopardi


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Mapping Leopardi


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Are you curious about the private laboratory of Giacomo Leopardi, Italy’s greatest modern lyrical poet? Interested in using expert maps to explore it, while deepening your acquaintance with one of the most creative materialist thinkers? This collection of essays makes very original use of the new translation of Leopardi’s Zibaldone di pensieri and investigates its connections to all his other works. Whether your primary interest lies in Italian literature and criticism, linguistics and poetics, the origins of genres such as the fantastic, or in philosophical queries regarding materialism and hedonism, this collection offers original research that will challenge the reader to view this outstanding intellectual in a new light. Offering some of the earliest reflections against anthropocentrism, championing the artist’s interest in the natural sciences, and questioning humanity’s purpose(s) in this world, Leopardi’s work is presented in this volume as an indispensable tool to understand the complexity of Italy’s cultural transformations between the 18th and the 19th centuries.




The Poems of Leopardi


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An Introduction to Leopardi's Canti


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There is a sense in which one might say, as Leopardi did say about poetry, that his poems are born of illusion, yet what they register is a lament over its loss and a persistent rejection of all deception. The Canti are conspicuously influenced by illusion, but paradoxically dominated by a continual taking the measure, as it were, of truth, of a human and cosmic reality which simply is what it is. In generalising his convictions the poet does make a certain claim on our belief and he challenges us to take what he says seriously. However, the merit of the poems themselves is the full expression of those convictions; it is this aspect that this Introduction addresses, and not whether we should agree or disagree with Leopardi. Its aim is to explain in order to help appreciate what is found on the page. It is an analysis of the poems and an attempt to create a coherent and comprehensive structure for students in which nearly all the Canti can be considered from several points of view.