Dictionary of Midwestern Literature, Volume 1


Book Description

The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time.Philip A. Greasley's introduction fills in background information and describes the philosophy, focus, methodology, content, and layout of entries, as well as criteria for their inclusion. An extended lead-essay, "The Origins and Development of the Literature of the Midwest," by David D. Anderson, provides a historical, cultural, and literary context in which the lives and writings of individual authors can be considered.This volume is the first of an ambitious three-volume series sponsored by the Society for the Study of Midwestern Literature and created by its members. Volume Two will provide similar coverage of non-author entries, such as sites, centers, movements, influences, themes, and genres. Volume Three will be a literary history of the Midwest. One goal of the series is to build understanding of the nature, importance, and influence of Midwestern writers and literature. Another is to provide information on writers from the early years of the Midwestern experience, as well as those now emerging, who are typically absent from existing reference works.




The Loneliness of the Long Distance Writer


Book Description

The Loneliness of the Long-Distance Writer brings together two of Wright Morris's best-known novels, The Works of Love (1951) and The Huge Season (1954).




James Agee in Context


Book Description

"This collection of new essays exploring the life and cultural significance of James Agee grew largely from the scholarship of The Works of James Agee series under the editorial guidance of Michael A. Lofaro. The present volume's eleven essays concern Agee's relation to authors as diverse as Wright Morris, John Dos Passos, William T. Vollmann, Stephen Crane, and Ernest Hemingway. Furthermore, it sheds fresh light on Agee's career as an artist, critic, romantic and modernist, reviewer of books, film, and photography, journalist for Fortune magazine, and, uniquely, explores the author's personal writings through the lens of his father's life"--




Conversations with Wright Morris


Book Description

This book is an attempt to approach the work of a leading American novelist from both sides of the looking-glass?from the opposite, but not necessarily opposing, points of view of the writer/creator and the reader/critic. In 1975, while the author was visiting professor of English at the University of Nebraska-Lincoln, several scholar-critics (among them John W. Aldridge, Wayne C. Booth, and David Madden) were invited to speak about his craft and artistic aims and principles and to record conversations with him about issues growing from their addresses. Since Morris is also an important photographer, facets of his achievement in this field were considered by Peter C. Bunnell. In addition to four conversations, three lectures, and a portfolio of twelve photographs, this volume includes an essay by Wright Morris and a bibliography compiled by Robert L. Boyce.




The Venetian Boy


Book Description

An unhappy Mark Ravenshaw lives with his parents and still smarts from a disastrous love affair. But he finds reprieve in an offer to work in Venice for his Uncle Jem, a respected art and antiquities dealer. Mark falls instantly under the city's spell, but is tormented by desire for Uncle Jem's young assistant, Piero ... who also shares Jem's bed. Mark soon finds himself obsessed by the amoral, beautiful Piero. Not even a sexual entanglement with Bruno, a former lover of Uncle Jem's, can assuage his longing. Unfortunately his beloved uncle stands in the path of Mark's desire. But for how long?




Haunted: the Strange and Profound Art of Wright Morris


Book Description

He skipped his senior year at college to go to Europe, where he was befriended by a Countess, was kept a prisoner in a castle by a mad Count, and almost met Mussoliniclose enough to land him in an Italian jail. Wright Morris returned to the States and went on to become probably the most experimental American novelist of the last century. He ended up with almost every award and prize that a novelist can earn, and his work was praised over and over again by many of our most prestigious critics. In addition to publishing thirty-four books, he was also an eminent photographer. He not only had his work shown in numerous museums and galleries around the country, but his photographs were also displayed throughout five photo-text booksa form that he pioneered.




Two for the Road


Book Description

Two for the Roadbrings together a pair of thematically related novels, Man and Boy (1951) and In Orbit (1967), each of which concerns a rural American community's response to petty tyranny.




The Home Place


Book Description

Reproduced from the 1948 edition of The Home Place, the Bison Book edition brings back into print an important early work by one of the most highly regarded of contemporary American Writers. This account in first-person narrative and photographs of the one-day visit of Clyde Muncy to "the home place" at Lone Tree, Nebraska, has been called "as near to a new fiction form as you could get." Both prose and pictures are homely: worn linoleum, an old man?s shoes, well-used kitchen utensils, and weathered siding. Muncy?s journey of discovery takes the measure of the man he has become and of what he has left behind.




A Venetian Affair


Book Description

In the attic of their old family palazzo on the Grand Canal, Andrea di Robilant's father had found the love letters of their ancestor Andrea Memmo, one of the last great Venetian statesmen, to a beautiful half-English girl named Giustiniana Wynne. Some of the letters were written in code, which di Robilant and his father cracked to reveal an illicit passion: Giustiniana was not of the elite ruling class and would never have been considered a suitable match for Andrea. But their acts of devotion were startlingly brazen. As their courtship unfolds, they plot elaborate marriage schemes that offend everyone, arrange secret trysts in borrowed rooms, cause trouble for the servants who must ferry their forbidden correspondence, and even weather an unwanted pregnancy, from which Giustiniana, with her wits and ingenuity and some crucial assistance from the infamous Casanova, emerges unscathed.