Lolita: A Screenplay


Book Description

The screenplay for Kubrick’s 1962 film tells the story of an older man’s obsession with a young girl. • This is the purely Nabokov version of the screenplay and not the same version which was produced as the motion picture Lolita, distributed by Metro-Goldwyn-Mayer, Inc. “A few days before, at a private screening, I had discovered that Kubrick was a great director, that his Lolita was a first-rate film with magnificent actors, and that only ragged odds and ends of my script had been used. The modifications, the garbling of my best little finds, the omission of entire scenes, the addition of new ones, and all sorts of other changes may not have been sufficient to erase my name from the credit titles but they certainly made the picture as unfaithful to the original script as an American poet’s translation from Rimbaud or Pasternak. I hasten to add that my present comments should definitely not be construed as reflecting any belated grudge, any high-pitched deprecation of Kubrick’s creative approach. When adapting Lolita to the speaking screen he saw my novel in one way, I saw it in another – that’s all, nor can one deny that infinite fidelity may be an author’s ideal but can prove a producer’s ruin.” --- From the foreword




Lolita by Vladimir Nabokov (Book Analysis)


Book Description

Unlock the more straightforward side of Lolita with this concise and insightful summary and analysis!This engaging summary presents an analysis of Lolita by Vladimir Nabokov, which is the enthralling and disturbing tale of Humbert, a man in his forties, who falls in love with a young girl, soon becoming her stepfather and taking advantage of this position to pursue a vastly unsettling romance with her and fulfil his illicit desires. Lolita is regarded as one of the prime achievements in 20th century literature, though also among the most controversial, and its assimilation into popular culture is such that the name 'Lolita' has been used to imply that a young girl is sexually precocious. Nabokov has achieved international prominence, and has been a finalist for the American National Book Award for Fiction seven times. Find out everything you need to know about Lolita in a fraction of the time! This in-depth and informative reading guide brings you: - A complete plot summary - Character studies - Key themes and symbols - Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you in your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!




Lolita - From Nabokov to Kubrick and Lyne


Book Description

Qu’on soit scandalisé ou touché – ou les deux à la fois – on ne peut guère refuser de voir en Lolita une œuvre de grande envergure narrative et poétique. À sa sortie, la critique s’est montrée à certains moments offensée, à d’autres enchantée : Lionel Trilling y voyait moins le récit d’une aberration qu’une histoire d’amour ; Kingsley Amis trouvait l’oeuvre réjouissante mais insuffisamment érotique. Moins sentimentale, la critique actuelle fait aussi preuve de nettement moins de clémence à l’égard de son narrateur. Toujours est-il que la force de persuasion, l’ambiguïté et la subtilité de cette œuvre sont telles que le lecteur ou la lectrice peut difficilement se défendre d’être tour à tour transformé en esthète émerveillé, en juge réprobateur, en juré partagé, en amant passionné, en voyeur ou même en nymphette consentante. Destiné aux étudiants préparant le Capes et l’Agrégation d’anglais, cet ouvrage rédigé par des spécialistes de littérature américaine et russe se penche sur les aspects sociologiques, biographiques, structurels, stylistiques, intertextuels, génériques et cinématographiques de Lolita..




Lolita


Book Description

Stanley Kubrick's version of Vladimir Nabokov's novel was one of the most controversial films of the 1960s. This analysis is written by Richard Corliss, editor of 'Film Comment'. It features a brief production history and a detailed filmography.




Lolita Between Adaptation and Interpretation


Book Description

This book offers a comparative analysis of three versions of Vladimir Nabokovâ (TM)s Lolita: namely, the original novel (1955), the script written by the novelist himself and published as Lolita: A Screenplay (1974), and Stanley Kubrickâ (TM)s film based on Lolitaâ (TM)s storyline (1962). Kubrickâ (TM)s final product oscillates between adaptation and interpretation, as it draws from both Nabokovâ (TM)s novel and script, but also uses the improvisational talents of the cast, eventually rendering the directorâ (TM)s firm auteurial hand clearly visible throughout the film. The book analyses how various additions and subtractions made first by Nabokov as a scriptwriter, and later by Kubrick as a movie director, influence the reception of the four main characters: Lolita, Humbert Humbert, Charlotte Haze, and Clare Quilty. The original novelâ (TM)s multilayered web of intertextual references â " among them the works of Edgar Allan Poe and the typically Nabokovian critique of Freudian theories â " becomes significantly reduced in the script and the film, with Kubrick additionally enriching the film version of the story with cinematic references. While Lolita the novel has been extensively researched and commented upon, and some criticism on the two film versions (Kubrickâ (TM)s 1962 production, and Lyneâ (TM)s 1997 film) is also available, the scope of Lolita: Between Adaptation and Interpretation includes in its analysis the text of Nabokovâ (TM)s original screenplay, which â " although ultimately not used by Kubrick â " provides fascinating insights into how the writer himself envisioned his own creation rendered in a movie adaptation. Kubrickâ (TM)s work departs significantly from the contents of both the novel and the screenplay, being closer to an auteurâ (TM)s interpretation of the original piece than its adaptation.







Reading Vladimir Nabokov: 'Lolita'


Book Description

An illuminating study of Vladimir Nabokov's controversial novel with special attention to its film versions. From its first publication in 1955 Nabokov's Lolita has been denounced as immoral filth, hailed as a moral masterpiece, and both praised and damne.







Vladimir Nabokov's Lolita


Book Description

Midway through the last century, Lolita burst on the literary scene--a Russian exile's extraordinary gift to American letters and the New World. The scandal provoked by the novel's subject--the sexual passion of a middle-aged European for a twelve-year-old American girl--was quickly upstaged by the critical attention it received from readers, scholars, and critics around the world. This casebook gathers together an interview with Nabokov as well as nine critical essays about Lolita. The essays follow a progression focusing first on textual and thematic features and then proceeding to broader topics and cultural implications, including the novel's relations to other works of literature and art and the movies adapted from it.




Quicklet on Lolita by Vladimir Nabokov


Book Description

Quicklets: Learn More. Read Less. Nabokov conceived the idea for Lolita after reading a news story in late 1939 or early 1940. The story was about a primate who produced the first drawing ever sketched by an animal, the subject of which was the bars of his cage. Inspired by the sad animal's perspective of imprisonment, Nabokov penned a short story with a roughly similar plot to Lolita. There were several differences between this first version and the final: firstly, the girl's mother was sick; secondly, the girl was French (Nabokov had not yet moved to the United States); thirdly, it was written in Russian; finally, the narrator chucks himself under a moving truck after only one attempt to take advantage of the child. Lolita is rated as a twentieth century classic. Time magazine included it on its "100 Best Novels" list. Modern Library rated it fourth on its 1998 list of the 100 Best Novels. BOOK EXCERPT From the Introduction by Kate Russell: The first time I read Lolita, I spent a very long time on each page, overwhelmed by the amount of layers in every word and sentence. One sentence was like reading a page of any other author's work (except James Joyce, of course). I had no idea a book could be like this. It was as if the books I had read before were cheap chocolate bars and I'd just taken a bite of a Belgian truffle. If I read it too quickly, my brain might explode. It opened my eyes and my mind to the language I already spoke. You may have heard of Lolita before. You may have heard that it is depraved, disgusting, and perverse. It is all of those things. But it is written so beautifully that by the end, you sympathize with a child molester and lust after his captive—and that is the magic of the English language. To be continued!