Author : Maria Rubins
Publisher : Springer
Page : 309 pages
File Size : 17,28 MB
Release : 2015-09-29
Category : Literary Criticism
ISBN : 1137508019
This book reassesses the role of Russian Montparnasse writers in the articulation of transnational modernism generated by exile. Examining their production from a comparative perspective, it demonstrates that their response to urban modernity transcended the Russian master narrative and resonated with broader aesthetic trends in interwar Europe.
Author : Voltaire
Publisher : Simon and Schuster
Page : 56 pages
File Size : 47,95 MB
Release : 2013-08-02
Category : Drama
ISBN : 1627933212
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."
Author : Elizabeth Aldrich
Publisher : Northwestern University Press
Page : 254 pages
File Size : 18,96 MB
Release : 1991
Category : History
ISBN : 9780810109131
During the 1800s, dance and etiquette manuals provided ordinary men and women with the keys to becoming gentlemen and ladies--and thus advancing in society. Why dance? To the insecure and status-oriented upper middle class, the ballroom embodied the perfect setting in which to demonstrate one's fitness for membership in genteel society. From the Ballroom to Hell collects over 100 little-known excerpts from dance, etiquette, beauty, and fashion manuals from the nineteenth century. Included are instructions for performing various dances, as well as musical scores, costume patterns, and the proper way to hold one's posture, fork, gloves, and fan. While of particular interest to dancers, dance historians, and choreographers, anyone fascinated by the ways and mores of the period will find From the Ballroom to Hell an endearing and informative glimpse of America's past.
Author : Edouard Daladier
Publisher : Westview Press
Page : 416 pages
File Size : 11,96 MB
Release : 1995-03-21
Category : Biography & Autobiography
ISBN :
"The French Prime Minister who signed the Munich Agreement in 1938 and who one year later led his country into war against Hitler's Germany, Edouard Daladier was arrested by the Vichy regime and imprisoned in France and Germany until the war's end. As a pastime and a catharsis, Daladier wrote." "He wrote about what had happened to him and to his country, about day-to-day conditions in captivity, and about what he could glean of the anti-Nazi war effort through newspaper accounts, from the visits of his friends and family, and from his well-hidden radio receiver. He wrote of the accusations made against him by his former proteges and comrades-in-arms; and of his trial, during which the charges oddly metamorphosed from having declared war on Germany to not having sufficiently prepared France for battle (the charges were of little importance, as the verdict had been previously decided)." "Ever the statesman, Daladier wrote most of all about his hopes and fears for France and Europe - which hung so heavily, at first, upon the battlefield successes of the British, American, and Allied forces; and later, upon the Allies' refusal to recognize in Soviet power the danger of the very totalitarianism that they had been fighting to eliminate. At the war's end, witnessing the devastation of Germany, Daladier wrote with a poignant sympathy that is unexpectedly moving." "Daladier's notes remained forgotten and unpublished until twenty years after his death, when they were discovered and compiled by his son Jean. They are presented here in English for the first time. By turns sorrowful, enraged, humorous, and philosophical, this lively narrative gives fresh insights into the tangled politics of the era."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author : R. Scott Smith
Publisher : Hackett Publishing
Page : 582 pages
File Size : 45,50 MB
Release : 2014-03-15
Category : History
ISBN : 1624661165
"Terrific . . . exactly the sort of collection we have long needed: one offering a wide range of texts, both literary and documentary, and that--with the inclusion of Sulpicia and Perpetua--allows students to hear the voices of actual women from the ancient world. The translations themselves are fluid; the inclusion of long extracts allows students to sink their teeth into material in ways not possible with traditional source books. The anonymous texts, inscriptions, and other non-literary material topically arranged in the 'Documentary' section will enable students to see how the documentary evidence supplements or undermines the views advanced in the literary texts. This is a book that should be of great use to anyone teaching a survey of the history of Ancient Rome or a Roman Civilization course. I look forward to teaching with this book which is, I think, the best source book I have seen for the way we teach these days." --David Potter, University of Michigan
Author : Eric McKee
Publisher : Indiana University Press
Page : 273 pages
File Size : 45,57 MB
Release : 2012
Category : Music
ISBN : 025335692X
Much music was written for the two most important dances of the 18th and 19th centuries, the minuet and the waltz. In Decorum of the Minuet, Delirium of the Waltz, Eric McKee argues that to better understand the musical structures and expressive meanings of this dance music, one must be aware of the social contexts and bodily rhythms of the social dances upon which it is based. McKee approaches dance music as a component of a multimedia art form that involves the interaction of physical motion, music, architecture, and dress. Moreover, the activity of attending a ball involves a dynamic network of modalities—sight, sound, bodily awareness, touch, and smell, which can be experienced from the perspectives of a dancer, a spectator, or a musician. McKee considers dance music within a larger system of signifiers and points-of-view that opens new avenues of interpretation.
Author : Sandy Petrey
Publisher : Cornell University Press
Page : 226 pages
File Size : 39,27 MB
Release : 2018-10-18
Category : Literary Criticism
ISBN : 150172441X
Sandy Petrey here looks at the emergence of nineteenth-century French realism in the light of the concept of speech acts as defined by J. L. Austin and as exemplified by the history of the French Revolution. Through analysis of the techniques of representation in works by Balzac, Stendhal, and Zola, Petrey suggests that the expression of a truth depends on the same collective forces necessary to change a regime. According to Petrey, political legitimacy in the Revolution, the Empire, and the Restoration was established by means of a series of demonstrations that what words say cannot be interpreted without reference to the community to which they speak. Petrey first discusses the creation of France's National Assembly in 1789 as a foundational example of how speech acts can bring about historical transformation. He then challenges the most powerful twentieth-century assault on realist aesthetics, Roland Barthes's S/Z, and also considers the views of such contemporary critics as Jacques Derrida, Barbara Johnson, and Stanley Fish. During the Revolution, Petrey says, statements of truth were not descriptions of what was, but rather exhortations to produce what was not. Nineteenth-century French fiction represents in literary form a similar collectively authorized linguistic performance; the "real" in realism comes from representing facts not as they are in themselves but as they are produced and rejected in society. In the course of illuminating readings of three central realist works—Balzac's Pere Goriot, Stendhal's The Red and the Black, and Zola's Germinal—Petrey takes the position that the dilemmas of representation, far from being one of realism's blind spots, figure among its major narrative subjects.
Author : Ruth A. Solie
Publisher : Univ of California Press
Page : 367 pages
File Size : 28,65 MB
Release : 2023-11-10
Category : Music
ISBN : 0520916506
Addressing Western and non-Western music, composers from Francesca Caccini to Charles Ives, and musical communities from twelfth-century monks to contemporary opera queens, these essays explore questions of gender and sexuality. Musicology and Difference brings together some of the freshest and most challenging voices in musicology today on a question of importance to all the humanistic disciplines.
Author : Annegret Fauser
Publisher : University of Chicago Press
Page : 450 pages
File Size : 19,42 MB
Release : 2009-12-15
Category : Music
ISBN : 0226239284
Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.
Author : Agostino Paravicini-Bagliani
Publisher : University of Chicago Press
Page : 448 pages
File Size : 15,48 MB
Release : 2000-07
Category : History
ISBN : 9780226034379
In contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life. Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.
