The Fourteenth Century


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The Fourteenth Century


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Belief in God


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The Forty-Third


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Raphael


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The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.




12-inch Range Table


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The Lost Legion


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The Best of I.F. Stone


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Izzy Stone was a reporter, a radical, an idealist, a scholar and, it is clear, a writer whose insights have more than stood the test of time. More than fifteen years after his death, this collection of his work from I.F. Stone's Weekly and elsewhere is astonishing in its relevance to our age, addressing the clash between national security and individual liberty, the protection of minorities, economic fairness, social justice, and the American military abroad. The core of Stone's genius was his newsletter, I.F. Stone's Weekly, published from the mid-1950s to the early 1970s. His meticulous dissection of the news was unsurpassed, a direct descendent of the great pamphleteers like Thomas Paine, and a forerunner to the best of today's political blogs. Stone's brilliant, investigative reporting; his wonderful, impassioned style; and his commitment to his values all make this collection an inspiration, and a revelation.




The Thinking Machine


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