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Moon-face and Other Stories


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JACK LONDON (1876-1916), American novelist, born in San Francisco, the son of an itinerant astrologer and a spiritualist mother. He grew up in poverty, scratching a living in various legal and illegal ways -robbing the oyster beds, working in a canning factory and a jute mill, serving aged 17 as a common sailor, and taking part in the Klondike gold rush of 1897. This various experience provided the material for his works, and made him a socialist. "The son of the Wolf" (1900), the first of his collections of tales, is based upon life in the Far North, as is the book that brought him recognition, "The Call of the Wild" (1903), which tells the story of the dog Buck, who, after his master ́s death, is lured back to the primitive world to lead a wolf pack. Many other tales of struggle, travel, and adventure followed, including "The Sea-Wolf" (1904), "White Fang" (1906), "South Sea Tales" (1911), and "Jerry of the South Seas" (1917). One of London ́s most interesting novels is the semi-autobiographical "Martin Eden" (1909). He also wrote socialist treatises, autobiographical essays, and a good deal of journalism.




!Scat


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In this debut collection, Wil Perkins has created a new poetics, star-spangled by the improvisational essence of jazz, the heartfelt essence of the blues and gospels, as well as mystical riffs for the moonish sundance of life. These poems, crafted in the experimental tradition of John Coltrane and e.e. cummings, are a sculptural feast for the eyes, irreverent music for the soul, and serious songs to hail the coming millennium.




Selected Essays From Pebbles on the Shore and Leaves in the Wind


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




A Distant Country Called Youth


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'49 to '94


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A Bench in the Sun


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Harold and Burt, longtime friends, live in a retirement home and spend their days on a bench in the garden bickering. A once famous actress has just moved in, giving them something new to argue over. When they learn that the home is about to be sold and they will have to find a new residence, the three join forces to prevent this upsetting development.




Bad Dates


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Comedy Character: 1 female Interior Set "And then I realize, in this sort of strange, hallucinatory moment, that the bug guy is looking kind of good, and the things he's saying about bugs are really kind of fascinating and it is then that I realized that maybe it has been too long since I've been on a date."--So confesses a single mother and self-described restaurant idiot-savant in this thoroughly charming and slyly sweet one-woman play by the author of The Butte




Seascape with Sharks and Dancer


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Drama / Casting: 1m, 1f / Scenery: Interior This fine work in the Pendragon cycle of plays enjoyed a sold out, critically acclaimed production at the world famous Oregon Shakespeare Festival. The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle be




From Door to Door


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A heartwarming, bittersweet comedy about three generations of American women. Mary Goodman, a woman of the "greatest generation" is mourning the loss of her husband. Her daughter, Deborah, is encouraging her to end her period of mourning and move on with a new independence. In a series of scenes between Mary, Deborah, and Mary's mother, Bessie, Mary reflects back on her life as a daughter, wife and mother. A trio of actresses plays the three women over the course of sixty-five years. As Mary's life progresses from childhood to matrimony to motherhood, we see how each successive generation of women lives up to the expectations of the past and makes brave new choices about the future. At the end of the play, the three women stand as links in a chain made of faith, love, and understanding.