Levi's Vindication


Book Description

The "1007 Anonymous," an imaginative, brief text composed in the third or early fourth decade of the thirteenth century, illustrates the proper relations between Jews and their lay rulers and the pope. The pope, consistent in applying laws that both restricted and protected Jews, is seen as a just ruler. Kings and dukes, by contrast, were inconsistent and capricious, threatening Jewish life. This message had to be conveyed indirectly, and the "1007's" vehicle for doing so was a fictional story of murderous attack and forced conversion known as "The Terrible Event of the Year 1007." Yet, by examining the details of this story-which include a direct borrowing from The Quest of the Grail composed in 1221, and a reference to coinage that could only have been made during the early thirteenth century-the actual time-and the purpose-of the 1007's composition is revealed. Claims that the veracity of the story and the actuality of the supposed massacre are demonstrated thorough a comparison with the chronicles of Raoul Glaber and Ademar of Chabannes are shown to be incorrect, as part of Stow's larger discussion of the correct approach to reading medieval Hebrew texts. Students of the 1007 have in fact inverted the order, using the 1007 to give credence to the fantasies of the two Christian writers. That the 1007 was not substantiable by such comparisons was demonstrated by the great French scholar Israel Levi at the turn of the twentieth century. No one, however, paid him heed-regrettably, for he was absolutely correct. Appropriately, this book is titled Levi's Vindication.













Bibliotheca Britannica


Book Description







Primo Levi's Narratives of Embodiment


Book Description

This innovative reading of Primo Levi’s work offers the first sustained analysis in English of his representations of bodies and embodiment. Discussion spans the range of Levi’s works — from testimony to journalism, from essays to science fiction stories — identifying and tracing multiple narratives of embodiment and disembodiment across his oeuvre. These narratives range from the abject, disembodied condition of prisoners in Auschwitz, to posthuman or cyborg individuals, whose bodies merge with technological devices. Levi’s representations of bodies are explored in relation to theories of embodiment and posthumanism, bringing his work into new dialogue with critical discourses on these issues. Taking inspiration from Levi’s definition of the human being as a constructor of containers, as well as from the recurring references to both material and metaphorical containing structures in his work, the book suggests that for Levi, embodiment involves constant negotiations of containment. He depicts the complex relationships between physical and social bodies, the material and the immaterial self, the conscious and unconscious subject, the organic and the technologically-enhanced body, engaging with evolving understandings of the boundaries of the body, the self, and the human.




Gersonides' Afterlife


Book Description

Gersonides’ Afterlife is the first full-scale treatment of the reception of one of the greatest scientific minds of medieval Judaism: Gersonides (1288–1344). An outstanding representative of the Hebrew Jewish culture that then flourished in southern France, Gersonides wrote on mathematics, logic, astronomy, astrology, physical science, metaphysics and theology, and commented on almost the entire bible. His strong-minded attempt to integrate these different areas of study into a unitary system of thought was deeply rooted in the Aristotelian tradition and yet innovative in many respects, and thus elicited diverse and often impassionate reactions. For the first time, the twenty-one papers collected here describe Gersonides’ impact in all fields of his activity and the reactions from his contemporaries up to present-day religious Zionism.




Against Redemption


Book Description

Discloses the richness of ideas and sheds light on the controversy that characterized the transition from fascism to democracy, examining authors, works and memories that were subsequently silenced by Cold War politics. How a shared memory of Fascism and its cultural heritage took shape is still today the most disputed question of modern Italy, crossing the boundaries between academic and public discourse. Against Redemption concentrates on the historical period in which disagreement was at its highest: the transition between the downfall of Mussolini in July 1943 and the victory of the Christian Democrats over the Left in the 1948 general elections. By dispelling the silence around the range of opinion in the years before the ideological struggle fossilized into Cold War oppositions, this book points to early postwar literary practices as the main vehicle for intellectual dissent, shedding new light on the role of cultural policies in institutionalizing collective memory. During Italy’s transition to democracy competing narratives over the recent traumatic past emerged and crystallized, depicting the country’s break with Mussolini’s regime as a political and personal redemption from its politics of exclusion and unrestrained use of violence. Conversely, outstanding authors such as Elsa Morante, Carlo Levi, Alberto Moravia and Curzio Malaparte, in close dialogue with remarkable but now neglected figures, stressed the cultural continuity between the new democracy and Fascism, igniting heated debates from opposite political standpoints. Their works addressed questions such as the working through of national defeat, Italian responsibility in WWII and the Holocaust, revealing how the social, racial, and gender biases that characterized Fascism survived after its demise and haunted the new born democracy.