The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800


Book Description

More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.




Delphi Complete Works of Sir Richard Steele (Illustrated)


Book Description

The eighteenth century essayist, dramatist, journalist and politician Sir Richard Steele is best known today as the principal author of the periodicals ‘The Tatler’ and ‘The Spectator’. One of the most compelling figures of his time, Steele adopted a prose technique characterised by its easy, rapid, humorous and sincere style. His publications represented a new approach to journalism, offering cultivated essays on contemporary manners, establishing a pattern that would influence the course of English literature. This eBook presents Steele’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Steele’s life and works * Concise introductions to the major texts * All the major tracts, with individual contents tables * Features rare essays appearing for the first time in digital publishing * Images of how the texts were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The complete plays and poetry, with superior formatting * Includes the complete run of both ‘The Tatler’ and ‘The Spectator’ * Features two biographies – discover Steele’s literary life * Ordering of texts into chronological order and genres CONTENTS: The Prose The Christian Hero (1701) The Spectator Club (1711) The Englishman’s Thanks to the Duke of Marlborough (1712) The Importance of Dunkirk Consider’d (1713) The Crisis (1714) Mr. Steele’s Apology for Himself and His Writings (1714) The Englishman: Being the Close of the Paper So-Called No. 57 (1714) An Account of the Fish-Pool (1718) The Crisis of Property (1720) A Nation a Family (1720) Isaac Bickerstaff: Physician and Astrologer (1887) Miscellaneous Tracts The Dramatic Works The Funeral (1701) The Lying Lover (1703) The Tender Husband (1705) The Conscious Lovers (1723) The School of Action (1725) The Gentleman (1809) Prologues to Plays by Other Writers The Poem The Procession (1695) The Journalism The Tatler (1709-1711) The Spectator (1711-1712) The Biographies Richard Steele (1894) by G. A. Aitken Sir Richard Steele (1900) by Henry Austin Dobson










The Drama's Patrons


Book Description

The drama's laws, the drama's patrons give, For we that live to please, must please to live. —Samuel Johnson, 1747 Democratic ferment, responsible for political explosions in the seventeenth century and expanded power in the eighteenth, affected all phases of English life. The theatre reflected these forces in the content of the plays of the period and in an increased awareness among playgoers that the theatre "must please to live." Drawing from a wealth of amusing and informative contemporary accounts, Leo Hughes presents abundant evidence that the theatre-going public proved zealous, and sometimes even unruly, in asserting its role and rights. He describes numerous species of individual pest—the box-lobby saunterers, the vizard masks (ladies of uncertain virtue), the catcallers, and the weeping sentimentalists. Protest demonstrations of various interest groups, such as footmen asserting their rights to sit in the upper gallery, reflect the behavior of the audience as a whole—an audience that Alexander Pope described as "the manyheaded monster of the pit." Hughes analyzes the changes in the audience's taste through the long span from Dryden's day to Sheridan's. He illustrates the decline in taste from the sophisticated, if bawdy, comedy of the Restoration Period to the sentimentalism and empty show of later decades. He attributes the increased emphasis on sentiment and spectacle to audience influence and describes the effects of audience demands on managers, playwrights, and players. He describes in detail the mixed assembly that frequented the theatre during this period and the greatly enlarged theatres that were built to accommodate it. Hughes concludes that it was the English people's basic love of liberty that allowed them to accept audience disruptions considered intolerable by foreign visitors and that the drama's patrons greatly influenced the quality of theatrical production during this long period.




The Genius of the Place


Book Description

A garden classic, The Genius of the Place reveals that the history of landscape gardening is much more than a history of design and style; it opens up a wide perspective of English cultural history, showing how landscape gardening was gradually transformed over two centuries into an art that has been widely imitated throughout Europe and North America. The English landscape garden is richly documented in this anthology. Over 100 illustrations accompany writings that range from Francis Bacon to Jane Austin; from the early 1600s, when Englishmen began to determine their own concept and form of the garden, through the first half of the eighteenth century when its distinctive feature emerged, to the heyday of the landscape garden under "Capability" Brown and the reactions to his pure formalism under Repton and Loudon in the 1800s. This edition contains a new introduction and bibliography covering the many developments in garden history during the last dozen years.




The London Mob


Book Description

A portrait of London violence in the eighteenth century describes the economic, political, and religious conflicts that resulted in pervasive levels of crime and conflict, citing the role of everyday citizens in keeping the peace and meting out mob justice.




The London Mob


Book Description

A portrait of London violence in the eighteenth century describes the economic, political, and religious conflicts that resulted in pervasive levels of crime and conflict, citing the role of everyday citizens in keeping the peace and meting out mob justice.