Victorian London


Book Description

From rag-gatherers to royalty, from fish knives to Freemasons: everyday life in Victorian London. Like its acclaimed companion volumes, Elizabeth's London, Restoration London and Dr Johnson's London, this book is the product of the author's passionate interest in the realities of everyday life so often left out of history books. This period of mid Victorian London covers a huge span: Victoria's wedding and the place of the royals in popular esteem; how the very poor lived, the underworld, prostitution, crime, prisons and transportation; the public utilities - Bazalgette on sewers and road design, Chadwick on pollution and sanitation; private charities - Peabody, Burdett Coutts - and workhouses; new terraced housing and transport, trains, omnibuses and the Underground; furniture and decor; families and the position of women; the prosperous middle classes and their new shops, such as Peter Jones and Harrods; entertaining and servants, food and drink; unlimited liability and bankruptcy; the rich, the marriage market, taxes and anti-semitism; the Empire, recruitment and press-gangs. The period begins with the closing of the Fleet and Marshalsea prisons and ends with the first (steam-operated) Underground trains and the first Gilbert & Sullivan.




Catalina


Book Description

When a sixteen-year-old Spanish girl sees a religious vision while praying in a convent, she becomes involved in a series of humorous adventures. Catalina is a crippled girl, supposedly cured by divine intervention after witnessing a vision of the Virgin Mary. As a result of this, she is pressured into becoming a nun in a Carmelite convent. The Bishop of Segovia, himself undergoing a crisis of faith, becomes involved in the debate about the debt owed to god by Catalina for her cure, but the girl resists all attempts to control her life, determined to marry the man she loves. She joins a troupe of strolling players and becomes the most famous actress in all of Spain.




Mrs. Craddock


Book Description

Example in this ebook Chapter I This book might be called also The Triumph of Love. Bertha was looking out of window, at the bleakness of the day. The sky was sombre and the clouds heavy and low; the neglected carriage-drive was swept by the bitter wind, and the elm-trees that bordered it were bare of leaf, their naked branches shivering with horror of the cold. It was the end of November, and the day was utterly cheerless. The dying year seemed to have cast over all Nature the terror of death; the imagination would not bring to the wearied mind thoughts of the merciful sunshine, thoughts of the Spring coming as a maiden to scatter from her baskets the flowers and the green leaves. Bertha turned round and looked at her aunt, cutting the leaves of a new Spectator. Wondering what books to get down from Mudie’s, Miss Ley read the autumn lists and the laudatory expressions which the adroitness of publishers extracts from unfavourable reviews. “You’re very restless this afternoon, Bertha,” she remarked, in answer to the girl’s steady gaze. “I think I shall walk down to the gate.” “You’ve already visited the gate twice in the last hour. Do you find in it something alarmingly novel?” Bertha did not reply, but turned again to the window: the scene in the last two hours had fixed itself upon her mind with monotonous accuracy. “What are you thinking about, Aunt Polly?” she asked suddenly, turning back to her aunt and catching the eyes fixed upon her. “I was thinking that one must be very penetrative to discover a woman’s emotions from the view of her back hair.” Bertha laughed: “I don’t think I have any emotions to discover. I feel ...” she sought for some way of expressing the sensation—“I feel as if I should like to take my hair down.” Miss Ley made no rejoinder, but looked again at her paper. She hardly wondered what her niece meant, having long ceased to be astonished at Bertha’s ways and doings; indeed, her only surprise was that they never sufficiently corroborated the common opinion that Bertha was an independent young woman from whom anything might be expected. In the three years they had spent together since the death of Bertha’s father the two women had learned to tolerate one another extremely well. Their mutual affection was mild and perfectly respectable, in every way becoming to fastidious persons bound together by ties of convenience and decorum.... Miss Ley, called to the deathbed of her brother in Italy, made Bertha’s acquaintance over the dead man’s grave, and the girl was then too old and of too independent character to accept a stranger’s authority; nor had Miss Ley the smallest desire to exert authority over any one. She was a very indolent woman, who wished nothing more than to leave people alone and be left alone by them. But if it was obviously her duty to take charge of an orphan niece, it was also an advantage that Bertha was eighteen, and, but for the conventions of decent society, could very well take charge of herself. Miss Ley was not unthankful to a merciful Providence on the discovery that her ward had every intention of going her own way, and none whatever of hanging about the skirts of a maiden aunt who was passionately devoted to her liberty. They travelled on the Continent, seeing many churches, pictures, and cities, in the examination of which their chief aim appeared to be to conceal from one another the emotions they felt. Like the Red Indian who will suffer the most horrid tortures without wincing, Miss Ley would have thought it highly disgraceful to display feeling at some touching scene. She used polite cynicism as a cloak for sentimentality, laughing that she might not cry—and her want of originality herein, the old repetition of Grimaldi’s doubleness, made her snigger at herself. She felt that tears were unbecoming and foolish. “Weeping makes a fright even of a good-looking woman,” she said, “but if she is ugly they make her simply repulsive.” To be continue in this ebook







Writer's Notebook


Book Description

From 1892, when he was 18, until 1949, when this book was first published, Somerset Maugham kept a notebook. Part autobiographical, part confessional, this is a collection of Maugham's observations, confidences, aspirations and arbitrary jottings.




Liza of Lambeth


Book Description




Liza of Lambeth


Book Description

Liza of Lambeth (1897) is a novel by W. Somerset Maugham. Written while the author was living as a medical student in London, the Maugham's debut marked an electrifying start to an illustrious career in literature. Controversial for its portrayal of infidelity, domestic violence, and women's reproductive health, Liza of Lambeth is a gritty realist tale that takes an honest look at the everyday struggles of actual Londoners in a time of celebration and nostalgia for the Empire. Set in 1887, the year of Queen Victoria's Golden Jubilee, Liza of Lambeth follows a young woman in her life as a factory worker and caretaker for her ailing mother. Although she is only 18, Liza Kemp is a hard worker who desires more from life than that which she was born into. When a rare holiday gives her the chance to unwind in the countryside with a group of friends, she takes a much-needed break from her daily responsibilities to partake in a carriage ride. There, she meets Jim Blakeston, a married father of five who has recently moved to a home near Liza's. Drunk on beer, she begins to feel attracted to the man, who sneaks a kiss before the night draws to a close. Soon, they begin an ill-fated affair, sneaking off whenever possible to elude the suspicions of friends and family. As lust turns to violence, Liza learns too late the dangers of trusting men. With a beautifully designed cover and professionally typeset manuscript, this edition of W. Somerset Maugham's Liza of Lambeth is a classic work of British literature reimagined for modern readers.




Liza of Lambeth - Scholar's Choice Edition


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Liza of Lambeth


Book Description

"Liza of Lambeth" is the first novel by W. Somerset Maugham, depicting the life and manners of the Victorian-era working class. The story's protagonist is Liza Kemp, an 18-year-old factory worker who lives with her aging mother. Liza likes Tom, a boy her age, but soon she realizes she perceives him as a friend. Instead, she falls in love with a married man, and this connection threatens her social image and her way of life.




Liza of Lambeth


Book Description

It was the first Saturday afternoon in August; it had been broiling hot all day, with a cloudless sky, and the sun had been beating down on the houses, so that the top rooms were like ovens; but now with the approach of evening it was cooler, and everyone in Vere Street was out of doors.