Lost in the Crowd


Book Description




Faces in the Crowd


Book Description

Electric Literature 25 Best Novels of 2014 Largehearted Boy Favorite Novels of 2014 "An extraordinary new literary talent."--The Daily Telegraph "In part a portrait of the artist as a young woman, this deceptively modest-seeming, astonishingly inventive novel creates an extraordinary intimacy, a sensibility so alive it quietly takes over all your senses, quivering through your nerve endings, opening your eyes and heart. Youth, from unruly student years to early motherhood and a loving marriage--and then, in the book's second half, wilder and something else altogether, the fearless, half-mad imagination of youth, I might as well call it—has rarely been so freshly, charmingly, and unforgettably portrayed. Valeria Luiselli is a masterful, entirely original writer."--Francisco Goldman In Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls his friendship with Lorca, and the young woman he saw in the windows of passing trains. Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction. "Luiselli's haunting debut novel, about a young mother living in Mexico City who writes a novel looking back on her time spent working as a translator of obscure works at a small independent press in Harlem, erodes the concrete borders of everyday life with a beautiful, melancholy contemplation of disappearance. . . . Luiselli plays with the idea of time and identity with grace and intuition." —Publishers Weekly




The Crowd


Book Description

Between 1800 and 1850, political demonstrations and the tumult of a ballooning street life not only brought novel kinds of crowds onto the streets of London, but also fundamentally changed British ideas about public and private space. The Crowd sets out to demonstrate the influence of these new crowds, riots, and demonstrations on the period's literature. John Plotz offers compelling readings of works by Thomas De Quincey, Thomas Carlyle, William Wordsworth, Maria Edgeworth, and Charlotte Bronte, arguing that new "representative" crowds became a potent rival for the representational claims of literary texts themselves. As rivals in representation, these crowds triggered important changes not simply in how these authors depicted crowds, but in their notions of public life and privacy in general. The Crowd is the first book devoted to an analysis of crowds in British literature. In addition to this being a noteworthy and innovative contribution to literary criticism, it addresses ongoing debates in political theory on the nature of the public-political realm and offers a new reading of the contested public discourses of class, nation, and gender. In the end, it provides a sophisticated and rich analysis of an important facet of the beginning of the modern age.




The Crowd


Book Description




The Conservator


Book Description




To Walk Alone in the Crowd


Book Description

Winner of the 2020 Medici Prize for Foreign Novel From the award-winning author of the Man Booker Prize finalist Like a Fading Shadow, Antonio Muñoz Molina presents a flâneur-novel tracing the path of a nameless wanderer as he walks the length of Manhattan, and his mind. De Quincey, Baudelaire, Poe, Joyce, Benjamin, Melville, Lorca, Whitman . . . walkers and city dwellers all, collagists and chroniclers, picking the detritus of their eras off the filthy streets and assembling it into something new, shocking, and beautiful. In To Walk Alone in the Crowd, Antonio Muñoz Molina emulates these classic inspirations, following their peregrinations and telling their stories in a book that is part memoir, part novel, part chronicle of urban wandering. A skilled collagist himself, Muñoz Molina here assembles overheard conversations, subway ads, commercials blazing away on public screens, snatches from books hurriedly packed into bags or shoved under one’s arm, mundane anxieties, and the occasional true flash of insight—struggling to announce itself amid this barrage of data—into a poem of contemporary life: an invitation to let oneself be carried along by the sheer energy of the digital metropolis. A denunciation of the harsh noise of capitalism, of the conversion of everything into either merchandise or garbage (or both), To Walk Alone in the Crowd is also a celebration of the beauty and variety of our world, of the ecological and aesthetic gaze that can, even now, recycle waste into art, and provide an opportunity for rebirth.




The Gentleman's Magazine


Book Description




The Comet of a Season


Book Description




Prize tracts


Book Description




The Harvard Monthly


Book Description