Our Village


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How Poems Get Made


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A comprehensive guide to writing or reading poetry, by “one of our most lucid and important critics” (American Academy of Arts and Letters). Why does a great lyric poem ask to be reread, even after we know it by heart? In How Poems Get Made, acclaimed poet and critic James Longenbach answers this question by discussing a wide range of exemplary poems, from Shakespeare through Blake, Dickinson, and Moore, to a variety of poets making poems today. In each chapter of How Poems Get Made, Longenbach examines a specific aspect of the poetic medium—including Diction, Syntax, Rhythm, Echo, Figure, and Tone—and shows how a poet may manipulate these most basic elements to bring a poem to life.




The Village


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In a Village by the Sea


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"Moving from the wide world to the snugness of home and back out again, Village by the Sea tells the story of longing for the comforts of home"--




Our Village


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A Village Life


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WINNER OF THE NOBEL PRIZE IN LITERATURE A dreamlike collection from the Nobel Prize-winning poet A Village Life, Louise Glück's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place: All the roads in the village unite at the fountain. Avenue of Liberty, Avenue of the Acacia Trees— The fountain rises at the center of the plaza; on sunny days, rainbows in the piss of the cherub. —from "tributaries" Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed. Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as "the type of describing, supervising intelligence found in novels rather than poetry," as Langdon Hammer has written of her long lines—expansive, fluent, and full—manifesting a calm omniscience. While Glück's manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.




Save the Village


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Life hasn't turned out quite the way Becca Cammeyer of Greenwich Village--once voted most likely to land on Broadway or in jail for a good cause--had planned. Her only child has moved to another continent, she's still living in a fifth-floor walkup with her aging dog, still single, still nearly broke, still not on speaking terms with her best friend or her mother, and still hearing the ghost of her long-dead father whispering in her ear. But she's a semi-famous tour guide, and on a perfect October evening, Becca almost believes all is well with her world as she helps a group of South Carolina tourists fall in love with her beloved Village. The tour concludes, and Becca sends the women on their way, unaware that her world is about to be upended. In the aftermath of a devastating tragedy, Becca must come to terms with her own paralysis, her survivor's guilt, and the messiness of her life. She embarks on wildly improbable reconciliations and new relationships. At once a love story to Greenwich Village and a reflection on a changing world, Save the Village reveals how when a community comes together, everyone wins.




New York, My Village: A Novel


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Exuberant storytelling full of wry comedy, dark history, and devastating satire—by the celebrated and original author of the #1 New York Times bestseller, Say You’re One of Them. From a suspiciously cheap Hell’s Kitchen walk-up, Nigerian editor and winner of a Toni Morrison Publishing Fellowship Ekong Udousoro is about to begin the opportunity of a lifetime: to learn the ins and outs of the publishing industry from its incandescent epicenter. While his sophisticated colleagues meet him with kindness and hospitality, he is soon exposed to a colder, ruthlessly commercial underbelly—callous agents, greedy landlords, boorish and hostile neighbors, and, beneath a superficial cosmopolitanism, a bedrock of white cultural superiority and racist assumptions about Africa, its peoples, and worst of all, its food. Reckoning, at the same time, with the recent history of the devastating and brutal Biafran War, in which Ekong’s people were a minority of a minority caught up in the mutual slaughter of majority tribes, Ekong’s life in New York becomes a saga of unanticipated strife. The great apartment deal wrangled by his editor turns out to be an illegal sublet crawling with bedbugs. The lights of Times Square slide off the hardened veneer of New Yorkers plowing past the tourists. A collective antagonism toward the “other” consumes Ekong’s daily life. Yet in overcoming misunderstandings with his neighbors, Chinese and Latino and African American, and in bonding with his true allies at work and advocating for healing back home, Ekong proves that there is still hope in sharing our stories. Akpan’s prose melds humor, tenderness, and pain to explore the myriad ways that tribalisms define life everywhere, from the villages of Nigeria to the villages within New York City. New York, My Village is a triumph of storytelling and a testament to the life-sustaining power of community across borders and across boroughs.




My Village


Book Description

In a new edition of this special book, 22 nursery rhymes from Iran to Iceland and Samoa to Switzerland have been carefully chosen and beautifully illustrated by Mique Moriuchi. A celebration of cultural diversity, each poem appears in its original language (19 languages are included) next to an English translation so young children can delight in quirky, touching and funny verses from all over the world.




My Village


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I was a thirty-something woman with a husband, a daughter, and a dog...And then, one morning, I found a lump in my right breast, and my life stopped, shifted direction, and became something I could never have imagined. Early one Saturday morning in October, 2004, Diolinda Peterson found a lump in her breast-her worst nightmare after watching her own mother, only five years before, fight the disease and lose her life to cancer. Suddenly, her world was consumed with diagnosis, surgery, and chemotherapy, forcing her to face her own mortality. Fearing that history might repeat itself, she considered the repercussions that her death might have on her husband and young daughter. Throughout this year-long battle, though, she was not alone, but instead supported by family and friends, whom she lovingly referred to as her Village. My Village: A Young Family's Story of Cancer, Love, and Gratitude is a story of hope surpassing incredible fear and loss. As a family, the Petersons forced themselves to name their horror, honor their fear, and reframe their minds and hearts with love and gratitude's power. Courageously written, this memoir constructs a realistic picture of what it feels and looks like for a young woman to have cancer, and it shares how a family coped, survived, and eventually thrived despite their terrifying journey.