Author : Charles Hindley
Publisher : Cambridge University Press
Page : 457 pages
File Size : 36,44 MB
Release : 2011-11-24
Category : Biography & Autobiography
ISBN : 1108039421
An entertaining biography of infamous broadsheet publisher James Catnach, first published in 1878, illustrated with examples of his printed work.
Author : Charles Hindley
Publisher : BoD – Books on Demand
Page : 294 pages
File Size : 48,20 MB
Release : 2020-08-02
Category : Fiction
ISBN : 375239238X
Reproduction of the original: The History of the Catnach Press by Charles Hindley
Author : Charles Hindley
Publisher : London : Hindley
Page : 374 pages
File Size : 27,68 MB
Release : 1886
Category : Ballads
ISBN :
Author : Charles Hindley
Publisher :
Page : 498 pages
File Size : 23,18 MB
Release : 1878
Category :
ISBN :
Author : Charles Hindley
Publisher : London : Reeves and Turner
Page : 320 pages
File Size : 48,39 MB
Release : 1869
Category : Ballads, English
ISBN :
Author : Martha Vicinus
Publisher : Taylor & Francis
Page : 376 pages
File Size : 32,9 MB
Release : 2024-07-31
Category : Literary Criticism
ISBN : 1040087590
First published in 1974, The Industrial Muse is a study of the literary achievements of the working class. The focus is upon the cultural environment and assumptions of self-educated writers, their literary preoccupations and careers, and the content, form and structure of their writings. This literature must first be considered from the perspective of the working people who read and wrote it, for it functioned in their lives in a number of important ways. Its character was due in large part to the conscious efforts of educated workers who wish to gain cultural recognition along with social and economic justice. It helped to shape individual and class consciousness by giving order to working men's lives and clarifying their relationship with those who held cultural and political power. This literature asserted the autonomy of the working class, but did not posit a new worldview, lest the gains of class solidarity be lost irretrievably. This is an interesting read for scholars and researchers of working-class literature, english literature and working-class history.
Author : David Atkinson
Publisher : Routledge
Page : 307 pages
File Size : 50,35 MB
Release : 2016-04-01
Category : Literary Criticism
ISBN : 1317049217
In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.
Author : Victor E. Neuburg
Publisher : Popular Press
Page : 214 pages
File Size : 20,51 MB
Release : 1983
Category : Literary Criticism
ISBN : 9780879722333
In this pioneering work Victor Neuberg has assembled a wealth of information about popular literature, from the invention of the printing press to the present. This guide, by judicious selection, gives a vivid picture of the range and variety of popular literature and its producers. Besides describing the main genres, the author has also included the social, cultural and commercial background to the production of popular literature, factors that were crucial in influencing the forms it took.
Author : Leslie Stephen
Publisher :
Page : 1410 pages
File Size : 35,61 MB
Release : 1908
Category : Great Britain
ISBN :
Author : Patricia Fumerton
Publisher : Routledge
Page : 332 pages
File Size : 25,51 MB
Release : 2017-05-15
Category : Literary Criticism
ISBN : 1317176375
Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.
