Louis Spohr's Autobiography, Tr. from the German. Copyright Ed - Scholar's Choice Edition


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Louis Spohr's Autobiography, Tr. from the German. Copyright Ed


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.













Beyond Bach


Book Description

Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public. Eschewing the great composer style of music history, Andrew Talle takes us on a journey that looks at how ordinary people made music in Bach's Germany. Talle focuses in particular on the culture of keyboard playing as lived in public and private. As he ranges through a wealth of documents, instruments, diaries, account ledgers, and works of art, Talle brings a fascinating cast of characters to life. These individuals--amateur and professional performers, patrons, instrument builders, and listeners--inhabited a lost world, and Talle's deft expertise teases out the diverse roles music played in their lives and in their relationships with one another. At the same time, his nuanced re-creation of keyboard playing's social milieu illuminates the era's reception of Bach's immortal works.







Louis Spohr's Autobiography


Book Description




Louis Spohr's Autobiography; Translated from the German


Book Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1865 edition. Excerpt: ... on the following evening, Spohr found all the musical pieces so carefully studied and in accordance with all his intentions, that he could look forward with pleasing certainty to its performance on the next evening, and the more so, as the two directors of music, Grund and Bott, felt an especial pleasure in resuming their former places under the direction of their master, as co-operating violinists in the orchestra, and in thus giving him the most powerful support. The "Meininger Tagehlatt" makes mention of the concert in the following terms: "Upon the stage, between branches of palm and laurel, was placed a collossal bust of Spohr. The conductor's desk had been decorated by female hands with ingenious devices and garlands of flowers. The house, filled to overflowing, awaited in breathless suspense the appearance of the famed old master. 'He comes!'.... was whispered through the spacious house, and a thousand - tongued welcome of joy greeted the honoured man. In a few minutes afterwards he had lifted the conductor's baton -- a solemn silence immediately ensued; and in a few moments the first notes of the symphony "Die Weihe der Tone" resounded. The eyes of all were directed to the Nestor of the science of music, who brought to our mind the Olympian Jove -- omnia supercilio moventis. All the orchestral assistants felt the importance of the moment, and lent their most efficient aid. The same calm which everywhere breathes through the works of this musician was seen also in his conducting. Not the least fraction of a beat was thrown away -- in all and everywhere, were seen the director of orchestra and the musicians, as a grand impersonated whole, achieving in every part a fresh triumph. The honoured poet of sweet sounds directed besides...