Correction Lines


Book Description

The last fifteen years have been a period of dramatic change, both in the world at large and within the fields of ecology and conservation. The end of the Cold War, the dot-com boom and bust, the globalizing economy, and the attacks of September 11, among other events and trends, have reshaped our worldview and the political environment in which we find ourselves. At the same time, emerging knowledge, needs, and opportunities have led to a rapid evolution in our understanding of the scientific foundations and social context of conservation. Correction Lines is a new collection of essays from one of our most thoughtful and eloquent writers on conservation, putting these recent changes into perspective and exploring the questions they raise about the past, present, and future of the conservation movement. The essays explore interrelated themes: the relationship between biological and social dimensions; the historic tension between utilitarian and preservationist approaches; the integration of varied cultural perspectives; the enduring legacy of Aldo Leopold; the contrasts and continuities between conservation and environmentalism; the importance of political reform; and the need to "retool" conservation to address twentyfirst-century realities. Collectively the essays assert that we have reached a critical juncture in conservation—a "correction line" of sorts. Correction Lines argues that we need a more coherent and comprehensive account of the past if we are to understand our present circumstances and move forward under unprecedented conditions. Meine brings together a deep sense of history with powerful language and compelling imagery, yielding new insights into the origins and development of contemporary conservation. Correction Lines will help us think more clearly about the forces that have changed, and are changing, conservation, and inspire us to address current realities and future needs.




Lines on the Land


Book Description

Lines on the Land Writers, Art, and the National Parks Scott Herring The nineteenth-century photographer William Henry Jackson once complained of the skepticism with which early descriptions of Yellowstone were met: the place was too wondrous to be believed. The public demanded proof, and a host of artists and writers obliged. These early explorers possessed a vigorous devotion to the young nation's wilderness--the naturalist John Muir famously toured the land from Wisconsin to Florida on foot--and through their work established aesthetic categories that exist to this day. In Lines on the Land, Scott Herring contends that these writers and artists were canon makers, recognizing the national parks as naturally occurring works of art and conferring upon them a cultural prestige: the parks were the splendid focal points of the American landscape. These early, canonizing works are homages to a vast, untouched wilderness. This praise would gradually give way, however, to a distinctly American anger--what Herring calls "outraged idealism." Later generations were faced with a changing culture that had imperfectly absorbed, and even misrepresented, the national-park aesthetic. The postwar park was overrun by cars and tourists who could not possibly match the pioneering naturalists' profound commitment to and appreciation for their surroundings. The collective tone of the parks' chroniclers, as a result, evolved from celebration of awesome beauty to indignation over the perceived corruption of the parks, both as an ideal and as actual physical settings. Herring traces this shift through the work of a wide spectrum of creative minds, from early figures such as Muir and Thomas Moran to later observers of the parks such as Ansel Adams, Sylvia Plath, Edward Abbey, and Rick Bass. The text is punctuated by autobiographical "interchapters," in which Herring relates the book's chief themes to his own experiences in Yellowstone National Park. Under the Sign of Nature: Explorations in Ecocriticism




Crossing the Line


Book Description

William Finnegan's compelling account of a year spent teaching in a colored high school, "across the line," in Cape Town, South Africa brings the irrationality and injustice of apartheid into focus for the American reader. A new preface, written after the author's observation of the historic 1994 elections evaluates the progress made--and not made--toward dismantling the apartheid system.




The Land of Lines


Book Description

In the land of lines, anything is possible: the connection between a boy and a girl from different worlds, the potential for self-discovery, and the vanquishing of a monster. While exploring mysterious terrain, the characters cascade down geometric cliffs and mountains, navigating the unknown and finding their potential. Readers will immerse themselves in this engaging wordless graphic novel that captures the timeless heroic journey and celebrates the power of art.







Land-grant Telegraph Lines ...


Book Description




Cold New World


Book Description

From the Pulitzer Prize–winning author of Barbarian Days, this narrative nonfiction classic documents the rising inequality and cultural alienation that presaged the crises of today. “A status report on the American Dream [that] gets its power [from] the unpredictable, rich specifics of people’s lives.”—Time “[William] Finnegan’s real achievement is to attach identities to the steady stream of faceless statistics that tell us America’s social problems are more serious than we want to believe.”—The Washington Post A fifteen-year-old drug dealer in blighted New Haven, Connecticut; a sleepy Texas town transformed by crack; Mexican American teenagers in Washington State, unable to relate to their immigrant parents and trying to find an identity in gangs; jobless young white supremacists in a downwardly mobile L.A. suburb. William Finnegan spent years embedded with families in four communities across the country to become an intimate observer of the lives he reveals in Cold New World. What emerges from these beautifully rendered portraits is a prescient and compassionate book that never loses sight of its subjects’ humanity. A NEW YORK TIMES NOTABLE BOOK • A LOS ANGELES TIMES BEST NONFICTION SELECTION Praise for Cold New World “Unlike most journalists who drop in for a quick interview and fly back out again, Finnegan spent many weeks with families in each community over a period of several years, enough time to distinguish between the kind of short-term problems that can beset anyone and the longer-term systemic poverty and social disintegration that can pound an entire generation into a groove of despair.”—Los Angeles Times Book Review “The most remarkable of William Finnegan’s many literary gifts is his compassion. Not the fact of it, which we have a right to expect from any personal reporting about the oppressed, but its coolness, its clarity, its ductile strength. . . . Finnegan writes like a dream. His prose is unfailingly lucid, graceful, and specific, his characterization effortless, and the pull of his narrative pure seduction.”—The Village Voice “Four astonishingly intimate and evocative portraits. . . . All of these stories are vividly, honestly and compassionately told. . . . While Cold New World may make us look in new ways at our young people, perhaps its real goal is to make us look at ourselves.”—The Philadelphia Inquirer










This Burning Land


Book Description

A profoundly different way of looking the Israeli-Palestinian conflict Reporting from Jerusalem for The New York Times and Fox News respectively, Greg Myre and Jennifer Griffin, witnessed a decades-old conflict transformed into a completely new war. The West has learned a lot about asymmetrical war in the past decade. At the same time, many strategists have missed that the Israeli-Palestinian conflict has become one of them. This book shows the importance of applying these hard-won lessons to the longest running, most closely watched occupation and uprising in the world. The entire conflict can seem irrational -- and many commentators see it that way. While raising their own family in Jerusalem at the height of the violence, Myre and Griffin look at the lives of individuals caught up in the struggles to reveal how these actions make perfect sense to the participants. Extremism can become a virtue; moderation a vice. Factions develop within factions. Propaganda becomes an important weapon, and perseverance an essential defense. While the Israelis and the Palestinians have failed to achieve their goals after years of fighting, people on both sides are prepared to make continued sacrifices in the belief that they will eventually emerge triumphant. This book goes straight to the heart of the conflict: into the minds of suicide bombers and inside Israeli tanks. We hear from Palestinian informants who help the Israeli military track down and kill Palestinian militants. Israeli settlers in isolated outposts explain why they are there, and we hear the frustrations of a Palestinian farmer who has had his olive grove cut in half by Israel's security barrier Shows the important lessons that can be learned by viewing the Israeli-Palestinian conflict as an example of modern, asymmetrical war Authored by long-time reporters on the Middle East, the book provides a balanced and detailed look at the fighting based on first-hand experience and hundreds of interviews Explains how the landscape of the conflict changed and why the traditional approach to peacemaking is no longer valid With a new perspective on what's really going on in Israel and the Palestinian territories, The Familiar War is a book that will inform the debate on the Middle East and the future of the peace process, as well as our understanding of other conflicts around the world.