The Indian Mutiny and the British Imagination


Book Description

Gautam Chakravarty explores representations of the event which has become known in the British imagination as the 'Indian Mutiny' of 1857 in British popular fiction and historiography. Drawing on a wide range of primary sources including diaries, autobiographies and state papers, Chakravarty shows how narratives of the rebellion were inflected by the concerns of colonial policy and by the demands of imperial self-image. He goes on to discuss the wider context of British involvement in India from 1765 to the 1940s, and engages with constitutional debates, administrative measures, and the early nineteenth-century Anglo-Indian novel. Chakravarty approaches the mutiny from the perspectives of postcolonial theory as well as from historical and literary perspectives to show the extent to which the insurrection took hold of the popular imagination in both Britain and India. The book has a broad interdisciplinary appeal and will be of interest to scholars of English literature, British imperial history, modern Indian history and cultural studies.




Crime and Empire


Book Description

In Crime and Empire, Upamanyu Pablo Mukherjee examines a wide range of nineteenth-century British fictions about crime in India--from writers such as Wilkie Collins, Walter Scott, and Conan Doyle to historical, parliamentary, and medical narratives.




Catalogue


Book Description
















Novels on the Indian Mutiny


Book Description

On English novels about the Indian Mutiny of 1857 written by British authors, 1859-1964; a study.




Eyes to Wonder, Tongue to Praise


Book Description

This book is a collection of articles written for Professor Marta GibiƄska by her colleagues and friends, from universities both in Poland and abroad. The texts presented in this volume cover a wide spectrum of topics. Part I, devoted to Shakespeare, comprises wide-ranging work from renowned specialists in the field: studies on historical background, sources, theatrical, screen and literary reception, as well as translation. Part II contains articles which deal with multiple authors, genres and perspectives, but are uniformly passionate and insightful. The title Eyes to Wonder, Tongue to Praise, a poetic phrase borrowed from Shakespeare, conveys what seems to be a defining quality of both the contributors to this volume and its recipient: namely, the ability to translate keen appreciation of literature not into speechless awe but eloquent praise, combined with the generosity to share it with others.