Lizzie's Legacy


Book Description

Betsy Chutchian shares more of her greatgreat grandmother's journals written from 1857 to 1882 that capture the spirit of life on the Texas prairie. Included are 14 projects inspired by Lizzie's writing that illustrate pioneer life.




The Forgotten Alcott


Book Description

This collection is the first academic study of the captivating life and career of expatriate artist, writer, and activist, May Alcott Nieriker. Nieriker is known as the sister of Louisa May Alcott and model for "Amy March" in Alcott’s Little Women. As this book reveals, she was much more than "Amy"—she had a more significant impact on the Concord community than her sister and later became part of the creative expat community in Europe. There, she imbued her painting with the abolitionist activism she was exposed to in childhood and pursued an ideal of artistic genius that opposed her sister’s vision of self-sacrifice. Embarking on a career that took her across London, Paris, and Rome, Nieriker won the acclaim of John Ruskin and forged a network of expatriate female painters who changed the face of nineteenth-century art, creating opportunities for women that lasted well into the twentieth century. A "Renaissance woman," Nieriker was a travel writer, teacher, and curator. She is recovered here as a transdisciplinary subject who stands between disciplines, networks, and ideologies—stiving to recognize the dignity of others. Contributors include foundational Alcott scholar Daniel Shealy and Pulitzer Prize winner John Matteson, as well as Curators, Jan Turnquist (Orchard House) and Amanda Burdan (Brandywine River Museum of Art). In this book, readers will become acquainted with a dynamic feminist thinker who transforms our understanding of the place of women artists in the wider cultural and intellectual life of nineteenth-century Britain, France, and the United States.




Looking for Lizzie


Book Description

Debra lape spent 40 years researching the story of her great-great-grandmother, Elizabeth Rogers. Lizzy was the owner-operator of the White Pidgeon, a brothel located in Ohio.




Elizabeth's Legacy (Royal Institute of Magic)


Book Description

Two years after his parents' sudden disappearance, Ben Greenwood stumbles upon a cryptic letter that could shed some light on their whereabouts. But before he can track them down, he'll need to find the mysterious organization that sent the letter: The Royal Institute of Magic. To succeed, Ben will have to navigate a land filled with fantastic creatures and Spellshooters, where magic can be bought and sold, to unravel an ancient family secret that could hold the key to defeating an evil the Institute has been fighting for the last five hundred years.




Troubled Legacies


Book Description

What is being passed on? The questions of heritage and inheritance are crucial to American minority literatures. Some inheritances are claimed; some are imposed and become stifling; others still are impossible, like the memories of oppression or alienation. Heritage is not only patrimony, however; it is also a process in a state of constant reconfiguration. The body – its semiotics, its genealogy, its pressure points – figures prominently as inevitable referent for the minority racial/ethnic subject, the performance, and the writing of difference. This collection of essays analyzes contemporary novels from major African American writers, such as Gayl Jones, Phyllis Alesia Perry, Percival Everett, John Edgar Wideman, and Colson Whitehead, and ethnic American novelists like Jeffrey Eugenides, Philip Roth, Gish Jen, and Sergio Troncoso. It also includes the study of a painting by African American artist Robert Colescott. The first section of the book examines the inscription of African American writers’ relation to the nation’s past: the trauma of slavery, the burden of foundational discourses, or the legacy of the classical philosophical canon. The second part of the text is an assessment of the postmodern aesthetics of contemporary black fiction in the construction of history, unveiling the modalities of the palimpsest, fragmentation, intermediality, mises en abyme, in a complex grammar of haunting and denial. Gathering essays on Greek-American, Jewish-American, Chinese-American and Mexican-American fiction, the final section delineates new conceptions of ethnicity based on fluidity, hybridity, and performativity. Cross-ethnic experimentations in “super-diversity,” according to which identities become optional, an array of choices rather than forced belonging, seem to be pointing the way to the next stage, that of a “post-racial,” “post-ethnic” society. Yet the conjugated strictures of “race” and class still limit these choices to a significant degree, and the works discussed in this volume often playfully or sarcastically question the validity of the “post.” They ultimately ask: who shall inherit America?




Lizzie's Legacy and Our Coffey Cousins


Book Description

Edward Coffey (d.1716) lived in Essex County, Virginia. Descendants and relatives lived in Virginia, North Carolina, Tennessee, Kentucky, Michigan, Oklahoma, Texas, California and elsewhere.




Lizzie Bright and the Buckminster Boy


Book Description

Turner Buckminster is purely miserable. Not only is he the son of the new minister in a small Maine town, but he is shunned for playing baseball differently from the local boys.




Elizabeth and Hazel


Book Description

The names Elizabeth Eckford and Hazel Bryan Massery may not be well known, but the image of them from September 1957 surely is: a black high school girl, dressed in white, walking stoically in front of Little Rock Central High School, and a white girl standing directly behind her, face twisted in hate, screaming racial epithets. This famous photograph captures the full anguish of desegregation--in Little Rock and throughout the South--and an epic moment in the civil rights movement.In this gripping book, David Margolick tells the remarkable story of two separate lives unexpectedly braided together. He explores how the haunting picture of Elizabeth and Hazel came to be taken, its significance in the wider world, and why, for the next half-century, neither woman has ever escaped from its long shadow. He recounts Elizabeth's struggle to overcome the trauma of her hate-filled school experience, and Hazel's long efforts to atone for a fateful, horrible mistake. The book follows the painful journey of the two as they progress from apology to forgiveness to reconciliation and, amazingly, to friendship. This friendship foundered, then collapsed--perhaps inevitably--over the same fissures and misunderstandings that continue to permeate American race relations more than half a century after the unforgettable photograph at Little Rock. And yet, as Margolick explains, a bond between Elizabeth and Hazel, silent but complex, endures.




Elizabeth's Legacy


Book Description

even as she lifted her hands from her lap, over the child's face spread a calculating look that was thoroughly unnerving, for it was so like Jane. "Did you know my mother?" she asked, her eyes veering away. Geneva had a sickening sensation that Jane was reaching out from the grave. "Not really. I met her once," she said. Elizabeth grew more alert. "Where?" "Here at Brookhurst at a dinner party." She thought of Jane's tidy figure in a pink chemise and silver slave bracelets; her cold blue eyes and cruel mouth set in a pale, flat complexion. The saucy way she sat with feet tucked under her on the sofa in the drawing room-the most formal chamber in the house. A considerable pause. A frown of concentration. "Then, was this before she married my father?" Elizabeth asked slowly. "Yes. Why?" Another pause. "So you knew my father before he married my mother." "Yes," Geneva said. She would have thought this obvious, given that Emelye was Tony's child with her, and was several months older than Elizabeth. Then she realized it would be far beyond the ability of a child less than eight years old to piece that sort of information together. Elizabeth pressed her bangs again, ran her tongue over her lips. Still avoiding looking at Geneva, she asked, "Was my mother was she nice then?"




A Private Disgrace


Book Description

Now, for the first time, this famous American crime is examined by someone with all the proper credentials: Victoria Lincoln is a native of Fall River and thus knows the never-revealed "inside" story of the crime