Lovers, Clowns, and Fairies


Book Description

Through dreams and shadows and strangeness, through blinding charms and eye-opening counter-charms, through moments of mortification and laughter—thus Stuart M. Tave traces the journey of the lovers, clowns, and fairies who populate comedies from A Midsummer Night's Dream to Waiting for Godot. Tave avoids the pitfalls of theory, taking instead a close look at particular works to give us a sense of the relations between certain dramas and novels that are called comedies. The result is a wonderfully readable book that renews our delight in the enchanting possibilities of literature. A Midsummer Night's Dream, in its "perfection," is Tave's point of departure. Its characters fall neatly into the three groups of Tave's title and fulfill to perfection their functions of desire, foolishness, and power. From the magical concord of Shakespeare's resolution, Tave moves to works whose character face ever greater difficulties in reaching a happy conclusion. From Jonson and Austen to Chekhov and Beckett, he meets comedies on their own terms, illuminating the complex and individual genius of each. A masterpiece of practical criticism, Lovers, Clowns, and Fairies rediscovers the pleasure of reading comedies.




Lovers, Clowns, and Fairies


Book Description

Through dreams and shadows and strangeness, through blinding charms and eye-opening counter-charms, through moments of mortification and laughter—thus Stuart M. Tave traces the journey of the lovers, clowns, and fairies who populate comedies from A Midsummer Night's Dream to Waiting for Godot. Tave avoids the pitfalls of theory, taking instead a close look at particular works to give us a sense of the relations between certain dramas and novels that are called comedies. The result is a wonderfully readable book that renews our delight in the enchanting possibilities of literature. A Midsummer Night's Dream, in its "perfection," is Tave's point of departure. Its characters fall neatly into the three groups of Tave's title and fulfill to perfection their functions of desire, foolishness, and power. From the magical concord of Shakespeare's resolution, Tave moves to works whose character face ever greater difficulties in reaching a happy conclusion. From Jonson and Austen to Chekhov and Beckett, he meets comedies on their own terms, illuminating the complex and individual genius of each. A masterpiece of practical criticism, Lovers, Clowns, and Fairies rediscovers the pleasure of reading comedies.




The Living Age


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Yale/theatre


Book Description




Aristophanes' Old-and-New Comedy


Book Description

This startling and original study emerged from Kenneth Rockford's wish to vindicate Aristophanes' Clouds against detractors. As a result of years of rereading and teaching Aristophanes, he realized that the Clouds could not be defended in an analysis of that play in isolation. A better approach, he decided, would be to define a comic perspective within which Aristophanes' comedies in general as well as the Clouds in particular could be appreciated. This first volume of Reckford's defense examines the comedies as a whole in a series of defining essays, each with its own dominant concern and method of approach. The author begins by exploring not the usual questions of Aristophanes' political attitudes and his place in the development of comedy, but rather the festive, celebratory, and Dionysian nature of Old Comedy. Here and throughout the book Reckford illustrates Aristophanes' form of comedy with analogies to Rabelais, Shakespeare, Charlie Chaplin, Alice in Wonderland, and The Wonderful Wizard of Oz. In the remaining essays Reckford goes beyond the usual Freudian approaches, reinterpreting the comic catharsis as a clarification of wishing and hoping. He also explores the growth of plays from comic idea to comic performance, in ways reflected in Tom Stoppard's plays today. Only then are Aristophanes' basic political loyalties described, as well as the place of his old- and-new comedy within the history of the genre. In a book that is as much about comedy generally as it is about Aristophanes specifically, some plays are treated more fully than others. Reckford discusses the Wasps at length, comparing the symbolic transformations and comic recognitions in the play with dream experience and dream interpretation. He also analyzes the Peace, the Acharians, the Birds, and the Frogs. Reckford's vindication of the Clouds will appear in the second volume of his defense, Clouds of Glory. Reckford's playful translations preserve the puns and anachronisms of Aristophanes, maintaining the playwright's comic feeling and tone. Combining traditional classical scholarship with a variety of literary, psychological, and anthropological approaches, he has written a study that will appeal to both the academic audience and the general reader who cares about comedy. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.