Lesley Dill's Poetic Visions


Book Description

Lesley Dill is one of the most prominent artists working at the intersection of language and art. Experimenting with a wide range of tactile materials, she fuses poetry and images to create evocative mixed-media artworks and performances. Inspired by her two-year sojourn in India and the illuminating aspects of diverse faith traditions, Dill interprets relationships between the physical and the spiritual. Her expressive artworks, layered with multiple meanings, also reference nature and human identity. This book focuses on two bodies of the artist's work: metallic sculptures such as Shimmer and the drawing-and-textile based installation, Encountering Sister Gertrude Morgan, which interprets the life of the New Orleans missionary and folk artist. Unified by layers of words, figures, and symbolic imagery, the artworks underline Dill's desire to render transcendental experience into form.




Lesley Dill


Book Description




My Emily Dickinson


Book Description

"Starts off as a manifesto but becomes richer and more suggestive as it develops."—The New York Sun For Wallace Stevens, "Poetry is the scholar's art." Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading. Giving close attention to the well-known poem, "My Life had stood—a Loaded Gun," Howe tracks Dickens, Browning, Emily Brontë, Shakespeare, and Spenser, as well as local Connecticut River Valley histories, Puritan sermons, captivity narratives, and the popular culture of the day. "Dickinson's life was language and a lexicon her landscape. Forcing, abbreviating, pushing, padding, subtracting, riddling, interrogating, re-writing, she pulled text from text...."




Summer Reading


Book Description

In the high season of leisure reading and scholastic book challenges, Center for Book Arts presents Summer Reading, an exhibition of works by contemporary artists who take creative approaches to the book, text, and language. In this exhibition, the book is simultaneously complemented and subverted. Artists investigate the tradition of artist's books as artistic structure, storytelling in visual art, the narrative possibilities of language, and the object-ness of book material in circulation. Including prints, sculptures, and works on paper that explore the design and aesthetics of language, this exhibition celebrates the relationship between reading and making. Summer Reading extends beyond the gallery walls to include featured reading lists culled by the artist participants and associated lending lists for all ages, developed with our local partner libraries.Featuring Breanne Trammell, Cassie Tompkins, Colette Fu, Dan Walsh, Diane Samuels, Erik den Breejen, Jill Moser with Charles Bernstein & Major Jackson, Joy Drury Cox, Lenka Clayton, Lesley Dill, Mary Ellen Bartley, Meg Hitchcock, Michael Mandiberg, Shanti Grumbine, Skye Gilkerson, Tauba Auerbach (Diagonal Press), Travis Head, Ward Shelley




Mark Rothko


Book Description

The first publication dedicated exclusively to Mark Rothko’s art during the critical formative period of the 1940s. Examining the development and artistic exploration of one of the greatest artists of the twentieth century, this unprecedented volume presents the works of American artist Mark Rothko from the 1940s, a time when his most essential development as a painter occurred, dramatically and in a very compact space of time. During this period, Rothko moved from expressive figurative and surrealist canvases to more abstract multiform subjects and finally to his signature abstractions—luminous rectangles of color suspended in space. Richly illustrated with works by Rothko and his contemporaries, introduction by Todd Herman and essays by prominent Rothko scholars, this important new book deepens our understanding of Rothko’s art during this vital period, and that of the mature works that emerged from it.




Spirit of the Arts


Book Description

A contribution to the field of theological aesthetics, this book explores the arts in and around the Pentecostal and charismatic renewal movements. It proposes a pneumatological model for creativity and the arts, and discusses different art forms from the perspective of that model. Pentecostals and other charismatic Christians have not sufficiently worked out matters of aesthetics, or teased out the great religious possibilities of engaging with the arts. With the flourishing of Pentecostal culture comes the potential for an equally flourishing artistic life. As this book demonstrates, renewal movements have participated in the arts but have not systematized their findings in ways that express their theological commitments—until now. The book examines how to approach art in ways that are communal, dialogical, and theologically cultivating.




The Serpent King


Book Description

Named to ten BEST OF THE YEAR lists and selected as a William C. Morris Award Winner,The Serpent King is the critically acclaimed, much-beloved story of three teens who find themselves--and each other--while on the cusp of graduating from high school with hopes of leaving their small-town behind. Perfect for fans of John Green's Turtles All the Way Down. "Move over, John Green; Zentner is coming for you." —The New York Public Library “Will fill the infinite space that was left in your chest after you finished The Perks of Being a Wallflower.” —BookRiot.com Dill isn't the most popular kid at his rural Tennessee high school. After his father fell from grace in a public scandal that reverberated throughout their small town, Dill became a target. Fortunately, his two fellow misfits and best friends, Travis and Lydia, have his back. But as they begin their senior year, Dill feels the coils of his future tightening around him. His only escapes are music and his secret feelings for Lydia--neither of which he is brave enough to share. Graduation feels more like an ending to Dill than a beginning. But even before then, he must cope with another ending--one that will rock his life to the core. Debut novelist Jeff Zentner provides an unblinking and at times comic view of the hard realities of growing up in the Bible belt, and an intimate look at the struggles to find one’s true self in the wreckage of the past. “A story about friendship, family and forgiveness, it’s as funny and witty as it is utterly heartbreaking.” —PasteMagazine.com “A brutally honest portrayal of teen life . . . [and] a love letter to the South from a man who really understands it.” —Mashable.com “I adored all three of these characters and the way they talked to and loved one another.”—New York Times




Wanted


Book Description

Introduction /Amy Choloupka --Disturbing the peace /Amy Choloupka --Ed Bereal: drawing between the boxes /Matthew Simms --Creating with a purpose: Ed Bereal and the Bodacious Buggerrilla /Malik Gaines --Ed Bereal: the Bellingham Period /Vernon Damani Johnson --Chronology.




Black Refractions


Book Description

An authoritative guide to one of the world's most important collections of African-American art, with works by artists from Romare Bearden to Kehinde Wiley. The artists featured in Black Refractions, including Kerry James Marshall, Faith Ringgold, Nari Ward, Norman Lewis, Wangechi Mutu, and Lorna Simpson, are drawn from the renowned collection of the Studio Museum in Harlem. Through exhibitions, public programs, artist residencies, and bold acquisitions, this pioneering institution has served as a nexus for artists of African descent locally, nationally, and internationally since its founding in 1968. Rather than aim to construct a single history of "black art," Black Refractions emphasizes a plurality of narratives and approaches, traced through 125 works in all media from the 1930s to the present. An essay by Connie Choi and entries by Eliza A. Butler, Akili Tommasino, Taylor Aldridge, Larry Ossei Mensah, Daniela Fifi , and other luminaries contextualize the works and provide detailed commentary. A dialogue between Thelma Golden, Connie Choi, and Kellie Jones draws out themes and challenges in collecting and exhibiting modern and contemporary art by artists of African descent. More than a document of a particular institution's trailblazing path, or catalytic role in the development of American appreciation for art of the African diaspora, this volume is a compendium of a vital art tradition.