The Arabian Nights in Contemporary World Cultures


Book Description

A rich and nuanced study of the Arabian Nights in world cultures, analysing the celebration, appropriation, and translation of the stories over time.




The Thousand and One Nights: Sources and Transformations in Literature, Art, and Science


Book Description

The Thousand and One Nights does not fall into a scholarly canon or into the category of popular literature. It takes its place within a middle literature that circulated widely in medieval times. The Nights gradually entered world literature through the great novels of the day and through music, cinema and other art forms. Material inspired by the Nights has continued to emerge from many different countries, periods, disciplines and languages, and the scope of the Nights has continued to widen, making the collection a universal work from every point of view. The essays in this volume scrutinize the expanse of sources for this monumental work of Arabic literature and follow the trajectory of the Nights’ texts, the creative, scholarly commentaries, artistic encounters and relations to science. Contributors: Ibrahim Akel, Rasoul Aliakbari, Daniel Behar, Aboubakr Chraïbi, Anne E. Duggan, William Granara, Rafika Hammoudi, Dominique Jullien, Abdelfattah Kilito, Magdalena Kubarek, Michael James Lundell, Ulrich Marzolph, Adam Mestyan, Eyüp Özveren, Marina Paino, Daniela Potenza, Arafat Abdur Razzaque, Ahmed Saidy, Johannes Thomann and Ilaria Vitali.




The Arabian Nights in Transnational Perspective


Book Description

In a 2004 meeting marking the Arabian Nights' tercentennial at the Herzog August Library in Wolfenb'ttel, Germany, nineteen international scholars presented their work on the transnational aspects of the Arabian Nights. This volume collects their papers, whose topics range from the history of the Arabian Nights manuscripts, to positioning the Nights in modern and postmodern discourse, to the international reception of the Nights in written and oral tradition. Essays are arranged in five sections. The first section contains essays on Galland's translation and its "continuation" by Jacques Cazotte. The second section treats specific characteristics of the Nights, including manuscript tradition, the transformations of a specific narrative pattern occurring in the Nights and other works of medieval Arabic literature, the topic of siblings in the Nights, and the political thought mirrored in the Nights. The essays in the third section deal with framing in relation to the classical Indian collection Panchatantra and as a general cultural technique, with particular attention to storytelling in the oral tradition of the Indian Ocean islands off the African coast. The two concluding and largest sections focus on various aspects of the transnational reception of the Nights. While the essays of the fourth section predominantly discuss written or learned tradition in Hawai'i, Swahili-speaking East Africa, Turkey, Iran, German cinema, and modern Arabic literature, the fifth section encompasses essays on the reception and role of the Nights in the oral tradition of areas as wide apart as Sicily, Greece, Afganistan, and Balochistan. A preface by Ulrich Marzolph unifies this volume. In view of the tremendous impact of the Arabian Nights on Western creative imagination, this collection will appeal to literary scholars of many backgrounds.




كتاب الف ليلة وليلة


Book Description

This volume of Indexes and an extensive English introduction completes the publication of the critical edition of The Thousand and One Nights, of which the first two volumes, the Arabic text and commentary, were published in 1984. For the first time, the oldest manuscript of this famous Arabic text is now completely accessible to scholars and interested readers. This third and final volume, which completes painstaking work of more than three decades, magnificently adds to the important and pioneering work by Muhsin Mahdi which has been lauded by so many.




Jeering Dreamers


Book Description

The re-emergence in recent years of Villiers de l'Isle-Adam as a key figure in fin de siècle literature can be attributed in large part to the intense interest his prescient l'Eve future (1886) has generated among scholars. In effect, the novel confronts with breathtaking focus central taboos and ambivalences about the decadent period. It posits an inescapable, mechanistic linkage between desire and technology; it suggests the constructed nature of gender; it casts woman down so as to exalt her, even as it intimates the arbitrariness and fragility of the empowerment prerogatives implicit in such an operation. It is this mine for the study of fin de siècle mentalities that the present volume explores. Begun at the 1992 NCFS colloquium at Binghamton University as a collective project of the Friends of Villiers, Jeering Dreamers brings together 13 essays by Villiers scholars from both sides of the Atlantic. Their work promises, in the words of the eminent Villièrien Alan Raitt, to 'Éclairer l'Eve future d'un jour nouveau-ou, plus exactement, de plusieurs jours nouveaux.




The Thousand and One Nights


Book Description

This book examines The Thousand and One Nights in terms of the tales' narrative and in particular using the idea of the journey and mobility as a tool to understanding the work.










The Teller's Tale


Book Description

This book offers new, often unexpected, but always intriguing portraits of the writers of classic fairy tales. For years these authors, who wrote from the sixteenth to the nineteenth centuries, have been either little known or known through skewed, frequently sentimentalized biographical information. Jacob and Wilhelm Grimm were cast as exemplars of national virtues; Hans Christian Andersen's life became—with his participation—a fairy tale in itself. Jeanne-Marie Leprince de Beaumont, the prim governess who wrote moral tales for girls, had a more colorful past than her readers would have imagined, and few people knew that nineteen-year-old Marie-Catherine d'Aulnoy conspired to kill her much-older husband. Important figures about whom little is known, such as Giovan Francesco Straparola and Giambattista Basile, are rendered more completely than ever before. Uncovering what was obscured for years and with newly discovered evidence, contributors to this fascinating and much-needed volume provide a historical context for Europe's fairy tales.




The Life of Texts


Book Description

The textual foundations of works of great cultural significance are often less stable than one would wish them to be. No work of Homer, Dante or Shakespeare survives in utterly reliable witnesses, be they papyri, manuscripts or printed editions. Notions of textual authority have varied considerably across the ages under the influence of different (and differently motivated) agents, such as scribes, annotators, editors, correctors, grammarians, printers and publishers, over and above the authors themselves. The need for preserving the written legacy of peoples and nations as faithfully as possible has always been counterbalanced by a duty to ensure its accessibility to successive generations at different times and in different cultural contexts. The ten chapters collected in this volume offer critical approaches to such authors and texts as Homer, the Bible, The Thousand and One Nights, Dante, Montaigne, Shakespeare, Eliot, but also Leonardo da Vinci's manuscripts uniquely combining word and image, as well as Beethoven's 'Tempest' sonata (Op. 31, No. 2) as seen from the angle of music as text. Together the contributors argue that an awareness of what the 'life of texts' entails is essential for a critical understanding of the transmission of culture.