The Right of Publicity


Book Description

Who controls how one’s identity is used by others? This legal question, centuries old, demands greater scrutiny in the Internet age. Jennifer Rothman uses the right of publicity—a little-known law, often wielded by celebrities—to answer that question, not just for the famous but for everyone. In challenging the conventional story of the right of publicity’s emergence, development, and justifications, Rothman shows how it transformed people into intellectual property, leading to a bizarre world in which you can lose ownership of your own identity. This shift and the right’s subsequent expansion undermine individual liberty and privacy, restrict free speech, and suppress artistic works. The Right of Publicity traces the right’s origins back to the emergence of the right of privacy in the late 1800s. The central impetus for the adoption of privacy laws was to protect people from “wrongful publicity.” This privacy-based protection was not limited to anonymous private citizens but applied to famous actors, athletes, and politicians. Beginning in the 1950s, the right transformed into a fully transferable intellectual property right, generating a host of legal disputes, from control of dead celebrities like Prince, to the use of student athletes’ images by the NCAA, to lawsuits by users of Facebook and victims of revenge porn. The right of publicity has lost its way. Rothman proposes returning the right to its origins and in the process reclaiming privacy for a public world.




Between Image and Identity


Book Description

This book addresses the 'autobiographical' literature, visual, and performance art of postcolonial women from Maghreb and Southeast Asia including Leila Sebbar, Assia Djebar, and Theresa Hak Kyung Cha. Karina Eileraas critically examines how contemporary postcolonial artists participate in the violence of representation in order to re-imagine the relationship between image and identity.




Likeness of Identity


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Identity and Idolatry


Book Description

In this New Studies in Biblical Theology volume, Richard Lints argues that "idol" language in the Bible is a conceptual inversion of the "image" language of Genesis 1. He shows how the narrative of human identity runs from creation to fall to redemption in Christ, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the "culture of desire."




Likeness and Presence


Book Description

Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover




Likeness and Identity


Book Description

This dissertation examines the figure of the simile in Ovid's Metamorphoses in order to illuminate the central concern of the poem: the manipulation of shapes. In proposing a likeness that is based on both similarity and contrast, the simile engages with the problem of how identity is construed and determined by surface impression. The simile occupies a unique ontological position in the poem, in that it never substitutes one thing with another but establishes relationships between them. Thus it is ideally suited to illustrate ideas and processes that go beyond the affirmative and to become the medium of the imagination. Stressing the openness of the simile in the lack of congruence between tenor and vehicle, I show the simile's potential for internal reflection on the text.




God Created Man in His Image and Likeness


Book Description

Everyone who reads the Bible must admit that it tells us to do things that we never have done and cannot do in our fleshly bodies. One reason is that God our Creator is telling us what He wants us to be and do as created in His image and likeness. Our purpose is in our image and likeness of God our Creator, not like the dust of the ground or the flesh of our parents. Most children don’t know that they are created in the image and likeness of God, and their parents have not asked God for His spirit for their children so they can be taught this vital truth. The reason parents don’t ask God for His spirit for their children is because they don’t recognize the need for Him. There are several things mankind cannot do in the flesh, and they must recognize their origin in the image and likeness of God. Mankind must recognize being in the image and likeness of God to, first, love God with all their being and love his neighbors as himself; second, to obey God and his parents as required in God’s word; third, to trust God with all his heart; fourth, to worship God in spirit and in truth; and fifth, to glorify God in his body and spirit, which are God. The devil does not want mankind to know that he is created in the image and likeness of God because man will always defeat Satan and fulfill God's will.




In His Own Image and Likeness


Book Description

This book is about nothing less than Genesis 1, or human creation. Humanity, the author convincingly argues, is created within the Priestly tradition as a replacement of God's divine community; human creation marks the decisive moment that P's God separates himself from other gods and institutes monotheism. After discussing the references of God's self-inclusive yet plural first person speech and examining the ramifications of this speech pattern in other biblical texts, Randall Garr discusses the divine-human relationship as it is represented by carefully analysing the prepositions and nouns that characterize it. After highlighting some themes and theological concepts elaborated in Gen 1, it clearly situates the creation of humanity within the programmatic agenda of the Priestly tradition.




The Theory of Knowledge


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The Theory of Knowledge


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