Disability Separation


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Hollywood Highbrow


Book Description

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.




Christmas Past


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Fresh from the Farm 6pk


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The Marshall Plan


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Traces the history of the Marshall Plan and the efforts to reconstruct western Europe as a bulwark against communist authoritarianism during a two-year period that saw the collapse of postwar U.S.-Soviet relations and the beginning of the Cold War.










THE TREES


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“They moved along in the bobbing, springy gait of a family that followed the woods as some families follow the sea.” In that first sentence Conrad Richter sets the mood of this magnificent epic of the American wilderness. Toward the close of the eighteenth century the land west of the Alleghenies and north of the Ohio river was an unbroken sea of trees. Beneath them the forest trails were dark, silent, and lonely, brightened only by a few lost beams of sunlight. Here the Lucketts, a wild, woodsfaring family, lived their roaming life, pushing ever westward as the frontier advanced and as new settlements threatened their isolation. Richter has written, not a historical novel, of which there are so many, but a novel of authentic early American life, of which there are so few. It is the primitive story of Worth Luckett, the hunter, and of Jary, his woman; of Genny, Wyitt, Achsa, and Sulie, their woods-wild children; of the bound boy and the Solitary and Jake Tench; but principally of the oldest girl, Sayward Luckett, whos people as far back as she knew had always been hunters and gunsmiths to hunters, but who, through the quiet, growing, and yet tragic oppression of the trees, turns her back at last on her life as a hunter’s child and becomes a tiller of the soil. This novel of great lyrical beauty and high excitement tells the story of the transition of American pioneers from the ways of the wilderness to the ways of civilization. Here is the true American epic. Here is the raw adventure, swift and cruel in its episodes; but here too is the poetry of loneliness. Here is a portrait of frontier life as it really must have seemed to the pioneers. Here in short is a masterpiece by the man who gave us The Sea of Grass.




Deciduous Forests of Eastern North America


Book Description

E. Lucy Braun, PhD, describes in detail the forest ecosystems of eastern North America. This classic reference is well-illustrated with maps and tables. A must for those seeking a deeper understanding of the botanical evolution of this region.